Publishers Weekly
02/27/2017
Stuck in a loveless and uncommunicative marriage with her husband, Gene, young housewife and mother Grace Holland has resigned herself to a future of childcare and housework. It’s just after World War II, and there aren’t many other opportunities for married women in coastal Maine. But when, after a summer-long drought, a massive fire breaks out and threatens her home and community, Grace may have an unexpected chance not only to rebuild but also to rewrite her personal narrative. Shreve (Stella Bain) writes with fondness of the coastal New England landscape, and she provides plenty of vintage details to evoke postwar life. Characterizations, however, are less convincing; Gene’s cruelty to Grace seems disproportionate to its purported rationale, and the novel’s final pages feel implausible and anachronistic, even given Grace’s newfound self-reliance. Nevertheless, many readers will be buoyed by Grace’s strength and resourcefulness and will be eager to debate the ethical decisions she makes as she seizes her independence. 200,000-copy announced first printing. (Apr.)
Library Journal
12/01/2016
Classic Shreve, this work draws on real-life events: fires in late 1940s Maine that proved the largest in the state's history. Grace Holland is pregnant and tending to two toddlers when her husband joins the volunteer firefighters, and she and friend Rosie—also with two young children—watch their homes burn to cinders as they rush to the beach for safety. Safety is about all they have left—and then things get worse. With a 200,000-copy first printing.
Kirkus Reviews
2017-02-21
Shreve's latest takes on natural disasters, public and private.The summer of 1947 was unseasonably hot, leading to a drought that had devastating consequences for the state of Maine. Shreve's novel tells the story of the Great Fires of Maine from the perspective of Grace, a housewife living near the coast. Grace faces a drought of a different kind, in her marriage. Husband Gene, a surveyor, never talks about the war experiences that left him with inner and outer scars, but "the other husbands don't either." What is unusual, at least compared to how Grace's neighbor Rosie describes her love life, is how brutal Gene can be in bed. With two children under 2 and another on the way, Grace's domestic arrangements are increasingly stressed as blistering summer advances. By October, the entire state is a tinderbox; even a dropped cigarette can set a parched lawn ablaze. As wildfires threaten, Gene leaves with a crew of men to dig a fire break. Awakened in the middle of the night, Grace realizes her town is burning. She flees to the seashore with her children and the clothes on her back and spends the night along with Rosie and many others huddled under soaked blankets. After rescue comes, Grace's baby is stillborn. Now homeless, with the children and her mother in tow, Grace moves into a vacant beach-side mansion which, she thinks, was left to Gene by his late mother, Merle. Except that Gene has been declared missing, and the mansion is not unoccupied: Aidan, an Irish pianist, has been squatting there since the fire disrupted his concert tour. Gene's absence seems downright salutary. A brief affair with Aidan shows her what Rosie was talking about, and he resumes his tour, promising to return. All the contentedness stalls the novel, until Shreve shakes things up in a way that descends into woman-in-jeopardy territory. The back stories of the main characters are so sketchy that their actions seem unmotivated and arbitrary. Formulaic plot aside, worth reading for the period detail and the evocative prose.
