The Sweet Far Thing

by Libba Bray Narrated by Josephine Bailey

Overview

The*gripping conclusion to the critically acclaimed*New York Times, USA Today, and*Publishers Weekly*bestselling Gemma Doyle trilogy, an exhilarating and haunting saga*from the author of The Diviners series and*Going Bovine.

It has been a year of change since Gemma Doyle arrived at the foreboding Spence Academy. Her mother murdered, her father alaudanum addict, Gemma has relied on an unsuspected strength and has discovered an ability to travel to an enchanted world called the realms, where dark magic runs wild. Despite certain peril, Gemma has bound the magic to herself and forged unlikely new alliances. Now, as Gemma approaches her London debut, the time has come to test these bonds.

The Order-the mysterious group her mother was once part of-is grappling for control of the realms, as is the Rakshana. Spence's burned East Wing is being rebuilt, but why now? Gemma and her friends see Pippa, but she is not the same. And their friendship faces its gravest trial as Gemma must decide once and for all what role she is meant for.

"A rare treat . . . beautifully crafted" --People

"A huge work of massive ambition.” -Publishers Weekly, Starred*Review

A*Publishers Weekly*Best Book of the Year
A #1 Book Sense Bestseller
A*New York Times*Bestseller
A*Publishers Weekly*Bestseller
A*USA Today*Bestseller
A 2008 New York Public Library Book for the Teen Age
CCBC Choice (Cooperative Children's Book Center at the University of Wisconsin-Madison)
*

Editorial Reviews

JUN/ JUL 08 - AudioFile

The concluding chapter of Bray’s trilogy (A GREAT AND TERRIBLE BEAUTY, 2004, and REBEL ANGELS, 2005) is again given voice by Josephine Bailey, who creates the many characters of this rich Victorian world. As Gemma Doyle and her friends at Spence Academy deal with the strictures of their society—worrying about making their debuts and escaping from under the tight control of their fathers and brothers—they must, at the same time, sort out the lethal mystery that surrounds the Realms, a complex alter-universe peopled by mythical creatures and the undead. Bailey’s narration establishes the necessary continuity with the previous books, allowing listeners of the first two volumes to resume their connection to the Realms and Victorian England. S.G. © AudioFile 2008, Portland, Maine

Publishers Weekly

The concluding volume in the trilogy begun in A Great and Terrible Beautyis a huge work of massive ambition, an undertaking that involves the plaiting and tying off a dozen plot threads-impending war in the realms and heroine Gemma Doyle's control of its magic being the central thread but, perhaps, not the most interesting. In chronicling Gemma's first year at Spence Academy, Bray has, over three books, widened her canvas from finishing school to fin-de-siècle London, weaving in the defining movements of the era-labor strikes over factory conditions, suffrage, the "radical" Impressionists just across the Channel, even fashion trends like bloomers for women daring enough to ride bicycles. Gemma is both buffeted and bolstered by her exposure to these developments, and readers experience how they shape her burgeoning understanding of who she is and who she may become. Some of Gemma's struggle is about power. As exalted as she is within the realms for her role as High Priestess of the secret society, her "otherness" marks her as unsuitable for proper Victorian circles. Gemma chafes not only at the physical constraints of a corset but at the myriad restrictions placed on women. Her quest is to break free, but at what cost? Bray poses these vital questions without sacrificing the gothic undertones of the previous volumes-the body count is high, and the deaths, gruesome. That creepiness is balanced by the fully realized company of players, including the insufferable headmistress, Mrs. Nightwing, the acid-tongued Felicity Worthington, hunky heartthrob Kartik and, of course, Gemma herself, a heroine readily embraced. Ages 14-up. (Dec.)

Copyright 2007 Reed Business Information

From the Publisher

A huge work of massive ambition.” —Publishers Weekly, Starred Review

"This is a rare treat that offers a bit of everything—romance, magic, history, Gothic intrigue—and delivers on all of it in 819 beautifully crafted pages." —People

A Publishers Weekly Best Book of the Year
A #1 Book Sense Bestseller
A New York Times Bestseller
A Publishers Weekly Bestseller
A USA Today Bestseller
A 2008 New York Public Library Book for the Teen Age
CCBC Choice (Cooperative Children’s Book Center at the University of Wisconsin-Madison)

Product Details

BN ID:	2940169439595
Publisher:	Penguin Random House
Publication date:	01/08/2008
Series:	Gemma Doyle Trilogy Series , #3
Edition description:	Unabridged

Read an Excerpt

CHAPTER ONE March 1896
SPENCE ACADEMY FOR YOUNG LADIES

There is a particular circle of hell not mentioned in Dante's famous book. It is called comportment, and it exists in schools for young ladies across the empire. I do not know how it feels to be thrown into a lake of fire. I am sure it isn't pleasant. But I can say with all certainty that walking the length of a ballroom with a book upon one's head and a backboard strapped to one's back while imprisoned in a tight corset, layers of petticoats, and shoes that pinch is a form of torture even Mr. Alighieri would find too hideous to document in his Inferno.

"Let us keep our eyes trained toward heaven, girls," our headmistress, Mrs. Nightwing, pleads as we attempt our slow march across the floor, heads held high, arms out like ballerinas.

The loops of the backboard chafe the sides of my arms. The block of wood is unyielding, and I am forced to stand as stiff as the guards at Buckingham Palace. My neck aches with the effort. Come May, I shall make my debut a full year early, for it has been decided by all parties involved that at nearly seventeen I am ready and that it would do me good to have my season now. I shall wear beautiful gowns, attend lavish parties, and dance with handsome gentlemen—if I survive my training. At present, that outcome is very much in doubt.

Mrs. Nightwing paces the length of the ballroom. Her stiff skirts whisk-whisk across the floor as if to rebuke it for lying there. All the while she barks orders like Admiral Nelson himself. "Heads held high!
Do not smile, Miss Hawthorne! Serene, somber expressions! Empty your minds!"

I strain to keep my face a blank canvas. My spine aches. My left arm, held out to the side for what seems hours, trembles with the effort.

"And curtsy . . ."

Like falling souffles, we drop low, trying desperately not to lose our balance. Mrs. Nightwing does not give the order to rise. My legs shake with exhaustion. I cannot manage it. I stumble forward. The book tumbles from my head and lands on the floor with a resounding thud. We have done this four times, and four times I have failed in some fashion. Mrs. Nightwing's boots stop inches from my disgraced form.

"Miss Doyle, may I remind you that this is the court, and you are curtsying to your sovereign, not performing in the Folies Bergere?"

"Yes, Mrs. Nightwing," I say sheepishly.

It is hopeless. I shall never curtsy without falling. I shall lie sprawled upon the gleaming floors of Buckingham Palace like a disgraceful stain of a girl, my nose resting upon the boot of the Queen. I shall be the talk of the season, whispered about behind open fans. No doubt every man will avoid me like typhus.

"Miss Temple, perhaps you will demonstrate the proper curtsy for us?"

Without ado, Cecily Temple, She Who Can Do No Wrong, settles to the floor in a long, slow, graceful arc that seems to defy gravity. It is a thing of beauty. I am hideously jealous.

"Thank you, Miss Temple."

Yes, thank you, you little demon beast. May you marry a man who eats garlic with every meal.

"Now, let us—" Mrs. Nightwing is interrupted by loud banging. She closes her eyes tightly against the noise.

"Mrs. Nightwing," Elizabeth whines. "How can we possibly concentrate on our form with such a terrible racket coming from the East Wing?"

Mrs. Nightwing is in no humor for our complaining. She takes a deep breath and clasps her hands at her waist, her head held high.

"We shall carry on, like England herself. If she could withstand Cromwell, the Wars of the Roses, and the French, surely you may overlook a bit of hammering. Think how lovely the East Wing shall be when it is completed. We shall try again—steady! All eyes are upon you! It won't do to scurry to Her Majesty like a timid church mouse."

I often imagine what sort of position Nightwing might seek out were she not currently torturing us as headmistress of Spence Academy for Young Ladies. Dear Sirs, her letter might begin. I am writing to inquire about your advert for the position of Balloon Popper. I have a hatpin that will do the trick neatly and bring about the wails of small children everywhere. My former charges will attest to the fact that I rarely smile, never laugh, and can steal the joy from any room simply by entering and bestowing upon it my unique sense of utter gloom and despair. My references in this matter are impeccable. If you have not fallen into a state of deep melancholia simply by reading my letter, please respond to Mrs. Nightwing (I have a Christian name but no one ever has leave to use it) in care of Spence Academy for Young Ladies. If you cannot be troubled to find the address on your own, you are not trying your very best. Sincerely, Mrs. Nightwing.

"Miss Doyle! What is that insipid smile you're wearing? Have I said something that amuses you?" Mrs. Nightwing's admonishment brings a flush to my cheeks. The other girls giggle.

We glide across the floor, trying our best to ignore the hammering and the shouts. The noise isn't what distracts us. It is the knowledge that there are men here, one floor above us, that keeps us jittery and light.

"Perhaps we could see the progress they've made, Mrs. Nightwing? How extraordinary it must be," Felicity Worthington suggests with a sweetness bordering on pure syrup. Only Felicity would be so bold as to suggest this. She is too daring by half. She is also one of my only allies here at Spence.

"The workmen do not need girls underfoot, as they are already behind schedule," Mrs. Nightwing says. "Heads up, if you please! And—"

A loud bang sounds from above. The sudden noise makes us jump. Even Mrs. Nightwing lets out a "Merciful heavens!" Elizabeth, who is nothing more than a nervous condition disguised as a debutante, yelps and grabs hold of Cecily.

"Oh, Mrs. Nightwing!" Elizabeth cries.

We look to our headmistress hopefully.

Mrs. Nightwing exhales through disapproving lips. "Very well. We shall adjourn for the present. Let us take the air to restore the roses to our cheeks."

"Might we bring our paper and sketch the progress on the East Wing?" I suggest. "It would make a fine record."

Mrs. Nightwing favors me with a rare smile. "A most excellent suggestion, Miss Doyle. Very well, then. Gather your paper and pencils. I shall send Brigid with you. Don your coats. And walk, if you please."

We abandon our backboards along with our decorum, racing for the stairs and the promise of freedom, however temporary it may be.

"Walk!" Mrs. Nightwing shouts. When we cannot seem to heed her advice, she bellows after us that we are savages not fit for marriage. She adds that we shall be the shame of the school and something else besides, but we are down the first flight of stairs, and her words cannot touch us.

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