The Shangrilla Artifacts, Scroll 3: The Sacrifice of Shangrilla

by Tony Annesi

Overview

In the third novel in THE SHANGRILLA ARTIFACTS trilogy, the Shangrillan classmates plot to escape from Null but cooperation with their captor seems the only way out. One betrayal leads to another until they find themselves in the arena facing each other.
Professor Lichtenstein and Tony Nakamichi finally meet the person who has been tormenting them in his quest for the Shangrilla Artifacts and accidentally discover his hidden connection to the scrolls that are older than recorded history.

Product Details

ISBN-13:	9781538074022
Publisher:	Barnes & Noble Press
Publication date:	08/30/2016
Series:	The Shangrillan Artifacts , #3
Pages:	274
Product dimensions:	6.00(w) x 9.00(h) x 0.62(d)

About the Author

Tony Annesi has studied the martial arts since 1964 and has received black belts in judo, aiki-ju-jutsu, and karate. His writing started with poetry and short fiction (the first stories of 1969: Loss of Innocence were drafted in 1969) and then followed his martial arts career with columns for INSIDE KARATE MAGAZINE (Tales of the Dojo and The Dojo Files) and articles for MARTIAL ARTS MASTERS, SELF-DEFENSE WORLD, INSIDE KUNG-FU, THE INTERNATIONAL FIGHTER, and BLACK BELT. He has authored the privately published Cracking the Kata Code, The Road to Mastery, Principles of Advanced Budo, Sudden Attack Defense, Elevated Elementals, and Comparative Aiki in Action. In addition to the fantasy novel trilogy "The Shangrilla Artifacts", Tony has written an adventure novel sequel called "An Atlantis of One".

Editorial Reviews

Tony Annesi writes not just from the heart, but also from a place of splendor. His words mean something so descriptive, they are beautiful. He doesn't write beach books. He writes meditative books. When he sets a scene, he writes it like no one else. Find a soothing stream to sit beside and read.

private email - Judy Garwood

A fascinating journey to a new world in beautiful writing that not only makes one ponder but also produces images that are strangely familiar. Tony Annesi uses recognizable concepts, situations, and allusions and sets them in a culture that existed before recorded history, so that they become the roots of those familiar ideas. The characters begin almost as stereotypes for the ancient history in which they are set; then the author manages to deepen them, making you care about everyone, even the

private communication - Darrell Collins