The Stylistics of 'You': Second-Person Pronoun and its Pragmatic Effects

by Sandrine Sorlin

Overview

This book takes 'you', the reader, on board an interdisciplinary journey across genre, time and medium with the second-person pronoun. It offers a model of the various pragmatic functions and effects of 'you' according to different variables and linguistic parameters, cutting across a wide range of genres (ads, political slogans, tweets, news presentation, literary genres etc.), and bringing together print and digital texts under the same theoretical banner. Drawing on recent research into intersubjectivity in neuropsychology and socio-cognition, it delves into the relational and ethical processing at work in the reading of a second-person pronoun narrative. When 'you' takes on its more traditional deictic function of address, the author-reader channel can be opened in different ways, which is explored in examples taken from Fielding, Brontë, Orwell, Kincaid, Grimsley, Royle, Adichie, Bartlett, Auster, and even Spacey's 'creepy' 2018 YouTube video, ultimately foregrounding continuities and contrasts in the positioning of the audience.

Product Details

ISBN-13:	9781108967563
Publisher:	Cambridge University Press
Publication date:	01/13/2022
Sold by:	Barnes & Noble
Format:	eBook
File size:	3 MB

About the Author

Sandrine Sorlin is Professor of English Linguistics at University Paul-Valéry – Montpellier (France), specialising in stylistics and pragmatics. Her latest book Language and Manipulation in House of Cards (2016) received an award from the European Society for the Study of English. She co-edited The Pragmatics of Personal Pronouns (2015) and edited Stylistic Manipulation of the Reader in Contemporary Fiction (Bloomsbury 2020). She is also assistant editor of Language and Literature.

Table of Contents

1. Theorising the 'you effects'; Part I. Singularising and Sharing: the Dialectics of 'You': 2. George Orwell's Down and out in Paris and London (1933): Putting yourself in the shoes of a tramp; 3. Paul Auster's ordinary life and yours: blendable singularities?; Part II. The Role of 'You' in the Writing of Traumatic Events: 4. Performing 'self-othering' in Winter Birds (1994) by Jim Grimsley; 5. Pronominal 'veering' in Quilt (2010) by Nicholas Royle; Part III. The Author-Reader Channel across Time, Tender, Sex and Race: 6. Two ways of conversing with the reader; 7. Empathy for sexual minorities in Skin Lane by Neil Bartlett (2007); 8. The ethics and politics of the second person in 'postcolonial' writing; Part IV. New Ways of Implicating through the Digital Medium?: 9. From paratext to hypertext: interactivity revisited; 10. Coercing without edifying: Kevin Spacey's 2018 'Creepy' YouTube video explained; Conclusion; References; Index.

Editorial Reviews

‘Because it is surprising how the second person may be wrapped up in many guises, and because Sorlin has presented concepts a writer may find helpful in thinking about their relationship with their audience, it is a book that may well be worth diving into.’ Linda M. Davis, Technical Communication

‘The Stylistics of 'You' is an excellently researched and well-argued volume that should appeal to scholars of address and reference, pragmatics, pronouns, narratology, and the ethics of authorship.’ Susan Meredith Burt, LINGUIST List (https://linguistlist.org)

‘Sorlin’s rigorous mapping of uses of you in a wide-ranging corpus not only demonstrates the utility of her proposed model and its relevance for existing narratological frameworks and theories, but also for future interventions in diverse fields from autotheory, econarratology, trauma narratives to the recent turn against empathy in narrative studies.’ Denise Wong, Diegesis

From the Publisher