Picoult (Change of Heart) reconfigures themes from her other bestsellers for her uneven new morality tale. Twenty-five-year-old reclusive baker Sage Singer befriends the elderly Josef Weber, who shares something shocking from his past and asks her to help him die, a request that pins Sage between morality and retribution. Sage, a Jew who now considers herself an atheist, begins to think more deeply about faith. Picoult examines the links between family identity, religion, humanity, and how it all figures in difficult decisions. The three-parter is narrated by several characters, including Sage’s grandmother Minka, who survived the Holocaust. Snippets of a novel Minka wrote focus on a bloodthirsty beast, a metaphor for life in a death camp. Picoult’s formulaic approach to Minka’s accounts of the Holocaust is a cheap shot, but the author appreciates Sage’s moral bind. Nearly half of the book is devoted to a verbose, sad recounting of Minka’s time during the war, but the real conflict lies within Sage. That conflict, and the complexity of a character who discovers herself through the trials of Josef and Minka, is the book’s saving grace. Agent: Laura Gross, the Laura Gross Literary Agency. (Mar.)
The Storyteller
Narrated by Mozhan Marno, Jennifer Ikeda, Edoardo Ballerini, Fred Berman, Suzanne Toren
Jodi PicoultUnabridged — 18 hours, 22 minutes
The Storyteller
Narrated by Mozhan Marno, Jennifer Ikeda, Edoardo Ballerini, Fred Berman, Suzanne Toren
Jodi PicoultUnabridged — 18 hours, 22 minutes
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Overview
Editorial Reviews
Baker Sage Singer lives a solitary life. She toils through the night, preparing the next day’s bread and hiding scars both visible and buried. After she strikes up an unlikely friendship with retired German teacher Josef Weber, the loved and respected nonagenarian reveals to her that he’s a former SS officer in hiding. He confesses that he seeks forgiveness, then wants to die for the terrible acts he committed at Auschwitz, where Sage’s grandmother Minka was interned during the Polish occupation. Weaving together the stories of Sage, Josef, and Minka is the fable of a young girl, Ania, and the bloodthirsty monster who terrorizes her.
Verdict Picoult is no stranger to tackling difficult issues. Her latest page-turner confronts the oft-explored subject of the Holocaust with skill, starkness, and tremendous sensitivity. The characters’ stories are compelling, but the stellar storyteller here is Picoult, who braids the quartet of intersecting tales into a powerful allegory of loss, forgiveness, and the ultimate humanity of us all. Her myriad fans are in for satisfying doses of everything they’ve come to expect from her: compulsive readability, impeccable research, and a gut-wrenching Aha! of an ending. [See Prepub Alert, 8/16/12.]—Jeanne Bogino, New Lebanon Lib., NY
(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
A baker enlists a Nazi hunter to entrap a nonagenarian who may have brutalized her grandmother in Picoult's ambitious latest. Sage, who works in a bakery attached to a New Hampshire retreat center, prefers the overnight hours bakers keep. Her face is scarred (from a trauma not immediately revealed), and she is mourning her mother's recent death. Having abandoned her Jewish faith, Sage is estranged from her two sisters, but she is still close to her grandmother, Minka, a Holocaust survivor. Josef, a much respected 95-year-old retired German teacher, confesses to Sage that he is a former SS officer, real name Reiner, who once was an Auschwitz guard. Sage calls in Leo, a Washington, D.C.–based FBI agent who specializes in tracking down Nazi fugitives. Leo asks her to elicit Minka's story, never before told, in hopes of finding an eyewitness to Josef's atrocities. Reiner's and Minka's wartime experiences form the bulk of the novel. Reiner, a bully recruited early by the Hitler Youth and later by the SS, is soon inured to slaughter by presiding over mass killings of Jews in Poland. Later assigned to Auschwitz along with his (comparatively speaking) gentler and more sensitive brother Franz, Reiner distinguishes himself as a particularly brutal overseer of the women's camp. Franz, meanwhile, keeps his hands relatively blood-free by supervising the camp's accounting office. Minka's story takes her from an idyllic childhood as a baker's daughter to the misery of the Polish ghetto and imprisonment in Auschwitz. Readers will see the final twist coming far in advance due to unwieldy plot contrivances which only serve to emphasize what they are intended to conceal. Still, a fictional testament as horrifying as it is suspenseful.
Product Details
| BN ID: | 2940169098990 |
|---|---|
| Publisher: | Recorded Books, LLC |
| Publication date: | 02/26/2013 |
| Edition description: | Unabridged |
| Sales rank: | 586,000 |
Read an Excerpt
1. Sage
Damian held his hand high, as his soldiers laughed behind him. I tried to leap to reach the coins, but I couldn’t, and stumbled. Although it was only October, there was a hint of winter in the air, and my hands were numb with the cold. Damian’s arm snaked around me, a vise, pressing me along the length of his body. I could feel the silver buttons of his uniform cutting into my skin. “Let me go,” I said through my teeth.
“Now, now,” he said, grinning. “Is that any way to speak to a paying customer?” It was the last baguette. Once I got his money, I could go back home to my father.
I looked around at the other merchants. Old Sal was stirring the dregs of herring left in her barrel; Farouk was folding his silks, studiously avoiding the confrontation. They knew better than to make an enemy of the captain of the guard.
“Where are your manners, Ania?” Damian chided.
“Please!”
He tossed a glance at his soldiers. “It sounds good when she begs for me, doesn’t it?”
Other girls rhapsodized about his striking silver eyes, about whether his hair was as black as night or as black as the wing of a raven, about a smile so full of sorcery it could rob you of your thoughts and speech, but I did not see the attraction. Damian might have been one of the most eligible men in the village, but he reminded me of the pumpkins left too long on the porch after All Hallows’ Eve—lovely to look at, until you touched one and realized it was rotten to the core.
Unfortunately, Damian liked a challenge. And since I was the only woman between ten years and a hundred who wasn’t swayed by his charm, he had targeted me.
He brought down his hand, the one holding the coins, and curled it around my throat. I could feel the silver pressing into the pulse at my neck. He pinned me against the scrubwood of the vegetable seller’s cart, as if he wanted to remind me how easy it would be to kill me, how much stronger he was. But then he leaned forward. Marry me, he whispered, and you’ll never have to worry about taxes again. Still gripping me by the throat, he kissed me.
I bit his lip so hard that he bled. As soon as he let go of me, I grabbed the empty basket I used to carry bread back and forth to the market, and I started to run.
I would not tell my father, I decided. He had enough to worry about.
The further I got into the woods, the more I could smell the peat burning in the fireplace of our cottage. In moments, I would be back home, and my father would hand me the special roll that he had baked for me. I would sit at the counter and tell him about the characters in the village: the mother who became frantic when her twins hid beneath Farouk’s bolts of silk; Fat Teddy, who insisted on sampling the cheese at each market stall, filled his belly in the process, and never bought a single item. I would tell him about the man I had never seen before, who had come to the market with a teenage boy who looked to be his brother. But the boy was feebleminded; he wore a leather helmet that covered his nose and mouth, leaving only holes for breathing, and a leather cuff around his wrist, so that his older brother could keep him close by holding tight to a leash. The man strode past my bread stand and the vegetable seller and the other sundries, intent on reaching the meat stall, where he asked for a rack of ribs. When he did not have enough coins to pay, he shrugged out of his woolen coat. Take this, he said. It’s all I have. As he shivered back across the square, his brother grabbed for the wrapped parcel of meat. You can have it soon, he promised, and then I lost sight of him.
My father would make up a story for them: They jumped off a circus train and wound up here. They were assassins, scoping out Baruch Beiler’s mansion. I would laugh and eat my roll, warming myself in front of the fire while my father mixed the next batch of dough.
There was a stream that separated the cottage from the house, and my father had placed a wide plank across it so that we could get from one side to the other. But today, when I reached it, I bent to drink, to wash away the bitter taste of Damian that was still on my lips.
The water ran red.
I set down the basket I was carrying and followed the bank upstream, my boots sinking into the spongy marsh. And then I saw it.
The man was lying on his back, the bottom half of his body submerged in the water. His throat and his chest had been torn open. His veins were tributaries, his arteries mapped a place I never wanted to go. I started to scream.
There was blood, so much blood that it painted his face and stained his hair.
There was blood, so much blood that several moments passed before I recognized my father.
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