The Shawl

by Cynthia Ozick Narrated by Yelena Schmulenson

Overview

Two award-winning works of fiction by one of America's finest writers, together in one collection.



In "The Shawl," a woman named Rosa Lublin watches a concentration camp guard murder her daughter. In "Rosa," that same woman appears thirty years later, "a mad woman and a scavenger" in a Miami hotel. She has no life in the present because her past will never end. In both stories, there is a shawl-a shawl that can sustain a starving child, inadvertently destroy her, or magically conjure her back to life.



Both stories were originally published in the New Yorker in the 1980s; each was included in the annual Best American Short Stories and awarded First Prize in the annual O. Henry Prize Stories collection. Each succeeds in imagining the unimaginable: the horror of the Holocaust and the unfillable emptiness of its aftermath. Fiercely immediate, complex, and unforgettable, each is a masterwork by a writer the New York Times hailed as "the most accomplished and graceful literary stylist of our time."

Editorial Reviews

Publishers Weekly - Publisher's Weekly

``The Shawl'' is a brief story first published in The New Yorker in 1981; ``Rosa,'' its longer companion piece, appeared in that magazine three years later. They tell a story of a woman who survived the Holocaust but who has no life in the present because her existence was stolen away from her in a past that does not end. ``A book that etches itself indelibly in the reader's mind,'' concluded PW .

Library Journal

This is actually a five-page prologue and an extended short story. Aside from that, Ozick gives us exactly what we expect: a meditation, in figurative language at times dense and shimmering, at times richly colloquial, of the consequences of the Holocaust. Accompanied by her niece and hiding her tiny daughter, Magda, Rosa stumbles toward a concentration camp, where Magda is to die, flung against an electrified fence. Years later, in America, we meet ``Rosa Lublin, a madwoman and a scavenger, who gave up her store--smashed it up herself--and moved to Miami.'' She still writes to her dead daughter, whose shawl she covets. When Rosa meets brash, voluble Simon Persky at the laundromat, she resists his arguments that ``you can't live in the past'' with some persuasive arguments of her own. Indeed, the reader is uncertain to the end whether Rosa will bend--and whether she ought to. A subtle yet morally uncompromising tale that many will regard as a small gem.-- Barbara Hoffert

From the Publisher

Performed by Yelena Schmulenson, whose emotional accuracy eats into your heart.”
—BookPage

BookPage

Cynthia Ozick is the most accomplished and graceful literary stylist of our time.
—The New York Times

The New York Times

Brilliant miniatures, rich with passion and compassion.
—Philadelphia Inquirer

Philadelphia Inquirer

Brilliant miniatures, rich with passion and compassion.
—Philadelphia Inquirer

NOVEMBER 2008 - AudioFile

When we first meet Rosa, the shawl is wrapped around her toddler, Magda, as she and her niece, Stella, are being marched somewhere. Yelena Shmulenson gives just the subtlest tinge of accent to this section so that before the text clarifies what is happening, you are guessing—Eastern Europe? The Nazi years? In the main body of the story, Rosa is an old woman retired to Miami Beach. Here, Shmulenson uses no accent, a choice that heightens Rosa's reality: On the surface, she's assimilated, American. Inside, she is utterly shattered, a permanent refugee from the time before what happened, happened. This is a memorable, harrowing work, and Shmulenson gives us Rosa's deranged inner world with perfectly modulated sensitivity and power. It will haunt you. B.G. Winner of AudioFile Earphones Award, SYNC 2014 © AudioFile 2008, Portland, Maine

Product Details

BN ID:	2940169982114
Publisher:	HighBridge Company
Publication date:	11/12/2008
Edition description:	Unabridged

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