Praise for THE SHADOWS
"This is absorbing, headlong reading, a play on classic horror with an inventiveness of its own... As with all the best illusions, you are left feeling not tricked, but full of wonder."
– The New York Times
"If you liked The Whisper Man, you’ll love this. Alex North has crafted a second novel which is just as gripping as his first and even scarier. Hugely atmospheric and deliciously creepy, it’s about how the past encroaches on the present, and how dreaming influences reality, until in the frightening world of The Shadows, it becomes harder and harder to tell one from the other... and the nightmare takes over."
– Alex Michaelides, author of the #1 New York Times bestseller The Silent Patient
"North follows up his sensational debut, 2019's The Whisper Man, with another terrifying spine-tingler... This heart-pounding page-turner is impossible to put down."
– Publishers Weekly (starred review)
"Expect to be electrified by the author’s total mastery of misdirection. This second stunning thriller firmly establishes North as a rapturous teller of tales."
– Booklist (starred review)
"Before this twisty story ends, there are many surprises....a successful, creepy thriller. If you like Stephen King, you’ll probably like North’s new thriller, too.
– Library Journal
Praise for THE WHISPER MAN
“Works beautifully… If you like being terrified, The Whisper Man has your name on it.”
– The New York Times (Editor’s Pick)
“Superb.”
– Publishers Weekly (starred review)
“Poignant and terrifying…Take a deep breath before diving into this one.”
– Entertainment Weekly
“Brilliant…an affirmation of the power of the father-son relationship…will satisfy readers of Thomas Harris and Stephen King.”
– Booklist (starred review)
“A terrifying page-turner with the complexities of fatherhood at its core.”
– Kirkus Reviews
“A powerful and scary story that will haunt readers long after the final page is turned.”
– Library Journal
“First it’s spooky. Then it’s scary. Then it’s terrifying. And then… well, dear reader, proceed at your own risk. An ambitious, deeply satisfying thriller—a seamless blend of Harlan Coben, Stephen King, and Thomas Harris. My flesh is still crawling.”
– A.J. Finn, #1 New York Times bestselling author of The Woman in the Window
★ 04/06/2020
The pseudonymous North follows up his sensational debut, 2019’s The Whisper Man, with another terrifying spine-tingler set in Featherbank, England. When Paul Adams was 15, his school playground was the scene of the murder of one of his friends. The alleged killer, teenager Charlie Crabtree, was another friend of Paul. Charlie disappeared and was never seen again. After going away to college, Paul doesn’t return to Featherbank until, as a 40-year-old English teacher, he decides he must come home to tend to his dying mother. To his dismay, history appears to be repeating itself with a series of copycat killings of teenage boys. Det. Amanda Beck, from the previous novel, investigates as the bodies pile up and suspects accumulate. Ghosts (real and imagined) continue to haunt Paul, whose senile mother fears something strange is in the house. The complex plot shifts smoothly between past and present with numerous unexpected twists. An overwhelming atmosphere of doom and disaster hovers over the perennial darkness of the nearby woods. This heart-pounding page-turner is impossible to put down. Agent: Sandra Sawicka, Marjacq (U.K.). (July)
06/01/2020
Twenty-five years ago, near the English village of Featherbank, which served as the setting of North's debut, The Whisper Man, there were four boys who weren't really close. But three were outcasts at school and the fourth, Paul, tagged along to protect his friend James, who was in the thrall of the group's leader, Charlie Crabtree. Charlie came up with an idea: they would all keep dream diaries, using them to make their dreams converge; then they could control events in the waking world and avenge themselves on their tormentors. Eventually, three went into a dark woods, the Shadows. Only one came out; a mutilated corpse was left behind. The one who came out went to prison, but Charlie Crabtree disappeared, never to be heard from again. Now Paul has come home—his mother's dying, he hasn't seen her in 25 years—and bad things start up again. There's a copycat killing in the woods. Someone follows it on the Dark Net. "Red hands everywhere," his mother mutters. Paul searches for answers. Before this twisty story ends, there are many surprises, including who's been killed and who killed them. VERDICT The conclusion wraps it up too tidily, but overall, this is a successful, creepy thriller. If you like Stephen King, you'll probably like North's new thriller, too.—David Keymer, Cleveland
Narrators John Heffernan and Hannah Arterton deliver this mystery with aplomb. After 25 years, Paul Adams, accused of murder as a teenager, returns to Gritton, an English industrial town. Time and viewpoints frequently shift in this mystery. Listeners accompany Adams as he reluctantly visits his mother in hospice. Heffernan portrays him as kind and feeling guilty for leaving her there. Arterton genuinely portrays Detective Amanda Blake, a skilled investigator who fights insecurity as she pursues a modern-day copycat murderer. Both narrators emotively describe the depressing locale and its residents, who include the teens obsessed with the original murder. Lucid dreaming plays an intriguing part in the story, as well. Equally frightening is the local shadowy forest and what it portends. Audio is a must for this unusual story and its poignant conclusion. S.G.B. © AudioFile 2020, Portland, Maine
Narrators John Heffernan and Hannah Arterton deliver this mystery with aplomb. After 25 years, Paul Adams, accused of murder as a teenager, returns to Gritton, an English industrial town. Time and viewpoints frequently shift in this mystery. Listeners accompany Adams as he reluctantly visits his mother in hospice. Heffernan portrays him as kind and feeling guilty for leaving her there. Arterton genuinely portrays Detective Amanda Blake, a skilled investigator who fights insecurity as she pursues a modern-day copycat murderer. Both narrators emotively describe the depressing locale and its residents, who include the teens obsessed with the original murder. Lucid dreaming plays an intriguing part in the story, as well. Equally frightening is the local shadowy forest and what it portends. Audio is a must for this unusual story and its poignant conclusion. S.G.B. © AudioFile 2020, Portland, Maine
2020-04-13
A copycat killing of a teenager 25 years after the original murder reopens old wounds in a small British town.
You hear a lot about mean girls, but in North’s follow-up to The Whisper Man (2019), it’s the boys who are a bunch of creeps. Back in his school days, 14-year-old Paul Adams and his best friend, James—a couple of losers—fell in with a small, nasty crowd led by a charismatic, seemingly psychic, and possibly homicidal weirdo named Charlie Crabtree. Charlie trained his group in the keeping of dream diaries and the techniques of lucid dreaming, and ultimately one of the friends ended up dead. The local scary woods, known as The Shadows, and a wild pattern of bloody handprints, known as Red Hands, were involved. As soon as he possibly could, Paul packed up for college and never went back, not even once. When he is forced by his elderly mother’s fall to return to Gritten Park 25 year later, there is only one consolation—he reconnects with Jenny, the bookish girl with whom he bonded over a shared love of Stephen King. (Their conversation about the King oeuvre is one of the most charming parts of the book.) Meanwhile, on a parallel track, Detective Amanda Beck is investigating the recent murder of a teenage boy in the town of Featherbank. On message boards used by those close to the incident, someone with the handle CC666 claims to have been present at the original Red Hands murder so long ago. No one has seen Charlie Crabtree in 25 years…could this be him? The complicated backstory and new characters introduced late in the game to explain the increasingly confusing facts are not great. But the recourse to the ol’ “and then I woke up” tactic to pull one over on the reader is worse.
Despite several interesting characters, the suspense plot lacks an engaging emotional core.
