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The Small Room
A Novel
By May Sarton OPEN ROAD INTEGRATED MEDIA
Copyright © 1961 May Sarton
All rights reserved.
ISBN: 978-1-4976-8551-2
CHAPTER 1
Lucy was glad to leave her dreary room at the Faculty Club, leave the half-unpacked boxes of books and clothes, leave the ugly maple desk, and make her way across the campus to Hallie Summerson's for tea. At first glance the college bore little resemblance to her romantic image of what it might have been; there was only one beautiful building, Palladian white pillars and the echo of Greece in the pediment; it went back to the days of the seminary, had once been a church, and was now the library. The chapel was Gothic; stained-glass angels carried lilies in their hands, memorializing a student who died young. Most of the other buildings were a mortifying red brick with ugly slate roofs and narrow windows. But, as Lucy walked across the campus in the afternoon light, she saw that the anomalous collection of buildings was redeemed by the trees that wove their rich garlands, their splendid fountains and rococo arches in and out among the boring rectangular spaces, and gave the whole scene a kind of grace. She recognized Hallie Summerson's house in the distance—white, black, shutters, Gothic windows, so it had been described. To Lucy, in her unnerved state, it looked like a house in a fairy tale by Grimm, the scene of some dreadful confrontation. Would Carryl Cope be there, she wondered? Miss Summerson had murmured that she might be, and the murmur had been reverent. Appleton was a small enough college so that its stars burned with a peculiar ferocity. "Tiger, tiger, burning bright" ... Miss Cope's reputation was of that brilliance, that magnitude. One had heard of her even if one's own subject was American literature and hers mediaeval history. She transcended her subject and the college. Odd that she had not chosen to teach in a university where she would have dealt with graduate students. As Lucy walked up the path, she wondered why; as she rang the bell, trembling absurdly, she remembered that Professor Cope was always dashing off on leave of absence to study Arabic or drive a jeep around Turkey exploring crusader castles—no doubt the powers at Appleton were indulgent to such excursions from academic routine.
The opening door interrupted these thoughts. Hallie Summerson welcomed her warmly, drew her into the parlor with one hand, and waved at a young couple with the other. "Here's Miss Winter, American literature. Mr. Atwood is doing his dissertation on Fielding. Do sit down, all of you!" She gestured vaguely at the various chairs, the small worn sofa, and disappeared into the kitchen.
The room, warmed by the September sunlight, was delightfully Victorian without self-consciousness; there were a few etchings and prints of cathedrals on the walls, and a death mask of Keats on the mantel. It felt like a room where thoughts could be spoken with ease, a room that could absorb shock.
"I feel awfully shy, don't you?" Lucy turned to Henry Atwood, sandy-haired, pink, who had been cracking his knuckles.
"Henry feels like a small cock in a yard of huge hens," his wife answered for him. In knee-length socks, a blazer, and a pleated skirt, she looked absurdly young.
"It is rather a female institution, one gathers."
"At least it's near Widener," Henry explained, with a hunted smile. "We've been miles from a good library these years, and I do need books."
The doorbell gave a loud peal, and since Miss Summersong did not appear, Lucy thought she had better answer its imperative summons.
"My name's Cope. Who are you?" Miss Cope uttered in one breath, just as Harriet Summerson dashed in with a tea pot in one hand and a hot water jug in the other.
"Come in, Carryl. This is Miss Winter, and Henry and Deborah Atwood, the new members of the department."
Lucy had expected Carryl Cope to be huge (after all she was a monument, so to speak, already), and she was quite small. She had expected her to be handsome, and saw instead a faded yellowish face, fine hair like a child's, cut short, no make-up at all, eyes that narrowed rather than opened so one could not name their color, and a very pointed nose. She wore a crumpled seersucker suit and had, Lucy noted, small feet in elegant black slippers like a man's evening slippers.
"Sit down, you people!" Miss Summerson admonished them. "I just have to butter the muffins. Oh dear, there's the bell! Carryl, do go ... I'll be back in half a second...."
It was Professor Beveridge and his wife (Beveridge, Lucy seemed to remember, was Romance languages), and a Miss Finch whom Lucy could not place. Gentle and tentative, a braid of hair coiled round her head, she gravitated toward Carryl Cope. Maria Beveridge stood in the middle of the room like some huge plant from another zone; amply built, dark hair caught back in a barrette, dark eyes heavily shadowed, a wide bright mouth, a black dress—she was inescapably "foreign," and Lucy was so absorbed in trying to decide Italian or Spanish, or what, that she hardly noticed Professor Beveridge himself until she realized that he had addressed her.
"I'm sorry. Did you ask me something?"
She saw that he was thin, tall, and faintly withered; his eyes were pale blue; the life of the face was gathered in their quick intense glance. Below them, the mouth drew itself down in a nervous tic, which Lucy did not find repellent.
"Oh," she answered the repeated question, "yes, I'm terribly new here. It's my first day."
"We'll temper the wind," he said gravely.
"Is there a wind?" she asked, responding to the twinkle in his eye.
"Damn nonsense!" Carryl Cope's voice reached them from the embrasure of the window where she and Miss Finch had taken refuge. "Hallie!" she cried imperiously, "Where are you?"
"Coming," Hallie Summerson appeared in the doorway, bearing a plate of English muffins. "You may well say, 'at last'! You see, I burned the first batch. Do sit down, all of you."
"What is all this I hear about appointing a resident psychiatrist? Jennifer has just been telling me about it. Those psychologists, I suppose. At it again!" Carryl Cope stood with her back to the fire and dominated the room, while she accepted the first cup of tea and drank it down in one gulp.
"Well, after all, 'it' is their business, isn't it?" Hallie answered, unruffled. "But we are not going to talk shop, Carryl." Lucy was amused at her firmness. "Have a muffin."
"Oh? What are we going to talk about then? The price of putty?"
"I understand it is very expensive," Jack Beveridge said.
There was a rippling smile. There was a pause. The room now seemed crowded, and when they did find chairs, Deborah Atwood chose the floor, where she looked more like an undergraduate than ever.
"Who is this child?" Miss Cope looked down at her with an air of unbelief.
"Deborah Atwood," the child answered for herself.
"Are you to teach?"
"No, my husband—Henry is."
"Oh, Mr. Atwood, assistant professor, of course." And Carryl Cope turned to discover him, with obvious relief.
"I wish you would sit down, Carryl," Harriet Summerson said.
"I like standing."
"You tower enough as it is."
"Don't be rude, Hallie. We have to impress these new professors."
"Shall we give them the treatment?" Jack Beveridge asked from the far corner where he was sitting on a stool, his cup balanced precariously on his knee. "Or shall we just gently torture them a little while?"
"Do we have to be initiated?" Deborah asked demurely. "Is Appleton a secret society?"
"Of course it is. Every college is."
The conversation seemed to Lucy so mannered and unreal that she felt incapable of uttering a word. It was as if everyone, except possibly Harriet Summerson, were playing a role, and she suspected that even Hallie Summerson's brusque naturalness might be a mask, a slightly subtler mask than those the others had chosen to wear.
"Tell us a little about this secret society then." Henry Atwood looked, Lucy thought, wonderfully happy, as if he had arrived at some long-hoped-for destination. This was endearing.
"But we know nothing about it ourselves," Carryl Cope said with a relentless smile. "You are the anthropologists confronting a strange tribe."
"Not so much a tribe as a personality." Miss Finch stretched her knotted fingers toward the fire. "I do agree that first impressions may be more valid than what one thinks one knows later, more objective; there is an atmosphere, of course, a very specific atmosphere ..."
"And just what is it, Jennifer?" Jack Beveridge interrupted. "Define it for us, do!"
Lucy noted that although Jennifer Finch, brown and mousy, appeared to be the least assuming person in the room, they turned to her with deference, a deference different from the playful obeisances directed toward Carryl Cope.
Miss Finch did not leap into the conversation with the speed of light as the others did. She alone, perhaps, was not playing a part, took no stance, but was simply thinking aloud in the presence of friends. "Let me put some apparently unrelated things together. You have noticed our Palladian library?"
"Yes indeed," Lucy responded instantly. "It's beautiful."
"Those white pillars that look so well in the snow—yes—" she proceeded as delicately as a water beetle skating the surface of a pool—"and let us not forget that Miss Cecilia Wellington founded the college on her father's money, after his death, because he had refused to allow her to go to Radcliffe (then known as The Annex, you remember); she went to Oxford instead, when she was nearly fifty, a late and, we must believe, not unfruitful revenge upon Papa; there is also the fact that Appleton, unlike most of the colleges founded in that period, is not and never has been affiliated with a church; the sciences, notably mathematics, have been more emphasized here than is usual in women's colleges. An atmosphere?" she queried. "Very hard to pin down, but I think I am not being unduly chauvinistic if I say that there is still a certain edge, an edge of excitement in being admitted to Appleton."
"The last stronghold of the bluestocking, perhaps?" Jack Beveridge inserted slyly.
"And why not?" Carryl Cope fired back at once. "We don't teach domestic science; we are not interested especially in producing marriageable young ladies."
"They do seem to have exceptionally bad manners," Jack murmured. Carryl Cope did not hear this remark; she had turned to Jennifer with unexpected gentleness and said, "We interrupted you. Do go on."
"We have tended to foster the brilliant student." Miss Finch swallowed a smile with a delightful air of internal amusement. "Odd that this should set us apart. One would have supposed the fostering of brilliance to be the function of a college."
"But what becomes of them afterwards?" Lucy innocently asked. "I mean, is this a society in which brilliance in women is considered desirable?" The three women professors answered volubly at once.
"The college was not founded to give society what it wants," she heard Miss Cope, sharp and glittering. "Quite the contrary!"
But it was Harriet Summerson's voice which finally rose above the others. She was quite flushed, Lucy noticed, but whether this was a response to the question or caused by the exigencies of the tea table, it was hard to tell. Her remarks were punctuated by her lifting the tea pot and waving it, first at one and then at another of her guests, while Henry Atwood carried cups to and fro. "I don't think brilliance is quite the right word, Jennifer. We have presumed that by setting an uncompromising standard we might develop women who could take the lead, who would become responsible in the deepest sense. Shoddy work, students who manage to 'get by,' are not going to grow into mature people, capable of handling power. We prize excellence."
"I'm getting more and more nervous about my first class," Lucy said mischievously.
"The freshmen do not yet know about excellence," Jack Beveridge said. "I doubt if you need to worry."
"The fact is," Jennifer Finch continued her monologue, so often interrupted in the last few minutes, "that to maintain anything remotely resembling scholarship, one has to talk as if Appleton were a sort of nunnery where only the dedicated come to breathe a rarefied air. Possibly we achieve a slight degree of scholastic superiority by these heroic attitudes; sometimes we are merely ridiculous," she ended, curiously remote, curiously detached.
The animation of a few moments before had subsided. Carryl Cope tapped a cigarette on her tortoise shell case.
"I wonder what really happens?" Among the other voices, Maria's had a curious lilt, not an accent so much as the expression of a temperament several degrees warmer than that of anyone who had spoken so far. "Young girls are like chameleons; they take on the color of their surroundings. Perhaps your bluestockings are just red or black stockings in disguise: put them in a school of domestic science and they will bake pies with just the awe they bring to Greek now. Are they moulded or do they achieve merely a perfection of imitation, learn to please their present masters? That Seaman girl, for instance. What is she really like?"
"Jane Seaman is a scholar. I'll vouch for that," Carryl said. "That girl will go far."
"Where will she go?" Maria pressed her point.
"She'll do original work."
"Is she hungry and thirsty?" Maria asked. "She strikes me as rather smug." There was, Lucy sensed, tension between these two women, as different as night and day.
"And why not, pray? She's head and shoulders above anyone else in the senior class, intellectually speaking, and she's worked like a demon."
"No shop talk," Harriet Summerson interrupted. "After all, the Atwoods and Miss Winter don't even know who Jane Seaman is."
"Oh, do go on! I find it fascinating," Lucy said.
"As a matter of fact, Jane has registered for your American Renaissance course, so you'll meet her soon enough."
"Oh dear." Lucy's dismay turned to embarrassment when everyone laughed.
"Actually," Jack Beveridge said, "Jane is rather fun." Jack provided some essence that was welcome among the intensities, the elaborate self-defence of the women professors. He provided the salt; also, Lucy felt he was kind.
"You can't imagine the relief it is to be here." Henry Atwood burst into speech as a bird might burst into song, so great was his pleasure in the occasion and in himself for being present. "At Appleton, I mean." He turned to his wife, who was helping to collect cups and saucers. "Isn't it, Debby? You see, where we were—"
"Where were you?" Carryl Cope asked.
"A little college in northern Michigan, Defoe. I'm sure you've never heard of it. Anyway, all they talked about there was religion and sports."
"And whether anyone had been caught smoking," Debby chimed in.
"Smoking, of course, was a sin." His round face beamed. "Probably brilliance in a woman would also have been thought a sin, but there was no opportunity to discover."
"It does sound peculiarly grim," Carryl Cope said distantly. She was visibly not interested in what went on in northern Michigan.
"Didn't it make you feel like awful snobs?" Maria asked. Deborah shot her a quick startled glance. "Did you stop smoking, or did you smoke ostentatiously to prove your integrity?"
Henry blinked and swallowed. It was clear that he thought he had caught the tone of the occasion and now feared he had missed a cue. "We were very uncomfortable," he said humbly. Lucy had not expected such transparent ingenuousness in a colleague; he is a dear, she thought. "I hated it, as a matter of fact. I hated feeling superior. I felt I was everything they dislike about the East. I'm sure we failed somehow."
"No," Debby was vehement. "You had two good students and one of them will go on to Chicago. That's not failure."
"You make us feel overprotected," Harriet Summerson said.
"Against ignorance and sloth, why not?" The tiger showed its claws for the first time. You had to be a little inhuman, Lucy suspected, to be as secure as Carryl Cope.
"It's time I got home to Mother." The remark seemed incongruous coming from Jennifer Finch, who rose from her chair to make it. Lucy had imagined her as living alone with a cat. Now in the general movement of departure the front door stood open into the late afternoon sunlight, and there was the casual feel of a summer evening, of time opening out. Children went by on bicycles ringing their bells. Lucy, the last to say goodbye, asked if she could help wash up.
"Well, that's very kind of you, Dr. Winter."
"Do call me Lucy, please."
"Very well, Lucy, come along to the kitchen. It will only take a moment, and we can go on talking. I always hate it when everyone leaves at once, don't you? One is left high and dry."
There was an old-fashioned wood-burning stove in one corner, covered with newspapers and used as a general dump. The window sills had rows of plants in odd jars along them, geraniums mostly. The linoleum was worn; in the center of the room stood a deal table, its clean wood scrubbed. They washed the dishes at a soapstone sink. "I do like your kitchen," Lucy said, standing with a towel in her hand, ready to wipe.
(Continues...)
Excerpted from The Small Room by May Sarton. Copyright © 1961 May Sarton. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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