Uta Hagen originated the role of Martha in the 1962 Broadway premiere of Who's Afraid of Virginia Woolf? by Edward Albee, who called her "a profoundly truthful actress." Because Hagen was on the Hollywood blacklist, in part because of her association with Paul Robeson, her film opportunities dwindled and she focused her career on New York theatre.She later became a highly influential acting teacher at New York's Herbert Berghof Studio and authored best-selling acting texts, Respect for Acting, with Haskel Frankel,[1] and A Challenge for the Actor. Her most substantial contributions to theatre pedagogy were a series of "object exercises" that built on the work of Konstantin Stanislavski and Yevgeny Vakhtangov.She was elected to the American Theater Hall of Fame in 1981.[2] She twice won the Tony Award for Best Actress in a Play and received a Special Tony Award for Lifetime Achievement in 1999.https://en.wikipedia.org/w/index.php?title=Uta_Hagen&oldid=1106699737
Born and educated in Vienna, Austria, Berghof studied acting there with Max Reinhardt.[1] In 1939, he moved to New York where he launched a career as an actor and director on Broadway, and worked with Lee Strasberg.[2] Berghof became a charter member of the Actors Studio in 1947, with classmates including Marlon Brando, Montgomery Clift, Jerome Robbins, and Sidney Lumet.[3]In 1945, he co-founded HB Studio (the Herbert Berghof Studio) in New York City, as a place where aspiring actors could train and practice. In 1948, Uta Hagen joined the Studio as Berghof's artistic partner, and they married in 1957. They ran the studio together until his death in 1990.[2] Notable alumni included Jack Lemmon, Al Pacino, Liza Minnelli, Robert De Niro, Geraldine Page, Fritz Weaver, Anne Bancroft, Donna McKechnie and Matthew Broderick.[4][5] Despite being a charter member of the Actors Studio, he differed "with those colleagues who expounded the Method technique when his approach shifted to an emphasis on actions rather than thoughts and reactions."[4]Stage appearances by Berghof included roles in Ibsen's The Lady from the Sea (1950), The Andersonville Trial (1959). Among his film appearances were 5 Fingers (1952), Red Planet Mars (1952), Fräulein (1958), Cleopatra (1963), An Affair of the Skin (1963), Harry and Tonto (1974), Voices (1979), Those Lips, Those Eyes (1980), Times Square (1980) and Target (1985). He directed the first Broadway production of Beckett's Waiting for Godot (1956).[1]Described by The New York Times as "one of the nation's most respected acting teachers and coaches", he died of a heart ailment on 5 November 1990 at his home in Manhattan.[4]https://en.wikipedia.org/w/index.php?title=Herbert_Berghof&oldid=1100954383
