A concise new life of the creator of Peter Rabbit and Pigling Bland illuminates a life devoted to the world her art and stories represent. Essay by Michael Dirda.
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Overview
The Tailor of Gloucester is a children's book written and illustrated by Beatrix Potter, privately printed by the author in 1902, and published in a trade edition by Frederick Warne & Co. in October 1903. The story is about a tailor whose work on a waistcoat is finished by the grateful mice he rescues from his cat and was based on a real world incident involving a tailor and his assistants. For years, Potter declared that of all her books, it was her personal favorite.
A tailor in Gloucester sends his cat Simpkin to buy food and a twist of cherry-coloured silk to complete a waistcoat commissioned by the mayor for his wedding on Christmas morning. While Simpkin is gone, the tailor finds mice the cat has imprisoned under teacups. The mice are released and scamper away. When Simpkin returns and finds his mice gone, he hides the twist in anger.
The tailor falls ill and is unable to complete the waistcoat, but, upon returning to his shop, he is surprised to find the waistcoat finished. The work has been done by the grateful mice. However, one buttonhole remains unfinished because there was "no more twist!" Simpkin gives the tailor the twist to complete the work and the success of the waistcoat makes the tailor's fortune.
In the summer of 1901, Potter was working on The Tale of Squirrel Nutkin, but took time to develop a tale about a poor tailor she heard in the Gloucestershire home of her cousin Caroline Hutton probably in 1897. The tale was finished by Christmas 1901, written out in an exercise book with a dozen watercolours, and presented as a holiday gift to ten-year-old Freda Moore, the daughter of her former governess, Annie Carter Moore.
The tale was based on a real world incident involving John Pritchard (1877-1934), a Gloucester tailor commissioned to make a suit for the new mayor. He returned to his shop on a Monday morning to find the suit completed except for one buttonhole. A note attached read, "No more twist". His assistants had finished the coat in the night, but Pritchard encouraged a fiction that fairies had done the work and the incident became a local legend.
Potter sketched the Gloucester street where the tailor's shop stood as well as cottage interiors, crockery, and furniture. The son of Hutton's coachman posed cross-legged as a model for the tailor. In Chelsea, Potter was allowed to sketch the interior of a tailor's shop to whom she would later send a copy. She visited the costume department at the South Kensington Museum to refine her illustrations of 18th century dress.
Potter later borrowed Freda Moore's gift copy, revised the work, and privately printed the tale in December 1902. She marketed the book among family and friends and sent a copy to her publisher who made numerous cuts in both text and illustrations for the trade edition, chiefly among the tale's many nursery rhymes.
Although Pritchard was a contemporary of hers (he was about 11 years younger than Potter and in his twenties when the incident took place), Potter's tailor is shown as middle-aged and the action is set in the 18th-century.
Squirrel Nutkin was published in August 1903 and Tailor in October 1903. Both were published in deluxe editions bound in a flowered chintz of scattered pansies the author selected. The familiar illustrated endpapers of Potter characters in a chain bordering the edges of the page were introduced in both books against Potter's better judgement. However, Warne was delighted with the commercial potential of the endpapers because new characters hinting at future titles could be worked into the design at any time.
A tailor in Gloucester sends his cat Simpkin to buy food and a twist of cherry-coloured silk to complete a waistcoat commissioned by the mayor for his wedding on Christmas morning. While Simpkin is gone, the tailor finds mice the cat has imprisoned under teacups. The mice are released and scamper away. When Simpkin returns and finds his mice gone, he hides the twist in anger.
The tailor falls ill and is unable to complete the waistcoat, but, upon returning to his shop, he is surprised to find the waistcoat finished. The work has been done by the grateful mice. However, one buttonhole remains unfinished because there was "no more twist!" Simpkin gives the tailor the twist to complete the work and the success of the waistcoat makes the tailor's fortune.
In the summer of 1901, Potter was working on The Tale of Squirrel Nutkin, but took time to develop a tale about a poor tailor she heard in the Gloucestershire home of her cousin Caroline Hutton probably in 1897. The tale was finished by Christmas 1901, written out in an exercise book with a dozen watercolours, and presented as a holiday gift to ten-year-old Freda Moore, the daughter of her former governess, Annie Carter Moore.
The tale was based on a real world incident involving John Pritchard (1877-1934), a Gloucester tailor commissioned to make a suit for the new mayor. He returned to his shop on a Monday morning to find the suit completed except for one buttonhole. A note attached read, "No more twist". His assistants had finished the coat in the night, but Pritchard encouraged a fiction that fairies had done the work and the incident became a local legend.
Potter sketched the Gloucester street where the tailor's shop stood as well as cottage interiors, crockery, and furniture. The son of Hutton's coachman posed cross-legged as a model for the tailor. In Chelsea, Potter was allowed to sketch the interior of a tailor's shop to whom she would later send a copy. She visited the costume department at the South Kensington Museum to refine her illustrations of 18th century dress.
Potter later borrowed Freda Moore's gift copy, revised the work, and privately printed the tale in December 1902. She marketed the book among family and friends and sent a copy to her publisher who made numerous cuts in both text and illustrations for the trade edition, chiefly among the tale's many nursery rhymes.
Although Pritchard was a contemporary of hers (he was about 11 years younger than Potter and in his twenties when the incident took place), Potter's tailor is shown as middle-aged and the action is set in the 18th-century.
Squirrel Nutkin was published in August 1903 and Tailor in October 1903. Both were published in deluxe editions bound in a flowered chintz of scattered pansies the author selected. The familiar illustrated endpapers of Potter characters in a chain bordering the edges of the page were introduced in both books against Potter's better judgement. However, Warne was delighted with the commercial potential of the endpapers because new characters hinting at future titles could be worked into the design at any time.
Product Details
| BN ID: | 2940015553741 |
|---|---|
| Publisher: | Balefire Publishing |
| Publication date: | 10/04/2012 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 60 |
| File size: | 4 MB |
| Age Range: | 3 - 5 Years |
About the Author
Helen Beatrix Potter (28 July 1866 – 22 December 1943) was an English author, illustrator, natural scientist and conservationist best known for her imaginative children’s books featuring animals such as those in The Tale of Peter Rabbit which celebrated the British landscape and country life.
Born into a privileged Unitarian family, Potter, along with her younger brother, Walter Bertram (1872–1918), grew up with few friends outside her large extended family. Her parents were artistic, interested in nature and enjoyed the countryside. As children, Beatrix and Bertram had numerous small animals as pets which they observed closely and drew endlessly. Summer holidays were spent in Scotland and in the English Lake District where Beatrix developed a love of the natural world which was the subject of her painting from an early age.
She was educated by private governesses until she was eighteen. Her study of languages, literature, science and history was broad and she was an eager student. Her artistic talents were recognized early. Although she was provided with private art lessons, Potter preferred to develop her own style, particularly favoring watercolor. Along with her drawings of her animals, real and imagined, she illustrated insects, fossils, archeological artefacts, and fungi. In the 1890s her mycological illustrations and research on the reproduction of fungi spores generated interest from the scientific establishment. Following some success illustrating cards and booklets, Potter wrote and illustrated The Tale of Peter Rabbit publishing it first privately in 1901, and a year later as a small, three-color illustrated book with Frederick Warne & Co. She became unofficially engaged to her editor Norman Warne in 1905 despite the disapproval of her parents, but he died suddenly a month later, of leukemia.
With the proceeds from the books and a legacy from an aunt, Potter bought Hill Top Farm in Near Sawrey, a tiny village in the English Lake District near Ambleside in 1905. Over the next several decades, she purchased additional farms to preserve the unique hill country landscape.
Born into a privileged Unitarian family, Potter, along with her younger brother, Walter Bertram (1872–1918), grew up with few friends outside her large extended family. Her parents were artistic, interested in nature and enjoyed the countryside. As children, Beatrix and Bertram had numerous small animals as pets which they observed closely and drew endlessly. Summer holidays were spent in Scotland and in the English Lake District where Beatrix developed a love of the natural world which was the subject of her painting from an early age.
She was educated by private governesses until she was eighteen. Her study of languages, literature, science and history was broad and she was an eager student. Her artistic talents were recognized early. Although she was provided with private art lessons, Potter preferred to develop her own style, particularly favoring watercolor. Along with her drawings of her animals, real and imagined, she illustrated insects, fossils, archeological artefacts, and fungi. In the 1890s her mycological illustrations and research on the reproduction of fungi spores generated interest from the scientific establishment. Following some success illustrating cards and booklets, Potter wrote and illustrated The Tale of Peter Rabbit publishing it first privately in 1901, and a year later as a small, three-color illustrated book with Frederick Warne & Co. She became unofficially engaged to her editor Norman Warne in 1905 despite the disapproval of her parents, but he died suddenly a month later, of leukemia.
With the proceeds from the books and a legacy from an aunt, Potter bought Hill Top Farm in Near Sawrey, a tiny village in the English Lake District near Ambleside in 1905. Over the next several decades, she purchased additional farms to preserve the unique hill country landscape.
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