Nicole Lewis captivates with a velvety voice, dramatic pacing, and vibrant characterizations as she narrates this sci-fi novel. Cara is a traverser who has been brought in from the dangerous Wastes and hired by tech giant Eldridge to travel the multiverse and collect data. Listeners can hear her cunning and her drive to stay alive. Entering a world where your doppelgänger lives means death, and Cara is able to enter so many other worlds only because her counterparts have died on 372 other Earths. Each universe she travels holds different versions of those she cares for, and those she fears. Lewis brings them all vividly to life. When a crisis unfolds on another Earth, Cara discovers dangerous secrets that upend her worlds completely. E.E.C. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine
The Space Between Worlds
Narrated by Nicole Lewis
Micaiah JohnsonUnabridged — 11 hours, 46 minutes
The Space Between Worlds
Narrated by Nicole Lewis
Micaiah JohnsonUnabridged — 11 hours, 46 minutes
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Overview
WINNER OF THE COMPTON CROOK AWARD ¿ FINALIST FOR THE LOCUS AWARD ¿ “Gorgeous writing, mind-bending world-building, razor-sharp social commentary, and a main character who demands your attention-and your allegiance.”-Rob Hart, author of The Warehouse
ONE OF THE BEST BOOKS OF THE YEAR-NPR, Library Journal, Book Riot
Multiverse travel is finally possible, but there's just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying-from disease, turf wars, or vendettas they couldn't outrun. Cara's life has been cut short on 372 worlds in total.
On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works-and shamelessly flirts-with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security.
But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined-and reveal her own role in a plot that endangers not just her world but the entire multiverse.
“Clever characters, surprise twists, plenty of action, and a plot that highlights social and racial inequities in astute prose.”-Library Journal (starred review)
Editorial Reviews
06/29/2020
Johnson bursts onto the scene with this thought-provoking, high-concept sci-fi debut that impresses with exceptional worldbuilding and a distinctive protagonist, but suffers under the strain of too much plot. The tale gets off to a strong start, introducing Caramenta, a queer, black woman with a complex family history, who uses tech that grants her access to the multiverse to collect data from alternate Earths that will benefit Earth 0, the “original.” Her exploration has one catch: the technology only allows her to visit Earths where the alternate version of herself has already died. Luckily (or perhaps unluckily) for Caramenta, her alternate selves die quite often, opening up 375 worlds for her to explore—and a discovery she makes on one of them could change the course of history. Though the ambitious plotting becomes difficult to untangle as the timelines, characters, and versions of Earth multiply, Johnson’s meditations on privilege and inequality ring true. Despite occasional melodramatics and some hazy political structures, this immersive, original adventure is sure to please readers looking for smart, diverse science fiction. Johnson is a writer to watch. (Aug.)
“[The Space Between Worlds] remained two steps ahead of my imagination, rattling it out of complacency and flooding it with color and heat. . . . Profoundly satisfying.”—The New York Times Book Review (Editors’ Choice)
“The Space Between Worlds is fascinating, complicated, compelling . . . a jewel of a novel.”—Locus
“[The Space Between Worlds] gripped me from page one and I couldn’t stop reading until I reached the final page.”—The Nerd Daily
“This book took me on one hell of a ride. . . . A really fun and thought-provoking read.”—Becky’s Book Blog
“Sliding Doors meets Mad Max . . . a fast-paced, compelling read.”—SciFiNow
“Sharp and gripping. If you love queer SFF . . . then definitely pick up The Space Between Worlds.”—Utopia State of Mind
“The Space Between Worlds is a riveting and detailed parallel universe sci-fi novel with a lot to say about fortune, privilege and belonging.”—Dr. Alice Violett
“The Space Between Worlds is an incredible debut . . . tightly focused and paced like a rocket launch.”—The Quill to Live
“Micaiah Johnson’s debut is a punk album, presenting a world where even our possibilities are colonized. I loved every twisting minute of it.”—Alex White, author of A Big Ship at the Edge of the Universe
“The Space Between Worlds lands squarely in my sweet spot: gorgeous writing, mind-bending world-building, razor-sharp social commentary, and a main character who demands your attention—and your allegiance.”—Rob Hart, author of The Warehouse
“A gritty, riveting, and ultimately hopeful novel about the people, choices, and relationships that make us who we are—in this world, and in those we can only imagine.”—Kameron Hurley, Hugo and Locus award–winning author of The Light Brigade
“Johnson’s world-hopping debut uses science fictional tools and an exciting plot to address urgent questions of privilege and position. . . . A compelling stand-alone debut that will leave readers thrilled, thoughtful, and anticipating the author’s next book.”—Kirkus Reviews
“Johnson bursts onto the scene with this thought-provoking, high-concept sci-fi debut that impresses with exceptional worldbuilding and a distinctive protagonist.”—Publishers Weekly
“This exciting debut is intelligently built, with clever characters, surprise twists, plenty of action, subtly detailed worlds, and a plot that highlights social and racial inequities in astute prose.”—Library Journal (starred review)
★ 06/01/2020
The multiverse is real. From Earth Zero, there are people trained by the Eldridge Institute as traversers: people who can safely go to the other 379 Earths and gather data to help influence the economic security of their home. "Safely" means they do not have living doppelgangers on the other Earths, which means the least privileged can go. This includes Cara, who grew up in the Wastes in Ashtown, and is now on her way to citizenship in the affluent Wiley City. She doesn't fit in either place. When Cara is sent to a world where her counterpart has died under mysterious circumstances, she finds a new realm that contains a secret—one that will have force her to make choices that will not only reveal some of her own past and determine her future security, but will also affect the multiverse. VERDICT This exciting debut is intelligently built, with clever characters, surprise twists, plenty of action, subtly detailed worlds, and a plot that highlights social and racial inequities in astute prose.—Kristi Chadwick, Massachusetts Lib. Syst., Northampton
Nicole Lewis captivates with a velvety voice, dramatic pacing, and vibrant characterizations as she narrates this sci-fi novel. Cara is a traverser who has been brought in from the dangerous Wastes and hired by tech giant Eldridge to travel the multiverse and collect data. Listeners can hear her cunning and her drive to stay alive. Entering a world where your doppelgänger lives means death, and Cara is able to enter so many other worlds only because her counterparts have died on 372 other Earths. Each universe she travels holds different versions of those she cares for, and those she fears. Lewis brings them all vividly to life. When a crisis unfolds on another Earth, Cara discovers dangerous secrets that upend her worlds completely. E.E.C. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine
2020-07-01
Johnson’s world-hopping debut uses science fictional tools and an exciting plot to address urgent questions of privilege and position.
In a desolate post-apocalyptic future, narrator Cara is a “traverser” for the Eldridge Institute of Earth Zero, which has discovered 382 alternate worlds. Because interworld travel is lethal to would-be traversers who have “dops” still alive on the Earth they’re visiting, Eldridge employs “trash people” who have died on most other worlds and can therefore survive travel to other realities. Cara, who hails from a bleak wasteland dominated by sinister emperor Nik Nik, has died on almost every known world. When Cara visits an Earth very different from her home, she makes discoveries that could change multiple worlds. Even on Earth Zero, Cara lives an in-between life; her black skin and Ashtown heritage mark her as an outsider in the domed confines of glittering and exclusive Wiley City and may make impossible her dreams of romance with her beautiful handler, Dell. Johnson employs Cara’s situation to forthrightly examine questions of privilege, trauma, assimilation, colonialism, and upbringing. While the story takes time to get going and certain aspects of the setting feel derivative, the characters, voice, and twists all demand readers’ attention.
A compelling stand-alone debut that will leave readers thrilled, thoughtful, and anticipating the author’s next book.
Product Details
| BN ID: | 2940177264240 |
|---|---|
| Publisher: | Penguin Random House |
| Publication date: | 08/04/2020 |
| Edition description: | Unabridged |
| Sales rank: | 485,027 |
Read an Excerpt
Chapter One
When the multiverse was confirmed, the spiritual and scientific communities both counted it as evidence of their validity.
The scientists said, Look, we told you there were parallel universes.
And the spiritual said, See, we’ve always known there was more than one life.
Even worthless things can become valuable once they become rare. This is the grand lesson of my life.
I’m at the base of a mountain, looking over a landscape I was never meant to see. On this Earth—number 197—I died at three months old. The file only lists respiratory complications as cause of death, but the address on the certificate is the same one-room shack where I spent most of my life, so I can picture the sheet-metal roof, the concrete floor, and the mattress my mother and I shared on so many different Earths. I know I died warm, sleeping, and inhaling honest dirt off my mother’s skin.
“Cara, respond. Cara?”
Dell’s been calling me, but she’s only irritated now and I won’t answer until she’s concerned. Not because I like being difficult—though, there is that—but because her worry over a wasted mission sounds just like worry over me.
Behind me, information is downloading from a stationary port into a mobile one. When it’s done, I’ll take the mobile back to Earth Zero, our primary Earth, the one the others think of as real. The information I gather is divided up into light data—population, temperature fluctuations, general news—and dark data—what is affecting their stocks that might affect ours, or, if it’s a future world, a full listing of where every stock will close on a given day. The existence of the dark data is a big secret, though I don’t know why anyone would care. Insider trading doesn’t even sound like a crime—not a real one, one with blood.
“Cara . . .”
Still just annoyed. I check the download’s progress. Sixty percent.
“Cara, I need you to answer me.”
There we go.
“I’m here.”
There’s a pause while she resets to apathy, but I heard the panic. For a second, she cared.
“You don’t always have to leave me waiting.”
“And you don’t always have to plant me two miles from my download port, but I guess we’re both a little petty, eh Dell?”
I can hear her smiling but not smiling from 196 worlds away. I’ve dodged the physical training for my job since just after my hiring six years ago. She’s so uptight, you’d think she’d just report me, but forcing me on these long walks is her answer.
“You’re wanted back. There’s a file on your desk.”
“I already have my pulls for the week.”
“Not a pull. A new file.”
“No, but . . .”
I put my hand against my chest, expecting to feel a divot, some missing chunk of flesh.
I want to tell her it can’t be true. I want to tell her I would have known. Instead, I tell her I need an hour and cut the link.
If I have a new world, it means that particular Earth’s me isn’t using it anymore. I’m dead again, somewhere else, and I didn’t feel a thing.
I’m not sure how long I sit, staring out at a horizon that’s like mine, but not. The download dings its finish. I could traverse out from here, since there’s no one to see me, but I steal a little time exploring the place fate tried to keep from me.
Another me is gone. As I walk into the valley, I’m a little more valuable walking down the mountain than I was walking up.
When I was young and multiverse was just a theory, I was worthless: the brown girl-child of an addict in one of those wards outside the walls of Wiley City that people don’t get out of or go to. But then Adam Bosch, our new Einstein and the founder of the institute that pays me, discovered a way to see into other universes. Of course, humanity couldn’t just look. We had to enter. We had to touch and taste and take.
But the universe said no.
The first people sent to explore a parallel Earth came back already dead or twitching and about to die, with more broken bones than whole ones. Some actually did make it through, and survived on the new world just long enough to die from their injuries and have their bodies recalled.
It took a lot of smart people’s corpses before they learned that if you’re still alive in the world you’re trying to enter, you get rejected. You’re an anomaly the universe won’t allow, and she’ll send you back broken in half if she has to. But Bosch’s device could resonate only with worlds very similar to our own, so most of the scientists—with their safe, sheltered upbringings in a city that had eliminated childhood mortality and vaccinated most viral illness into extinction—had living doppelgängers on the other worlds.
They needed trash people. Poor black and brown people. People somehow on the “wrong side” of the wall, even though they were the ones who built it. People brought for labor, or come for refuge, or who were here before the first neoliberal surveyed this land and thought to build a paradise. People who’d already thought this was paradise. They needed my people. They needed me.
Of the 380 Earths with which we can resonate, I’m dead in 372. No, 373 now. I’m not a scientist. I’m just what they’re stuck with. The higher-ups call us “traversers” on paper. Using ports put in place by the last generation of traversers, we download the region’s information and bring it back for greater minds to study. No better than pigeons, which is what they call us, not on paper.
One day, the Eldridge Institute will figure out how to remotely download information across worlds, and I’ll be worthless again.
Back on Earth Zero, I go straight to my floor after changing into my office clothes. Dell stands out tall in the herd of desks, more than two-thirds of them empty now. Her face is all tight because she’s been kept waiting by the only person who ever dares inconvenience her.
“Slumming it, Dell? I thought coming below the sixtieth floor gave you hives.”
She smiles, less like she thinks I’m funny and more like she wants to prove she knows how.
“I’ll survive.”
Of that, I can be sure. Survival is Dell’s whole problem. Here, on Earth Zero, she wanted to be a traverser. She was set up for it too: an air force pilot who’d had her eyes on space before the possibility of other worlds opened up. But Dell comes from a good family, one with money a long way back. In some worlds her parents never emigrated from Japan. In some she joined the private sector instead of this government-research-institute hybrid. But she survived in over 98 percent of other worlds, and in most of those she thrived. I’ve seen three dozen Dells, and all but one wore clothes more expensive than mine.
When I take off my jacket, we both hide our wince. Bruises line my arms in jagged stripes, and those are just the parts she can see.
“It shouldn’t be this bad,” she says, her eyes moving between quadrants of my body like she’s doing hard math.
“It’s only because I’ve been doubling up.”
“Which is why I advised against it.”
“I need the long weekend.”
We’ve had this conversation five times this week and it always ends right here, where her concern is outweighed by the effort it takes to argue with me. She nods, but the look she gives my arms lasts long enough for me to notice. It’s when she notices my noticing that she finally looks away.
Early on, the professionals on the upper stories, scientists like Bosch and watchers like Dell, told me the bruising was from the resistance of an object from one world being forced into another, like the violence of north and south magnets being shoved together. Other traversers, and they are a superstitious lot, told me the pressure we felt had a name, and it was “Nyame.” They said her kiss was the price of the journey.
Dell touches the clear screen that’s been delivered to me. It looks like a blank sheet of plastic, but once I activate it I’ll know the basics of the world that’s just been assigned to me. I learned quickly after moving here that the city loves plastic the way my town loves metal. Everything here is plastic. And it’s all the same kind. When a plastic thing stops working, they put it down a chute and turn it into another plastic thing, or the same thing but fixed. Plastic here is like water everywhere else; there’s never any more or less of it, just the same amount in an endless cycle.
“Do you know what your new world is?” she asks.
“You haven’t given it to me yet.”
“Can you guess?”
I should say no, because I resent being asked to do parlor tricks, but instead I answer, because I want to impress her.
“One Seventy-Five,” I say. “If I had to guess.”
I know I’m right by the way she refocuses on me. Like I’m interesting. Like I’m a bug.
“Lucky guess,” she says, sliding the screen to me.
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