The Spark and the Drive
There's nothing I enjoy more than entering a fictional world over which an author demonstrates complete mastery. That's exactly what Wayne Harrison offers his lucky readers in The Spark and the Drive." -- Richard Russo, bestselling author of Empire Falls " Gorgeous and grittily poetic. The Spark and the Drive has all the horsepower and headlong beauty of the extraordinary machines at its center." -- Ann Packer, bestselling author of Songs Without Words " This novel vividly renders the cult-like world of muscle car enthusiasts, but the author's ultimate concerns are the sparks and misfires of the human heart. Wayne Harrison is an exciting new voice in American fiction." -- Ron Rash, author of Nothing Gold Can Stay Justin Bailey is seventeen when he arrives at the shop of legendary muscle car mechanic Nick Campbell. Anguished and out of place among the students at his rural Connecticut high school, Justin finds in Nick, his captivating wife Mary Ann, and their world of miraculous machines the sense of family he has struggled to find at home. But when Nick and Mary Ann lose their infant son, Justin' s world is upended. Nick, once celebrated for his genius, has lost his touch; his ability to intuit and diagnose a faltering engine has begun to fade. Mary Ann, once tender toward her husband, now turns distant and cold. And just as Justin draws closer to his wavering mentor, he finds himself falling into the arms of his wife. Now, torn apart by feelings of betrayal, Justin must choose between the man he admires more than his own father and the woman he loves. A poignant and fiercely original debut, with moments of fast-paced suspense, THE SPARK AND THE DRIVE is the unforgettable story of a young man forced to make an impossible decision - no matter the consequences. Wayne Harrison' s stories have appeared in The Atlantic, McSweeney' s, and Ploughshares, and one of his stories was selected for Best American Short Stories 2010. He earned a Michener/Copernicus fellowship and his short story collection "Wrench" was a finalist for the Iowa Book Award. A graduate of the Iowa Writers' Workshop, he teaches writing at Oregon State University. THE SPARK AND THE DRIVE is his first novel.
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The Spark and the Drive
There's nothing I enjoy more than entering a fictional world over which an author demonstrates complete mastery. That's exactly what Wayne Harrison offers his lucky readers in The Spark and the Drive." -- Richard Russo, bestselling author of Empire Falls " Gorgeous and grittily poetic. The Spark and the Drive has all the horsepower and headlong beauty of the extraordinary machines at its center." -- Ann Packer, bestselling author of Songs Without Words " This novel vividly renders the cult-like world of muscle car enthusiasts, but the author's ultimate concerns are the sparks and misfires of the human heart. Wayne Harrison is an exciting new voice in American fiction." -- Ron Rash, author of Nothing Gold Can Stay Justin Bailey is seventeen when he arrives at the shop of legendary muscle car mechanic Nick Campbell. Anguished and out of place among the students at his rural Connecticut high school, Justin finds in Nick, his captivating wife Mary Ann, and their world of miraculous machines the sense of family he has struggled to find at home. But when Nick and Mary Ann lose their infant son, Justin' s world is upended. Nick, once celebrated for his genius, has lost his touch; his ability to intuit and diagnose a faltering engine has begun to fade. Mary Ann, once tender toward her husband, now turns distant and cold. And just as Justin draws closer to his wavering mentor, he finds himself falling into the arms of his wife. Now, torn apart by feelings of betrayal, Justin must choose between the man he admires more than his own father and the woman he loves. A poignant and fiercely original debut, with moments of fast-paced suspense, THE SPARK AND THE DRIVE is the unforgettable story of a young man forced to make an impossible decision - no matter the consequences. Wayne Harrison' s stories have appeared in The Atlantic, McSweeney' s, and Ploughshares, and one of his stories was selected for Best American Short Stories 2010. He earned a Michener/Copernicus fellowship and his short story collection "Wrench" was a finalist for the Iowa Book Award. A graduate of the Iowa Writers' Workshop, he teaches writing at Oregon State University. THE SPARK AND THE DRIVE is his first novel.
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The Spark and the Drive

The Spark and the Drive

by Wayne Harrison

Narrated by Quincy Dunn-Baker

Unabridged — 9 hours, 2 minutes

The Spark and the Drive

The Spark and the Drive

by Wayne Harrison

Narrated by Quincy Dunn-Baker

Unabridged — 9 hours, 2 minutes

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Overview

There's nothing I enjoy more than entering a fictional world over which an author demonstrates complete mastery. That's exactly what Wayne Harrison offers his lucky readers in The Spark and the Drive." -- Richard Russo, bestselling author of Empire Falls " Gorgeous and grittily poetic. The Spark and the Drive has all the horsepower and headlong beauty of the extraordinary machines at its center." -- Ann Packer, bestselling author of Songs Without Words " This novel vividly renders the cult-like world of muscle car enthusiasts, but the author's ultimate concerns are the sparks and misfires of the human heart. Wayne Harrison is an exciting new voice in American fiction." -- Ron Rash, author of Nothing Gold Can Stay Justin Bailey is seventeen when he arrives at the shop of legendary muscle car mechanic Nick Campbell. Anguished and out of place among the students at his rural Connecticut high school, Justin finds in Nick, his captivating wife Mary Ann, and their world of miraculous machines the sense of family he has struggled to find at home. But when Nick and Mary Ann lose their infant son, Justin' s world is upended. Nick, once celebrated for his genius, has lost his touch; his ability to intuit and diagnose a faltering engine has begun to fade. Mary Ann, once tender toward her husband, now turns distant and cold. And just as Justin draws closer to his wavering mentor, he finds himself falling into the arms of his wife. Now, torn apart by feelings of betrayal, Justin must choose between the man he admires more than his own father and the woman he loves. A poignant and fiercely original debut, with moments of fast-paced suspense, THE SPARK AND THE DRIVE is the unforgettable story of a young man forced to make an impossible decision - no matter the consequences. Wayne Harrison' s stories have appeared in The Atlantic, McSweeney' s, and Ploughshares, and one of his stories was selected for Best American Short Stories 2010. He earned a Michener/Copernicus fellowship and his short story collection "Wrench" was a finalist for the Iowa Book Award. A graduate of the Iowa Writers' Workshop, he teaches writing at Oregon State University. THE SPARK AND THE DRIVE is his first novel.

Editorial Reviews

Publishers Weekly

05/19/2014
It’s 1985, and unpopular 17-year-old Justin Bailey lands an internship at Out of the Hole, a garage specializing in muscle cars in Waterbury, Conn. There, he’s surrounded by a cast of gearheads and rubs elbows with Nick Campbell, the shop’s owner and mechanical guru, who takes Justin under his wing. Working for Nick full-time after graduating high school, Justin entwines himself in his boss’s life, befriending him, learning about the loss of Nick’s toddler, and eventually having an affair with his wife, Mary Ann. Meanwhile, Justin and Nick take to drag racing an ultra-rare Corvette left at the shop after it’s owner, a Miami drug dealer, is murdered. Money and lies pile up, and it isn’t long before Nick confesses secrets to his protégé that force Justin to question their relationship. A tale of growing up—Harrison’s debut novel crackles with life, immersing the reader in the world of muscle cars while weaving a complex narrative that oscillates between the familiar and the unusual. A smart, insightful read. (July)

From the Publisher

A terrifically engaging story...elaborately tricked out with eye-catching accessories, from drag racing to drug dealing to rape and murder and a host of other violations.... Like Richard Russo , Philipp Meyer and Mark Slouka, Harrison understands the rusting body of American labor. These are grease-smeared pages, full of the sounds of revving motors and the anxieties of narrowly educated men in a fading field.... Whether or not you love cars, Harrison speaks that special dialect so fluently that anyone with a heart can hear it. In this end, this isn't so much a novel about the great vehicles we lost as it is about the antique ideals we keep rebuilding and polishing.” —The Washington Post

“This is a novel about a vanishing way of life, the world of the muscle cars and the world of childhood. Told through Justin's eyes, we watch him become a grown-up who wishes that he could go back in time and fix the wrongs he perpetuated. But though 'the man can't change the boy,' and that seemingly perfect life is gone, Justin can remember that heady feeling, when 'for an instant the world has possibilities it will never have again.' And the genius of this extraordinary novel is that it shows us those possibilities, and it makes us ache and grieve for them, too.” —The San Francisco Chronicle

“A tale of growing up—Harrison's debut novel crackles with life, immersing the reader in the world of muscle cars while weaving a complex narrative that oscillates between the familiar and the unusual. A smart, insightful read.” —Publisher's Weekly

“Ever since Harrison earned his MFA at the Iowa Writer's Workshop program, his stories have appeared in leading literary publications, including McSweeney's. Now stepping onto a larger stage with a first novelbased on a story published in the Atlantic, Harrison peers inside the little-seen world of muscle-car shopsin this tale about hero worship, betrayal, and auto mechanics. Just out of high school, aspiring mechanicJustin Bailey falls under the spell of legendary car-shop owner Nick Campbell and his attractive wife, Mary Ann, and is soon lured into becoming Campbell's apprentice. Yet as Campbell is about to strike gold with an offer to run a chain of Miami-based high-performance auto shops, the couple's infant sondies, and Campbell's genius begins to fade, leaving Justin torn with disillusionment and drawn into anaffair with Mary Ann. Harrison's characters are fully fleshed, and his prose masterfully polished, makingfor a thoroughly engrossing read and a strikingly original debut novel.” —Booklist

“Debut author Harrison mines his own background as an auto mechanic to deliver a gritty, authentic tale of a complicated marriage threatened by a first love. During the summer of 1985, 17-year-old Justin Bailey interns at Nick Campbell's garage Out of the Hole, one of the few places around that specializes in muscle cars. Years after his own father 'accepted his sexuality' and his mother began her descent into alcoholism, Justin finds a father figure in Nick, a local legend among gearheads. Tragedy strikes when Nick and his wife, Mary Ann, lose their infant son to SIDS, and in their grief, the Campbells turn to Justin to fill the void. Justin and Nick go drag racing after hours with a rare Corvette left behind in the shop, chasing death with every heat; at the same time, Justin begins an affair with Mary Ann. The betrayals begin adding up, leading to a grim but well-earned resolution. VERDICT Harrison writes cleanly and vividly about the world of auto garages, producing an elegiac novel about working-class dreams dashed by reality, a Bruce Springsteen song set to prose.” —Library Journal

“An engaging debut. Like Richard Russo, Philipp Meyer, and Mark Slouka, Harrison understands the rusting body of American labor. These are grease-smeared pages, full of the sounds of revving motors and the anxieties of narrowly educated men in a fading field.” —Washingtonpost.com

“This is a powerful story of cars, friendship, romance, tragedy, and the human necessity to keep driving. A great American car novel just pulled up.” —Harvard Review Online

“There's nothing I enjoy more than entering a fictional world over which an author demonstrates complete mastery. That's exactly what Wayne Harrison offers his lucky readers in The Spark and the Drive.” —Richard Russo, Pulitzer Prize–winning author of Empire Falls

“Young men will always idolize the father substitutes who promise them a way out of the familiar. Ever volatile, such relationships fuel some of our best literature, and to this category we must now add Wayne Harrison's gorgeous and grittily poetic debut novel. Set in an auto shop in working class Connecticut at the end of the golden age of the American muscle car, The Spark and the Drive has all the horsepower and headlong beauty of the extraordinary machines at its center.” —Ann Packer, New York Times bestselling author of The Dive from Clausen's Pier

“Told with equal parts grit and tenderness, The Spark and the Drive follows the dangers, thrills, and twists of fate that make one boy into a man and lead him to the painful discovery that love and loyalty can't always be reconciled. A piercing and stylish debut.” —Maggie Shipstead, New York Times bestselling author of Seating Arrangements

“Wayne Harrison knows his way around the recesses of desire as well as he knows his way under the hood of a car—that is, with masterly precision and comprehension. The Spark and the Drive is a throwback novel; no gimmicks or preciousness, just heart-gutting prose about men and women that veers with agility between the muscular and the poetic.” —Teddy Wayne, award-winning author of The Love Song of Jonny Valentine

“Wayne Harrison knows, like no one I've ever read before, how to describe what goes on underneath the hood of a car. But more, much more, he knows what goes underneath our skins. He knows all about our deepest desires and what we'll do to attain them. The Spark and the Drive is as intense and well- written a love story as you'll find. I'll be in the grip of Justin's—and Mary Ann's—story for months to come.” —Peter Orner, award-winning author of Last Car Over the Sagamore Bridge

The Spark and the Drive is a potent accomplishment: a novel about how quickly the shape of a life can change and about the years a person can spend trying to sort through the pieces. It's written with acuity and grace, and best of all it knows how to hold its power in reserve, shifting and accelerating at the most surprising moments, so that it has the rhythm and momentum of a good street race.” —Kevin Brockmeier, New York Times bestselling author of The Brief History of the Dead

“This novel vividly renders the cult-like world of muscle car enthusiasts, but the author's ultimate concerns are the sparks and misfires of the human heart. Wayne Harrison is an exciting new voice in American fiction.” —Ron Rash, New York Times bestselling author of Serena

The Spark and the Drive is a beautiful blend of adolescent lust and grown-up love and grief. At seventeen, Justin Bailey's world appears to be all about cars and sex; but at the heart of it all is a desire for friendship and family and a sense of belonging. Wayne Harrison is an extremely gifted writer, fully capturing all the complexities of Justin's world in ways both endearing and frightening. This novel is as expertly built and fine-tuned as the engines he writes about.” —Jill McCorkle, New York Times bestselling author of Life after Life

“This fuel-injected story plunges us into a fascinating, vibrant world of work, family, desire, and love. With his powerful insight and generous heart, Harrison reveals a character searching for his path through this world, struggling to understand what it means to make an accounting of a life, and finally what it means to be a man.” —Keith Scribner, award-winning author of The Oregon Experiment

The Spark and the Drive is a superb debut novel by an exciting writer. Harrison is that rare novelist—Tim Gautreaux also comes to mind—who's at home in the mechanical world; he knows what it's like to get your hands dirty and greasy and to work all day long on a shop floor. But perhaps more importantly, he knows the human heart, and in these pages he's managed a rare feat: to write a novel that's as moving as it is suspenseful, as tender as it is tough.” —Steve Yarbrough, bestselling author of The Realm of Last Chances

“How cars and mechanics—so central to American life, so key to popular culture—have gone this long without a wonderful novel to celebrate them is a mystery. Harrison will be new to most readers but with one novel he has staked a virtually exclusive claim on working class Connecticut, the women and the men, the loves and betrayals, and the muscle cars that drive them to their destinies. If you're lucky enough to be invited to Bruce Springsteen's next birthday, this beautifully written novel will be the perfect gift.” —Scott Spencer, New York Times bestselling author of A Ship Made of Paper

“Wayne Harrison's debut is a powerful lesson in love, friendship, and betrayal, and why becoming a man can sometimes mean burning another man down. The Spark and the Drive jumps out of the gate, a coming of age to an age that has already gone by, and marks Harrison as somebody to watch.” —Alexi Zentner, award-winning author of The Lobster Kings

“If an auto shop on the East Coast in the 1980s seems an unlikely setting for a literary work of the highest caliber, think again. This debut novel by Wayne Harrison - an OSU writing professor and award-winning short story writer - is expertly rendered, a coming-of-age tale about a young upstart who falls under the spell of a brilliant mechanic only to fall in love with the man's wife. Betrayal, desire and high drama ensue, all of it rendered in prose that is muscular yet poetic, and which mines its subject matter for deeper meanings and metaphors that hum like a well-tuned engine. Imagine Turgenev penning a story about first love among grease monkeys and gearheads, and you begin to grasp the heartbreaking story Harrison weaves, full of emotional depth and frank sexual longings that purr and hum until the whole engine of his novel combusts in the painful awakenings and hard knocks that always signal a coming-of-age. A moving book that is as much about love and loss as it is about Mopars and mechanics.” —The Eugene Weekly

Harvard Review Online


This is a powerful story of cars, friendship, romance, tragedy, and the human necessity to keep driving. A great American car novel just pulled up.

award-winning author of The Lobster Kings Alexi Zentner


Wayne Harrison's debut is a powerful lesson in love, friendship, and betrayal, and why becoming a man can sometimes mean burning another man down. The Spark and the Drive jumps out of the gate, a coming of age to an age that has already gone by, and marks Harrison as somebody to watch.

New York Times bestselling author of A Ship Made o Scott Spencer


How cars and mechanics--so central to American life, so key to popular culture--have gone this long without a wonderful novel to celebrate them is a mystery. Harrison will be new to most readers but with one novel he has staked a virtually exclusive claim on working class Connecticut, the women and the men, the loves and betrayals, and the muscle cars that drive them to their destinies. If you're lucky enough to be invited to Bruce Springsteen's next birthday, this beautifully written novel will be the perfect gift.

bestselling author of The Realm of Last Chances Steve Yarbrough


The Spark and the Drive is a superb debut novel by an exciting writer. Harrison is that rare novelist--Tim Gautreaux also comes to mind--who's at home in the mechanical world; he knows what it's like to get your hands dirty and greasy and to work all day long on a shop floor. But perhaps more importantly, he knows the human heart, and in these pages he's managed a rare feat: to write a novel that's as moving as it is suspenseful, as tender as it is tough.

New York Times bestselling author of Life after Li Jill McCorkle


The Spark and the Drive is a beautiful blend of adolescent lust and grown-up love and grief. At seventeen, Justin Bailey's world appears to be all about cars and sex; but at the heart of it all is a desire for friendship and family and a sense of belonging. Wayne Harrison is an extremely gifted writer, fully capturing all the complexities of Justin's world in ways both endearing and frightening. This novel is as expertly built and fine-tuned as the engines he writes about.

New York Times bestselling author of Serena Ron Rash


This novel vividly renders the cult-like world of muscle car enthusiasts, but the author's ultimate concerns are the sparks and misfires of the human heart. Wayne Harrison is an exciting new voice in American fiction.

New York Times bestselling author of The Brief His Kevin Brockmeier


The Spark and the Drive is a potent accomplishment: a novel about how quickly the shape of a life can change and about the years a person can spend trying to sort through the pieces. It's written with acuity and grace, and best of all it knows how to hold its power in reserve, shifting and accelerating at the most surprising moments, so that it has the rhythm and momentum of a good street race.

award-winning author of Last Car Over the Sagamore Peter Orner


Wayne Harrison knows, like no one I've ever read before, how to describe what goes on underneath the hood of a car. But more, much more, he knows what goes underneath our skins. He knows all about our deepest desires and what we'll do to attain them. The Spark and the Drive is as intense and well- written a love story as you'll find. I'll be in the grip of Justin's--and Mary Ann's--story for months to come.

award-winning author of The Love Song of Jonny Val Teddy Wayne


Wayne Harrison knows his way around the recesses of desire as well as he knows his way under the hood of a car--that is, with masterly precision and comprehension. The Spark and the Drive is a throwback novel; no gimmicks or preciousness, just heart-gutting prose about men and women that veers with agility between the muscular and the poetic.

New York Times bestselling author of Seating Arran Maggie Shipstead


Told with equal parts grit and tenderness, The Spark and the Drive follows the dangers, thrills, and twists of fate that make one boy into a man and lead him to the painful discovery that love and loyalty can't always be reconciled. A piercing and stylish debut.

New York Times bestselling author of The Dive from Ann Packer


Young men will always idolize the father substitutes who promise them a way out of the familiar. Ever volatile, such relationships fuel some of our best literature, and to this category we must now add Wayne Harrison's gorgeous and grittily poetic debut novel. Set in an auto shop in working class Connecticut at the end of the golden age of the American muscle car, The Spark and the Drive has all the horsepower and headlong beauty of the extraordinary machines at its center.

Pulitzer Prize–winning author of Empire Fall Richard Russo


There's nothing I enjoy more than entering a fictional world over which an author demonstrates complete mastery. That's exactly what Wayne Harrison offers his lucky readers in The Spark and the Drive.

Washingtonpost.com


An engaging debut. Like Richard Russo, Philipp Meyer, and Mark Slouka, Harrison understands the rusting body of American labor. These are grease-smeared pages, full of the sounds of revving motors and the anxieties of narrowly educated men in a fading field.

Booklist


Ever since Harrison earned his MFA at the Iowa Writer's Workshop program, his stories have appeared in leading literary publications, including McSweeney's. Now stepping onto a larger stage with a first novelbased on a story published in the Atlantic, Harrison peers inside the little-seen world of muscle-car shopsin this tale about hero worship, betrayal, and auto mechanics. Just out of high school, aspiring mechanicJustin Bailey falls under the spell of legendary car-shop owner Nick Campbell and his attractive wife, Mary Ann, and is soon lured into becoming Campbell's apprentice. Yet as Campbell is about to strike gold with an offer to run a chain of Miami-based high-performance auto shops, the couple's infant sondies, and Campbell's genius begins to fade, leaving Justin torn with disillusionment and drawn into anaffair with Mary Ann. Harrison's characters are fully fleshed, and his prose masterfully polished, makingfor a thoroughly engrossing read and a strikingly original debut novel.

The San Francisco Chronicle


This is a novel about a vanishing way of life, the world of the muscle cars and the world of childhood. Told through Justin's eyes, we watch him become a grown-up who wishes that he could go back in time and fix the wrongs he perpetuated. But though 'the man can't change the boy,' and that seemingly perfect life is gone, Justin can remember that heady feeling, when 'for an instant the world has possibilities it will never have again.' And the genius of this extraordinary novel is that it shows us those possibilities, and it makes us ache and grieve for them, too.

The Washington Post


A terrifically engaging story...elaborately tricked out with eye-catching accessories, from drag racing to drug dealing to rape and murder and a host of other violations.... Like Richard Russo , Philipp Meyer and Mark Slouka, Harrison understands the rusting body of American labor. These are grease-smeared pages, full of the sounds of revving motors and the anxieties of narrowly educated men in a fading field.... Whether or not you love cars, Harrison speaks that special dialect so fluently that anyone with a heart can hear it. In this end, this isn't so much a novel about the great vehicles we lost as it is about the antique ideals we keep rebuilding and polishing.

Product Details

BN ID: 2940170937424
Publisher: Recorded Books, LLC
Publication date: 07/15/2014
Edition description: Unabridged

Read an Excerpt

1.

Road Rage magazine, in a commemorative issue that mourned the death of the American muscle car—killed by the Environmental Protection Agency—ran a feature on Nick Campbell in 1983. The article was two years old when I started my internship, and I liked to reread it, framed and dusty on the counter, as I stirred powdered creamer in my coffee. I almost had it memorized:

Ten years after the EPA came down on Detroit like the church on Galileo, we still see no renaissance of horsepower on the showroom floor. With more repair shops catering to economy cars and imports, high-performance rebuilds and modification remain in the hands of a dedicated few. Recently, we sought out this dying breed of mechanic in the depressed factory town of Waterbury, Connecticut, and discovered one of the very best.

The journalist hadn’t identified himself when he handed Nick the keys to a cherry ’68 Daytona. He asked for an overhaul that would boost factory output by thirty horsepower, a request that had gotten him laughed out the door at two previous shops.

But Mr. Campbell dreamed through a full orchestra of internal combustion cause and effect: shaving the cylinder head this much meant boring a carburetor jet this much meant extending cam duration this much, meant swapping these pistons for those, this intake for that—all of it drawn to a final composition in his head before I even signed the estimate.

The engines we saw were mostly small blocks, punctuated by a Tri-power GTO or a rat-motor Corvette—or, rarely, a true exotic like a Hemi Superbird. At seventeen, I was as dumbfounded as anyone to find myself touching these cars intimately, peering inside their complicated souls.

After two years in vocational high school, I understood the general repair mechanic to be the perfect masculine blend of strength and intelligence. Real men had a natural respect for mechanics, primarily for specialty mechanics, which we all were. Ray Abbot, in his fifties, was the oldest. He was frank and cagey with customers, though he held a deep, wholesome respect for their high-compression engines. He lived alone, was estranged from his kids, and lumbered on irascibly, scorning potential friends.

Bobby Stango had been hired on parole and was epitomized by a biker T-shirt he often wore in to work. TREAT ME GOOD, I’LL TREAT YOU BETTER, it said. TREAT ME BAD, I’LL TREAT YOU WORSE. With his pierced ear and handlebar mustache, he made even a starched-collar uniform look badass, pillows of tattooed muscle bulging against the chrome snaps. There was a willingness to fight that pervaded his words and gestures, even his laughter, and he gave you bear hugs if he liked you. I wondered if this were a natural disposition, or if prison had taught him what each day of freedom was worth.

And then there was Nick Campbell, who prophesied the rebirth of American muscle cars. He thought that on-board computers would revolutionize horsepower technology, and in my eagerness he saw a certain capacity for imagination, which was enough for me to feel anointed, to covet his life and believe that I could one day receive it as my own.

So when Nick’s jobs started coming back for warranty work a year later, in the summer of 1986, I couldn’t help feeling lost and forsaken.

The first few rechecks were only mildly incriminating. A cracked spark plug that might or might not have been factory defective, a missing screw that might or might not have been tightened. I convinced high-paying customers that they were normal breaking-in glitches, rather than shoddy work. But as word of Nick’s unreliability began to spread, some of our formerly docile customers turned difficult. One morning a Ram Air Firebird, whose 400 engine Nick had beefed up with racing pistons, pulled right into the bays without a ticket. The owner was a fat, ruddy Italian named Mimo. In a black turtleneck and paperboy cap, he tried to promote a rumor that one of his relatives was connected, though instead of a cold-blooded mobster Mimo looked more like Dom DeLuise.

Nick, Ray, and I left our cars and approached the Firebird from different angles. Ray stopped to stretch with a fist in his spine, Nick lit a cigarette, and I tried to exude the same lack of urgency while Mimo got out and felt around in the grille for the hood latch. He stirred into the petroleum smell a sweet cologne that you couldn’t get off all day if he shook your hand. “Something’s leaking,” he said. “I got oil drips all over my garage.”

Instead of putting the Firebird up on the lift, Ray kicked over a creeper and rolled under the front end with a droplight. At this point we could still think that Nick’s work wasn’t to blame, that maybe it was condensation from the air conditioner and Mimo couldn’t tell oil from water. We still had options. But when Ray pushed out from under the bumper he looked stricken, flat on his back and gaping at the chain-hung fluorescent light.

“What?” Nick said.

Ray sat forward and considered the blackened steel toes of his Wolverines. “Drain plug,” he said, softly. Nick looked at him with such puzzlement that Ray began to repeat himself, but Nick interrupted, “I heard what you said.” He smoked his cigarette and sort of glazed over until, after a moment, even I hardly recognized him as the man who believed that cars could be great again one day.

“What’s wrong with the drain plug?” Mimo said. “He didn’t cross-thread it, did he?”

Ray bucked off the creeper on his way to the toolbox that Mimo had the misfortune to be standing next to. When I saw the chrome flash of a wrench I thought for a panicked moment that Ray might use it to crack open Mimo’s head. “Hey Mimo,” he said. “You got any naked pictures of your wife?”

“What?” Mimo said. “What?” His jowls flushed and he wadded his fat hands down in his pockets. “No, I don’t. Jesus.”

“You want to buy some?”

Mimo dropped his head and glared for a long second at a slick of tranny fluid in the next bay. “What is your problem, man?”

“My problem is a guy who pulls in here like he owns the place. A guy always coming in for more cam, more carb, more this, more that, thinking it’s gonna make his dick bigger, and then don’t want to pay.”

“What’s wrong with the drain plug?” Nick said.

Ray rubbed his oil-wet fingertips. “It’s loose a little bit,” he said, and as quick as I’d ever seen him do anything, he went back under the car with the wrench. Nick neglecting something so basic was inconceivable. Imagine leaving the house without putting on your right shoe.

Nick collapsed into a steel chair as Mary Ann approached with a bookkeeping binder pressed to her slender waist. By this point she and Nick had been on the rocks for six months, and I expected her to trudge past in her usual sad distraction, but the eerie quiet coming from three mechanics in the same bay woke her from her trance. She stopped short of the lobby door and turned. “What’s wrong?”

Nick didn’t answer, and I watched her helplessly, a look of rejection, or maybe resignation, in her eyes that I felt in my own stomach. Just as she was walking away, Nick said, “Do me a favor. Take Mimo out front and give him his money back.”

“Whoa,” Mimo said, a flattered, guilt-ridden knot of emotion now. “Hey, that’s twelve hundred bucks. I’m happy with a discount.”

“I don’t give a damn what you’re happy with,” Nick said. He got up and threw his cigarette in the trash can, where any number of things could have gone up in flames.

Copyright © 2014 by Wayne Harrison

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