The Turnip Princess and Other Newly Discovered Fairy Tales

by Franz Xaver von Schonwerth, Erika Eichenseer (Editor), Maria Tatar (Translator), Engelbert Suss (Illustrator)

Overview

A rare discovery in the world of fairy tales—now for the first time in English

Move over, Cinderella: Make way for the Turnip Princess! And for the “Cinderfellas” in these stories, which turn our understanding of gender in fairy tales on its head.

With this volume, the holy trinity of fairy tales—the Brothers Grimm, Charles Perrault, and Hans Christian Andersen—becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the forests, lowlands, and mountains of northern Bavaria to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth's work was lost—until a few years ago, when thirty boxes of manu­scripts were uncovered in a German municipal archive. Now, for the first time, Schönwerth's lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, these more than seventy stories bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Product Details

ISBN-13:	9780698144552
Publisher:	Penguin Publishing Group
Publication date:	02/24/2015
Sold by:	Penguin Group
Format:	eBook
Pages:	288
File size:	3 MB
Age Range:	18 Years

About the Author

Franz Xaver von Schönwerth (1810–1886) had a successful career in law and the Bavarian royal court before devoting himself full-time to cataloging the customs and folktales of his homeland.

Erika Eichenseer (editor) is the director of the Franz Xaver von Schönwerth Society. She lives in Germany.

Maria Tatar (translator and introducer) is the John L. Loeb Professor of Folklore and Mythology and Germanic Languages and Literatures at Harvard University. She lives in Cambridge, Massachusetts.
 
Engelbert Süss (illustrations) is a sculptor, glass-artist, and illustrator. He created the bronze statue King of Dwarfs for the Schönwerth Fairytale Path in Sinzing, Bavaria.

Read an Excerpt

"Prince Dung Beetle"

There was once a poor girl named Barbara, whose mother was ill. she had to run over to the doctor and druggist for help. On the way, she jumped across a paving stone and slipped, almost flattening a dung  beetle. When  she realized that  she had sprained her ankle,  she felt terrible and cried out: “Now who is going to bring back the doctor? My mother is going to die!”

The beetle muttered: “Climb up on my back.” Startled by the strange voice, the girl began to sob uncontrollably. The beetle slid right under her, spread its wings, and lifted her up in the air, carrying her to the doctor and druggist in a flash and then back home to her mother.

“You must be sure to feed your little horse,” the mother said to  her  daughter  while  they  were eating bread and sipping water.

“Yes, of course, but my little horse seems to have wandered away,” Barbara said. She searched every corner of the house and looked out all the windows. Suddenly one of the king’s horsemen appeared on the horizon, riding toward them.

“Oh, that must be the Blue Prince,” the mother called out, as if he were  an  old  friend. The door  flew open, and  the prince marched right in, looking radiantly young and handsome. He greeted  the  mother warmly, and  then  he looked  at  the  young woman, took her by the hand, and said: “You lifted the curse on me, and I want to thank you by giving you everything i own.” Barbara did not know what todo, and she looked first at the prince, then at her mother. she was afraid of the stranger. But he explained what had happened to him: “For many years, more years than there are trees in the woods, I have been living as a beetle, crawling around in dust and refuse, beaten  down, crushed, tortured, and in pain, all because I did the same things to animals when I was a boy. My punishment was to turn into a beast and to suffer as they do. You took pity on me, miserable beetle that I was, and that’s how you lifted the curse. I want to ask your mother for the hand of the angel who saved me!”

The girl turned pale, and both mother and daughter were deeply moved.

The prince threw open the shutters and blew on his horn. The mountains wafted the melody over the forests, and everything there awakened and came alive. Barbara and her mother began  to realize that the many people who had  suddenly  appeared with horses and carts were the prince’s subjects, and they, too, had been rescued by the love of a simple young woman. The mother was soon healed, and her beautiful, rosy-cheeked daughter joyfully accepted the prince’s proposal.

At the wedding, the fleas played the fiddle, the birds whistled tunes, and all creatures with feet, large and small, danced and leaped through the air.

What People are Saying About This

From the Publisher

“Schönwerth’s tales have a compositional fierceness and energy rarely seen in stories gathered by the Brothers Grimm or Charles Perrault.” —The New Yorker

“[This] new collection of German folk stories . . . challenges preconceptions about many of the most commonly known fairytales. . . . Many of the stories centre around surprisingly emancipated female characters.” —The Guardian
 
“Schönwerth’s legacy counts as the most significant collection in the German-speaking world in the nineteenth century.” —Daniel Drascek, University of Regensburg

Editorial Reviews

One of NPR’s Best Books of the Year
Winner of the Anne Izard Storytellers’ Choice Award

“The tales are fascinating— . . . they have all their original, fiercely oddball appeal.” —NPR, “Best Books of the Year”

“Bawdier, racier and significantly more scatological than the collection the Grimms published.” —Laura Miller, Salon

“This stunning fairy-tale find is grimmer than Grimm. . . . Here is real treasure. Just watch out for the witch.” —The Washington Post

“Schönwerth’s tales have a compositional fierceness and energy rarely seen in stories gathered by the Brothers Grimm or Charles Perrault.” —The New Yorker

“In the hands of renowned folklorist and scholar Maria Tatar, these seventy-two stories come to life with a snappy matter-of-factness, racing with palpable energy through fantasy landscapes that always feel close to home.” —NPR.org

“Lively and lucid.” —Marina Warner, The New York Review of Books

“[A] parade of giants, gnomes, kings, and witches . . . Anyone familiar with Disney or the Grimms will be surprised by these brief, enigmatic tales. . . . They teach us to read for the simple thrill of the tales themselves, their humor and their zest. . . . In their simple charm and wild imagination they remind us of the foundation of literature itself: the impulse to entertain.” —Pittsburgh Post-Gazette

“[This] new collection of German folk stories . . . challenges preconceptions about many of the most commonly known fairytales. . . . Many of the stories centre around surprisingly emancipated female characters.” —The Guardian

“Schönwerth’s legacy counts as the most significant collection in the German-speaking world in the nineteenth century.” —Daniel Drascek, University of Regensburg

“These eminently enjoyable tales offer a rich new take on the material of the Grimms and Andersen. . . . The tales are vigorous, direct, and less artful then those of the Grimms, suggesting greater authenticity, closer to the source.” —Library Journal

From the Publisher

03/01/2015
Schönwerth (1810–86), a lawyer and official in the Bavarian royal court, was a younger contemporary of the Brothers Grimm. Like the Grimms, he became a collector of folktales and customs. Eichenseer, a historian and preservationist who directs the Franz Xaver von Schönwerth Society, has discovered a trove of the fairy tales collected by Schönwerth, editing and publishing them for the first time. They have been translated by Tatar (John L. Loeb Professor of Germanic Languages and Literatures; chair, the Program in Folklore and Mythology, Harvard Univ.). The tales are brief, featuring the various adventures of intrepid young men or enchanted animals, struggling against giants, dwarfs, witches, or intemperate kings, often culminating in marriage with a princess. Many feature handsome princes who are displaced and must disguise themselves as peasants or craftsmen. The reward of patience and virtue is a common theme. While narratively rougher than the stories of the Grimms or Hans Christian Andersen, they share many motifs, though often with altered details, especially the gender of characters. The tales are vigorous, direct, and less artful then those of the Grimms, suggesting greater authenticity, closer to the source. VERDICT These eminently enjoyable tales offer a rich new take on the material of the Grimms and Andersen.—Thomas L. Cooksey, Armstrong Atlantic State Univ., Savannah

Library Journal