The Subversive Evangelical: The Ironic Charisma of an Irreligious Megachurch
Evangelicals have been scandalized by their association with Donald Trump, their megachurches summarily dismissed as “religious Walmarts.” In The Subversive Evangelical Peter Schuurman shows how a growing group of “reflexive evangelicals” use irony to critique their own tradition and distinguish themselves from the stereotype of right-wing evangelicalism. Entering the Meeting House – an Ontario-based Anabaptist megachurch – as a participant observer, Schuurman discovers that the marketing is clever and the venue (a rented movie theatre) is attractive to the more than five thousand weekly attendees. But the heart of the church is its charismatic leader, Bruxy Cavey, whose anti-religious teaching and ironic tattoos offer a fresh image for evangelicals. This charisma, Schuurman argues, is not just the power of one individual; it is a dramatic production in which Cavey, his staff, and attendees cooperate, cultivating an identity as an “irreligious” megachurch and providing followers with a more culturally acceptable way to practise their faith in a secular age. Going behind the scenes to small group meetings, church dance parties, and the homes of attendees to investigate what motivates these reflexive evangelicals, Schuurman reveals a playful and provocative counterculture that distances itself from prevailing stereotypes while still embracing a conservative Christian faith.
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The Subversive Evangelical: The Ironic Charisma of an Irreligious Megachurch
Evangelicals have been scandalized by their association with Donald Trump, their megachurches summarily dismissed as “religious Walmarts.” In The Subversive Evangelical Peter Schuurman shows how a growing group of “reflexive evangelicals” use irony to critique their own tradition and distinguish themselves from the stereotype of right-wing evangelicalism. Entering the Meeting House – an Ontario-based Anabaptist megachurch – as a participant observer, Schuurman discovers that the marketing is clever and the venue (a rented movie theatre) is attractive to the more than five thousand weekly attendees. But the heart of the church is its charismatic leader, Bruxy Cavey, whose anti-religious teaching and ironic tattoos offer a fresh image for evangelicals. This charisma, Schuurman argues, is not just the power of one individual; it is a dramatic production in which Cavey, his staff, and attendees cooperate, cultivating an identity as an “irreligious” megachurch and providing followers with a more culturally acceptable way to practise their faith in a secular age. Going behind the scenes to small group meetings, church dance parties, and the homes of attendees to investigate what motivates these reflexive evangelicals, Schuurman reveals a playful and provocative counterculture that distances itself from prevailing stereotypes while still embracing a conservative Christian faith.
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The Subversive Evangelical: The Ironic Charisma of an Irreligious Megachurch

The Subversive Evangelical: The Ironic Charisma of an Irreligious Megachurch

by Peter J. Schuurman
The Subversive Evangelical: The Ironic Charisma of an Irreligious Megachurch

The Subversive Evangelical: The Ironic Charisma of an Irreligious Megachurch

by Peter J. Schuurman

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Overview

Evangelicals have been scandalized by their association with Donald Trump, their megachurches summarily dismissed as “religious Walmarts.” In The Subversive Evangelical Peter Schuurman shows how a growing group of “reflexive evangelicals” use irony to critique their own tradition and distinguish themselves from the stereotype of right-wing evangelicalism. Entering the Meeting House – an Ontario-based Anabaptist megachurch – as a participant observer, Schuurman discovers that the marketing is clever and the venue (a rented movie theatre) is attractive to the more than five thousand weekly attendees. But the heart of the church is its charismatic leader, Bruxy Cavey, whose anti-religious teaching and ironic tattoos offer a fresh image for evangelicals. This charisma, Schuurman argues, is not just the power of one individual; it is a dramatic production in which Cavey, his staff, and attendees cooperate, cultivating an identity as an “irreligious” megachurch and providing followers with a more culturally acceptable way to practise their faith in a secular age. Going behind the scenes to small group meetings, church dance parties, and the homes of attendees to investigate what motivates these reflexive evangelicals, Schuurman reveals a playful and provocative counterculture that distances itself from prevailing stereotypes while still embracing a conservative Christian faith.

Product Details

ISBN-13: 9780773558359
Publisher: McGill-Queens University Press
Publication date: 06/30/2019
Series: Advancing Studies in Religion , #6
Sold by: Barnes & Noble
Format: eBook
File size: 9 MB

About the Author

Peter J. Schuurman is adjunct professor at Redeemer University College, instructor in the Doctor of Ministry program at Tyndale University College and Seminary, and executive director of Global Scholars Canada.

Table of Contents

Tables and Figures ix

Preface xi

Acknowledgments xxi

1 Wrecking "Religion" for the Love of Jesus: The Ironic Charisma of a Reflexive Evangelical 3

2 Caught Up in the Dramatic Web: The Sticky Storylines of Ironic Charisma 21

3 From Street Theatre to Silver City: Setting the "Irreligious" Stage 45

4 Irony as Liturgy: Strategic Satire for a Spoiled Identity 71

5 Life Together: Home Church as Romantic Script 94

6 "Irreligious" Teamwork Backstage: The Fly System in the Dramatic Web 125

7 The "Irreligious" Paradox: The Playful Production of Ironic Evangelicalism 156

8 Dramaturgical Trouble and the End of the Show 192

9 Epilogue: Reflecting on Reflexive Evangelicals 223

Appendix: Method: Fieldwork and Posture 245

Notes 251

References 293

Index 353

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