The Sixth Form
When seventeen-year-old Ethan Whitley leaves his home in California for Berkley Academy, a prestigious Massachusetts prep school, he's a blank slate, a shy follower of rules in search of himself. Ethan is given the chance to start over when he is hand-picked by his wealthy, disaffected classmate, Todd Eldon, and a seductive, enigmatic teacher, Hannah McClellan, a free spirit for whom rules were meant to be broken.

Life with Todd and Hannah is a revelation, an invitation to a world of privilege and desire. But looming over these heady evenings is the disturbing mystery of Hannah's fragmented past, one that Ethan longs desperately to understand.

As secrets are revealed, Ethan is pulled deep into the undertow of Hannah's history and Todd's longings. Soon, he learns that every deceit has a price, every lie is an ugly truth, and that those he has come to trust are people he doesn't know at all.

"In the tradition of Curtis Sittenfeld's Prep, with just the right hint of Tom Brown's Schooldays, Dolby gives us a glimpse into the rarefied world of elite New England boarding schools and manages at the same time to say something new about adolescence, sexuality, and the way art can give us what we need to survive. --Ayelet Waldman, author of Love and Other Impossible Pursuits

"Dolby puts his own prep school experience to fine use in his second novel. . .beautifully observed." --Publishers Weekly

"A tender and funny novel." --David Ebershoff
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The Sixth Form
When seventeen-year-old Ethan Whitley leaves his home in California for Berkley Academy, a prestigious Massachusetts prep school, he's a blank slate, a shy follower of rules in search of himself. Ethan is given the chance to start over when he is hand-picked by his wealthy, disaffected classmate, Todd Eldon, and a seductive, enigmatic teacher, Hannah McClellan, a free spirit for whom rules were meant to be broken.

Life with Todd and Hannah is a revelation, an invitation to a world of privilege and desire. But looming over these heady evenings is the disturbing mystery of Hannah's fragmented past, one that Ethan longs desperately to understand.

As secrets are revealed, Ethan is pulled deep into the undertow of Hannah's history and Todd's longings. Soon, he learns that every deceit has a price, every lie is an ugly truth, and that those he has come to trust are people he doesn't know at all.

"In the tradition of Curtis Sittenfeld's Prep, with just the right hint of Tom Brown's Schooldays, Dolby gives us a glimpse into the rarefied world of elite New England boarding schools and manages at the same time to say something new about adolescence, sexuality, and the way art can give us what we need to survive. --Ayelet Waldman, author of Love and Other Impossible Pursuits

"Dolby puts his own prep school experience to fine use in his second novel. . .beautifully observed." --Publishers Weekly

"A tender and funny novel." --David Ebershoff
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The Sixth Form

The Sixth Form

by Tom Dolby
The Sixth Form

The Sixth Form

by Tom Dolby

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Overview

When seventeen-year-old Ethan Whitley leaves his home in California for Berkley Academy, a prestigious Massachusetts prep school, he's a blank slate, a shy follower of rules in search of himself. Ethan is given the chance to start over when he is hand-picked by his wealthy, disaffected classmate, Todd Eldon, and a seductive, enigmatic teacher, Hannah McClellan, a free spirit for whom rules were meant to be broken.

Life with Todd and Hannah is a revelation, an invitation to a world of privilege and desire. But looming over these heady evenings is the disturbing mystery of Hannah's fragmented past, one that Ethan longs desperately to understand.

As secrets are revealed, Ethan is pulled deep into the undertow of Hannah's history and Todd's longings. Soon, he learns that every deceit has a price, every lie is an ugly truth, and that those he has come to trust are people he doesn't know at all.

"In the tradition of Curtis Sittenfeld's Prep, with just the right hint of Tom Brown's Schooldays, Dolby gives us a glimpse into the rarefied world of elite New England boarding schools and manages at the same time to say something new about adolescence, sexuality, and the way art can give us what we need to survive. --Ayelet Waldman, author of Love and Other Impossible Pursuits

"Dolby puts his own prep school experience to fine use in his second novel. . .beautifully observed." --Publishers Weekly

"A tender and funny novel." --David Ebershoff

Product Details

ISBN-13: 9780758239402
Publisher: Kensington
Publication date: 12/30/2008
Sold by: Barnes & Noble
Format: eBook
Pages: 336
File size: 698 KB

About the Author

Tom Dolby is the author of the bestselling novel The Trouble Boy. Born in London and raised in San Francisco, he is a graduate of The Hotchkiss School and Yale University. His writing has appeared in The New York Times, The Village Voice, the San Francisco Chronicle, and Out. He currently lives in Manhattan, where he is working on his third novel.

Read an Excerpt

The Sixth Form


By TOM DOLBY

KENSINGTON BOOKS

Copyright © 2008 Tom Dolby
All right reserved.

ISBN: 978-0-7582-2258-9


Chapter One

Before he met Todd, in those first few weeks at Berkley Academy, Ethan Whitley sought refuge in the cool calm of the art studios, amidst the smells of dried paint and eraser shavings. The heat had surprised him; Massachusetts in September was balmy, sweltering, mosquitoes buzzing around brackish pools, verdant lawns that spread for acres beyond the brick facades of Berkley's Colonial campus. The advanced studios of the Stevenson Art Center were air-conditioned, a rare luxury for a school that prided itself on its Spartan, character-building accommodations. When he was working alone in these rooms, Ethan imagined that they protected him from all that lay waiting outside.

As he worked, he would think ahead to the next hour or two, safely tucking his portrait in his cubby, shuffling across the linoleum floor, walking upstairs, past the library, its fifty thousand volumes tempting him, across the inlaid marble of the school's foyer, through its atrium of white columns and vaulted ceilings, out the French doors of the main building. His fellow classmates-he didn't know their names; they were as anonymous as strangers in Grand Central Terminal-would lay sprawled on the grass under a cluster of birch trees like a clothing advertisement, a triple-page spread, their chlorinated blond locks falling lazily over their eyes, tanned legs, scratched in the right places (sports injuries, not clumsiness), skin free of blemishes. They lived in a world where people made witty remarks to each other, and no one worried too much about things like money or popularity or sex.

He was shocked then to find himself one evening, three weeks into the school year, sitting in a taxicab, a rattling old station wagon, barreling into town with Todd Eldon, a boy who lived on the floor above him. Five days earlier, Todd had burst into Ethan's room with the force of a raid-Hands up! We know you have no friends, and we're going to do something about it!-and asked him to summarize the week's English reading, the first section of Jane Eyre. Since that evening, the friendship had progressed so effortlessly that Ethan had nearly forgotten those horrible weeks prior, the sitting alone in his room after check-in, staring at the Jackson Pollock poster he had tacked to the wall above his bed, dreading the mealtime ritual of finding people to sit with, making conversation, smiling politely even when everyone who was done got up to study or goof off in the dorms.

Now Todd rifled around in his messenger bag and pulled out a nearly empty pack of cigarettes, its crumbs of tobacco littering the backseat. "Need to get more on the way back," he muttered.

Ethan felt his brow furrowing in disapproval, and he forced his visage to soften. He didn't smoke and had always suspected that people who did were not to be trusted. The cab pulled into the gravel driveway of Wilton's tearoom, one of a handful of places where students could eat in town, and Ethan reached for his wallet. Todd waved him away, signing the charge slip with a scribble.

The boys entered the tearoom and Todd greeted a young woman who was wiping down several of the tables, introducing her to Ethan as Laura. The room felt cozy, with yellow walls, ancient red tea canisters on high shelves, antique tables and chairs of varying sizes, a potted palm next to a fireplace. A group of girls from school, Fourth Formers, were chattering at the front table, occasionally giving the boys flirtatious glances; a local woman and her two children sat in the far corner. A sideboard held an assortment of desserts-fruit cobblers, pies, bread pudding, chocolate, pound, and carrot cakes. Ethan breathed in the deep warm aroma of vanilla and cardamom.

Madame Beauchamp, the old French lady who owned the tearoom, led them to a table near the window looking out on the back garden. They followed her, the wake of her old lady perfume trailing behind.

Laura came over and handed them menus. On the back were all the varieties of tea; on the front were the food selections. Ethan read the menu-soups, salads, sandwiches, scones-and then looked hungrily over at the cakes and pies on the sideboard.

The little that Ethan knew of Todd already made him feel inadequate. Todd had an older brother who had gone to Berkley, had apparently had numerous girlfriends (surely he had already had sex), played sports, and had grown up in New York City. Being from California, Ethan was embarrassed to admit that he had only been there once.

The door of the tearoom opened, bringing with it a burst of cool air, and in stepped a woman with flowing blond hair and light freckles on her cheeks. She wore a white dress and was carrying four boxes, the type used to carry baked goods. She was older than a student, but she didn't quite look like a teacher, either.

"Just in time!" She brushed past the boys and placed the four boxes down on the counter of the open kitchen, smiling at Madame Beauchamp. "Carrot, cheesecake, blueberry cobbler, and a strawberry rhubarb. All fresh from the oven."

Madame Beauchamp took the desserts and placed them on the island in the small kitchen, opening up the top box and examining its contents. "Délicieux," she said.

The woman with the blond hair turned toward the boys and smiled.

"You guys look like you'll be wanting dessert."

Todd and Ethan stared at her. Ethan wondered why this woman, this exotic creature, was speaking to them.

"You're-hold on-Todd, right?"

Todd nodded.

"I've seen you here before. And who's your friend?"

Ethan felt a blush blooming in his cheeks as he looked up (he had noticed her dress, its neckline, the pale skin on her breastbone; his eyes darted away from this area, as though he had touched a hot teakettle and been burned). "Ethan Whitley," he said.

"Well, hello, Ethan Whitley," the woman said. "I'm Hannah. Ms. McClellan. You can call me Hannah."

Ethan was confused; he thought he had seen her around. "Are you a teacher?"

"That's what they tell me. I make some of the desserts here, too. Sort of a hobby I do on the side. Gets me out of my head."

Ethan wondered why she was inviting them to use her first name. Perhaps the younger Berkley teachers, the ones right out of college, might do this in private, but no one on the Berkley faculty who was Hannah's age-she had to be at least thirty-would ever allow this.

She sat down on a chair at the counter, facing the boys. "Ethan Whitley ... you're new, right? Did I read some of your short stories last year that came in with your admissions packet?"

Ethan's blush deepened. "It's possible. I submitted a few."

"I loved them. They were really gorgeous. The one about the mother. I hope you keep writing."

"Thanks," Ethan croaked.

"Anyway, have some dessert. It's on me." She winked at Madame Beauchamp. "What do you guys want?"

"I usually get the carrot cake," Todd said.

"Um, blueberry cobbler?" Ethan said.

"Give them extra big pieces," Hannah said to Laura. "They're growing boys." She smiled again. "I haven't made as much of the blueberry cobbler lately. It's hard to find good local blueberries this time of year."

"It's my favorite," Ethan said. His mother used to bake it for him and his father when he was growing up. But not recently-recently she hadn't been doing much cooking at all.

"I'd better get going," Hannah said. "Laura, if they want it, give them seconds."

Looking back, Todd would sometimes think it had all happened by accident. He was behind in the reading-he was always behind in the reading-and Ethan was the closest guy in the dorm who was also in Ms. Davis's English class. Taking him to the tearoom a few days later had been partly a tactical move: Todd had discovered several weeks ago from his friend Izzy that Laura, the waitress, was selling the best weed in western Massachusetts. There were only so many times he could go to the tearoom alone; Ethan would be the perfect cover. Laura had taken some convincing, but once he assured her that he was a city kid, that he wasn't going to get her in trouble, she agreed to sell to him. It wasn't practical, after all, to go home each time he needed to replenish his stash, and the student he had bought from in previous years, an Upper East Side brat-turned-drug-dealer, had graduated.

Todd knew he shouldn't be smoking-not as a member of the cross-country team, and not with college applications looming in the coming months. But he hated running. Sometimes during practice, he would will his lungs to collapse on him, pushing himself harder and harder, savoring the sharp pain his breathing cavities exerted on his body, knives cutting him inside, blades steeped in nicotine and sinsemilla. Afterward, there was no camaraderie. His fellow runners weren't like the football players, who would shower together in the field house after practice, exchanging taunts and laughing all the way to the dining hall. His teammates were lonely creatures, climbing up the hill toward the dorms each evening, retreating to their rooms, one by one, in preparation for dinner. If he had to be alone, he wanted to be high; that was one of the few things he could do without anyone else. The weed helped him shut out the silence, the drudgery: of classes, of college applications, of feeling so alone.

The plan had gone flawlessly that evening, as Todd went inside again while they waited for their cab, saying he had forgotten something. He slipped Laura five twenties, and she handed him a small package, just out of Ethan and Madame Beauchamp's sight.

After arriving back on campus, Ethan and Todd headed to the snack bar. Now that he was with Todd, Ethan felt confident about entering the gossipy haven that was dominated by Sixth Formers each evening from seven until ten. He hoped they would stay awhile, hang out, talk with some girls.

"I need to find Alex," Todd said, looking around for his girlfriend, Alexandra Roth. He was suddenly in a panic, as if his future livelihood at the school depended on it. Todd could not be seen entering the snack bar with Ethan Whitley (the puzzling Ethan Whitley, a blank slate, a cipher, for some; for others, one who was suspect-a bit too well read, a bit too smug: California, after all? Who came from California?). Ethan felt a glum sensation as Todd ignored him. He imagined himself being demoted back to his place in the social strata, as if he had been given a glimpse of what it would be like to be popular, to be granted the attentions of someone like Todd Eldon, and was now being informed that actually there had been an error, that he was not meant to have been at the tearoom at all, that he had been mistaken for someone more popular, someone better-looking. He looked around the snack bar: all the usual suspects. Athletes in one corner, stoners in another, the African-American and Asian cliques at their own tables, the artsy crowd (they hadn't embraced him, either-even the outcasts weren't taking new admissions, though he was an artist himself) scattered in the middle. Books and papers everywhere. Empty bottles of soda and paper plates littered with the remnants of hamburgers and grilled cheese sandwiches. Todd located his friends across the room and motioned for Ethan to follow him.

He bought two Cokes at the counter and brought them to a table where Todd was sitting with Izzy Jacobsen, Miles Nolan, and Kevin Bradshaw; they were part of what Ethan had heard referred to as the "banker boys," guys whose fathers had made their money in investments. Todd introduced Ethan to everyone and pulled out a chair for him. After he sat down, Alex appeared behind Todd and wrapped her arms around him. He squirmed uncomfortably, releasing himself from her grip.

Alex smiled at Ethan. "Hi." Her cheeks glowed from the brisk night, a warm peach color. Ethan had noticed her before, in the hallways, near the mailboxes. The girl with the brown pageboy cut and the large eyes, the one who wore Doc Martens with Laura Ashley dresses. He felt a green pang of jealousy. Todd was that guy, the type who existed in books or movies or his imagination, who had everything a teenager wanted (everything, in fact, that Ethan wanted): friends, a girlfriend, as much money as he needed. There was so much he could learn from Todd, but what did Todd want from him?

Alex turned to Todd. "Should we go?"

Todd shrugged and got up, grabbing his fleece pullover.

Ethan felt his gut flip: nervousness, then annoyance. He wanted what Todd had, not only emotionally, but physically, in the deepest, most visceral part of him. He imagined what they would do together: a romantic walk back to the dorm, perhaps a visit to the studio to show Todd what she had been working on (now Ethan remembered her name from one of the paintings in the main hallway's exhibition of student work). They would hold hands, and then in some dark corner, he would kiss her, pressing his body to hers, pushing his erection against her pelvis.

"I'll catch you guys later," Todd said to everyone, and the two left the snack bar.

"Lucky bastard," Izzy Jacobsen said, as he scratched his crotch. "That guy gets laid more often than I jerk off."

The following evening, Todd made a call from the pay phone on the fourth floor of Slater Dormitory. Though this arrangement afforded Berkley's students little freedom, it was one of the few options they had to make contact with the outside world. Cell phones had been banned years ago after several students' phones went off during class, the chimes of Beethoven's Fifth sending them directly to the deans' wing. The only permitted alternatives for communication were pay phones or e-mail. In this case, Todd needed to talk to his father directly.

He was about to hang up when Don Eldon picked up on the fourth ring. They hadn't spoken in several months, and Todd hadn't seen him in over a year. From a practical standpoint, it didn't matter. His mother, Jackie, had plenty of money to take care of him and his brother, and their father was busy keeping his development ventures in Florida afloat (Todd had to admit that he never understood exactly what it was that his dad did each day). Jackie had never been clear with Todd or his older brother, Brian, about whether it was raising two children, her flourishing literary success in the field of romantic suspense, or a combination of the two, that had driven him away. Miraculously, she had been able to crank out a bloodcurdling best-seller every year while supervising the changing of diapers and the scheduling of play dates. She had become a publishing sensation, and her husband was still a failed real estate broker with a drinking problem. When Todd was five, Don Eldon did what Todd figured most men would do: he left. Jackie had filed for divorce, instructing her lawyers to make sure the man didn't get a penny of her hard-earned book advances.

"Yeah?" Todd's father said, over the din of a baseball game playing on the television.

"It's Todd."

There was a pause as he turned down the game. The pauses: Todd had forgotten about them. They took forever, were like that peculiar feeling of being on a family car trip and never knowing when you would arrive.

"Hey, kiddo. What can I do for you?" his father finally said.

"I wanted to talk to you about my college applications."

Todd heard his father sigh. "Todd, you know I can't contribute to that. Your mom's got plenty of money set aside for you and your brother."

"It's not about paying, Dad."

"What's it about then?"

"There's a statement that's supposed to be written by your parents-you can do it separately, if they're divorced-but it's supposed to be about what your parents think of you, why they think you should go to that college, stuff like that." Todd nervously scratched away at a Harvard sticker that had been plastered on the wall next to the phone.

"Todd, your mother is the writer in the family. I think she would be much better handling that sort of thing."

"Okay," Todd said. "I just thought I'd ask."

"No problem, kid. Let me know if you need anything else."

Todd hung up without saying good-bye. His hands were shaking. Was it too much to ask his father to write a five-hundred-word recollection of his younger son? Todd thought he had written a statement for Brian. Or had his mother simply mailed in one on both their behalf? It would be like Jackie not to want to admit to an admissions officer that Don Eldon played no role in his sons' lives.

(Continues...)



Excerpted from The Sixth Form by TOM DOLBY Copyright © 2008 by Tom Dolby. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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