The Steep Anthology collects various tracks from some of saxophonist
Branford Marsalis' best
Columbia albums. Beginning with his first session as a leader on 1983's
Scenes in the City through to 1999's
Requiem -- his second to last album for the label -- the eldest of the
Marsalis brothers carved a singular path through the
jazz world. Inspired by such innovative luminaries as
John Coltrane,
Ornette Coleman, and
Wayne Shorter,
Marsalis always displayed a deep understanding of his
jazz roots while also looking to put his own unique stamp on the music. Never as buttoned-up as his trumpet-playing brother, the saxophonist made recordings that often seemed brilliantly haphazard, allowing for humorous and idiosyncratic forays into gutbucket
blues and torrents of
avant-garde skronk. His almost psychic connection with his bandmates, including the late pianist
Kenny Kirkland, drummer
Jeff "Tain" Watts, and bassist
Robert Hurst, made for exciting and sometimes irreverent music that often gave the impression of eavesdropping on a conversation ripe with inside jokes. Most of the tracks here are original compositions by
Marsalis, and many showcase his early "burnout" aesthetic of pushing his solos to the furthest limit he could. Others, such as
"Royal Garden Blues" and
"Sidney in da Haus," find the versatile New Orleans native rejoicing in his hometown second-line traditions with a bluesy, modernist edge.
Marsalis left
Columbia in 2002 to start his own independent music label;
The Steep Anthology is a fitting tribute to the development of one of the most influential and individualistic
jazz musicians of his generation. ~ Matt Collar
