Adrienne Brodeur
"Vividly peopled, intricately plotted, and gorgeously written, The Stolen Child is one of those all-consuming and big-hearted novels that explores what it means to be human – how to love, accept loss, transcend failures, and become the person you are meant to be. Reading Ann Hood is like setting out on an adventure with a wise and trusted friend … you never want it to end"
Ann Napolitano
"This is a lovely story about two artists meeting in the midst of WWI, a missing baby, and an intelligent, lost young woman helping an old man fix the mistakes of his past. I loved Nick and Jenny from the moment I met them, and had all my fingers crossed that they would find not only what they were looking for, but themselves."
Kirkus Reviews
★ 2024-02-03
In the 1970s, haunted by a choice he made during World War I, an elderly Rhode Island man enlists the help of a college dropout in a last-ditch attempt to make amends.
Shortly after the U.S. enters World War I in 1917, Nick Burns finds himself on a farm in rural France. He’s killing time by painting a mural on a stone wall when he meets one of the farm’s residents, a feisty young woman named Camille Chastain, who dismisses his mural as the work of an amateur. While married and heavily pregnant, Camille has no aspirations to be a wife or a mother, only an artist. When German forces reach Nick’s trench amid bursts of artillery fire one night, she appears holding two bundles—her newborn son and an array of paintings—and entrusts him with their safety before fleeing into the nearby woods. What Nick does next dogs him for decades. Upon returning to the U.S., Nick tries to resume life but can’t forget about Camille or her child. Despite marrying another woman, he spends the next 57 years tortured by the seeming impossibility of discovering their fates. In 1974, isolated, depressed, and bitter, he receives a strange new lease on life: a terminal cancer diagnosis. Motivated by the knowledge that his time is limited, Nick and newly hired assistant Jenny, an IHOP waitress reeling from the unexpected derailment of her college career, embark on a search for answers that takes them through France and Italy before concluding at a derelict exhibit once run by Enzo Piccolo, a Neapolitan artisan. In traveling with Nick, Jenny hopes to see the world and, maybe, find her own place in it. Told in chapters that alternate among three perspectives—Nick’s, Jenny’s, and Enzo’s—the story is compelling, skillfully told, and meticulously structured, though a few beats veer a little too close to cliche to ring entirely true. Of particular note are Hood’s detailed descriptions of the different historical settings (Paris, small-town France, Rome, Tuscany, Naples), which feel rooted in research and heighten the authenticity of the narrative.
A well-crafted, fast-paced story about how a single encounter can shape a person’s whole life.
