08/10/2015
Traveling from Sweden and South Korea to Los Angeles and New York for interviews with a wide array of songwriters, producers, and artists, New Yorker writer Seabrook tunefully delivers a soulful refrain on the multilayered process of building hit songs today. He profiles Soo-Man Lee, founder of SM Entertainment and architect of K-pop, who created a manual detailing steps necessary to establish a winning artist: which chord progressions to use in songs, which camera angles for videos, and when to import foreign producers or choreographers. Denniz Pop’s vision of making the hits involves using a factory of Swedish songwriters who would create hits for British and American acts, combining the beat-driven music people danced to in clubs with the pop music people listened to on the radio. Seabrook also profiles Lou Pearlman, who engineered the Backstreet Boys and mismanaged their careers, and Britney Spears and Rhianna, examining the formulas for their pop successes. Seabrook almost giddily explores the ways that hit songs hook the listener when the “rhythm, sound, melody, and harmony converge to create a single ecstatic moment, felt more in the body than in the head.” (Oct.)
New Yorker staff writer John Seabrook tells a fascinating story of creativity and commerce that explains how songs have become so addictive.
Over the last two decades a new type of song has emerged. Today's hits bristle with "hooks," musical burrs designed to snag your ear every seven seconds. Painstakingly crafted to tweak the brain's delight in melody, rhythm, and repetition, these songs are industrial-strength products made for malls, casinos, the gym, and the Super Bowl halftime show. The tracks are so catchy, and so potent, that you can't not listen to them.
Traveling from New York to Los Angeles, Stockholm to Korea, John Seabrook visits specialized teams composing songs in digital labs with novel techniques, and he traces the growth of these contagious hits from their origins in early '90s Sweden to their ubiquity on today's charts.
Featuring the stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Ester Dean, and Dr. Luke,*The Song Machine*will change the way you listen to music.
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Over the last two decades a new type of song has emerged. Today's hits bristle with "hooks," musical burrs designed to snag your ear every seven seconds. Painstakingly crafted to tweak the brain's delight in melody, rhythm, and repetition, these songs are industrial-strength products made for malls, casinos, the gym, and the Super Bowl halftime show. The tracks are so catchy, and so potent, that you can't not listen to them.
Traveling from New York to Los Angeles, Stockholm to Korea, John Seabrook visits specialized teams composing songs in digital labs with novel techniques, and he traces the growth of these contagious hits from their origins in early '90s Sweden to their ubiquity on today's charts.
Featuring the stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Ester Dean, and Dr. Luke,*The Song Machine*will change the way you listen to music.
The Song Machine: Inside the Hit Factory
New Yorker staff writer John Seabrook tells a fascinating story of creativity and commerce that explains how songs have become so addictive.
Over the last two decades a new type of song has emerged. Today's hits bristle with "hooks," musical burrs designed to snag your ear every seven seconds. Painstakingly crafted to tweak the brain's delight in melody, rhythm, and repetition, these songs are industrial-strength products made for malls, casinos, the gym, and the Super Bowl halftime show. The tracks are so catchy, and so potent, that you can't not listen to them.
Traveling from New York to Los Angeles, Stockholm to Korea, John Seabrook visits specialized teams composing songs in digital labs with novel techniques, and he traces the growth of these contagious hits from their origins in early '90s Sweden to their ubiquity on today's charts.
Featuring the stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Ester Dean, and Dr. Luke,*The Song Machine*will change the way you listen to music.
Over the last two decades a new type of song has emerged. Today's hits bristle with "hooks," musical burrs designed to snag your ear every seven seconds. Painstakingly crafted to tweak the brain's delight in melody, rhythm, and repetition, these songs are industrial-strength products made for malls, casinos, the gym, and the Super Bowl halftime show. The tracks are so catchy, and so potent, that you can't not listen to them.
Traveling from New York to Los Angeles, Stockholm to Korea, John Seabrook visits specialized teams composing songs in digital labs with novel techniques, and he traces the growth of these contagious hits from their origins in early '90s Sweden to their ubiquity on today's charts.
Featuring the stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Ester Dean, and Dr. Luke,*The Song Machine*will change the way you listen to music.
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Product Details
BN ID: | 2940170069934 |
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Publisher: | HighBridge Company |
Publication date: | 10/05/2015 |
Edition description: | Unabridged |
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