The Shadow Self in Film: Projecting the Unconscious Other

This book examines 13 movies that deal with the protagonist and his projected "other." The cinematic Other is interpreted as an unconscious personality, a denied part of the protagonist that appears in his life as a shadowy menace who won't go away. Devoting a chapter to each movie, the book starts with Mamoulian's Dr. Jekyll and Mr. Hyde and three cinematic pairs: two Hitchcock films, Shadow of a Doubt and Strangers on a Train; two versions of Cape Fear, J. Lee Thompson's 1962 original and Martin Scorsese's 1991 remake; and a pair of Clint Eastwood films, In the Line of Fire and Blood Work. The book then examines Something Wild, Sea of Love, Fight Club, Desperately Seeking Susan, Apocalypse Now and The Lives of Others. Overall the book aims to show how movies envision the unconscious Other we all too often project on other people.

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The Shadow Self in Film: Projecting the Unconscious Other

This book examines 13 movies that deal with the protagonist and his projected "other." The cinematic Other is interpreted as an unconscious personality, a denied part of the protagonist that appears in his life as a shadowy menace who won't go away. Devoting a chapter to each movie, the book starts with Mamoulian's Dr. Jekyll and Mr. Hyde and three cinematic pairs: two Hitchcock films, Shadow of a Doubt and Strangers on a Train; two versions of Cape Fear, J. Lee Thompson's 1962 original and Martin Scorsese's 1991 remake; and a pair of Clint Eastwood films, In the Line of Fire and Blood Work. The book then examines Something Wild, Sea of Love, Fight Club, Desperately Seeking Susan, Apocalypse Now and The Lives of Others. Overall the book aims to show how movies envision the unconscious Other we all too often project on other people.

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The Shadow Self in Film: Projecting the Unconscious Other

The Shadow Self in Film: Projecting the Unconscious Other

by Gershon Reiter
The Shadow Self in Film: Projecting the Unconscious Other

The Shadow Self in Film: Projecting the Unconscious Other

by Gershon Reiter

eBook

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Overview

This book examines 13 movies that deal with the protagonist and his projected "other." The cinematic Other is interpreted as an unconscious personality, a denied part of the protagonist that appears in his life as a shadowy menace who won't go away. Devoting a chapter to each movie, the book starts with Mamoulian's Dr. Jekyll and Mr. Hyde and three cinematic pairs: two Hitchcock films, Shadow of a Doubt and Strangers on a Train; two versions of Cape Fear, J. Lee Thompson's 1962 original and Martin Scorsese's 1991 remake; and a pair of Clint Eastwood films, In the Line of Fire and Blood Work. The book then examines Something Wild, Sea of Love, Fight Club, Desperately Seeking Susan, Apocalypse Now and The Lives of Others. Overall the book aims to show how movies envision the unconscious Other we all too often project on other people.


Product Details

ISBN-13: 9781476612478
Publisher: McFarland & Company, Incorporated Publishers
Publication date: 01/23/2014
Sold by: Barnes & Noble
Format: eBook
Pages: 224
File size: 567 KB
Age Range: 18 Years

About the Author

Former film and music teacher Gershon Reiter lives in Israel.
Former film and music teacher Gershon Reiter lives in Israel.

Table of Contents

Table of Contents

Introduction: From Enkidu to Mr. Hyde
 1. Dr. Jekyll and Mr. Hyde: Envisioning the Other
 2. Shadow of a Doubt: The Other by Numbers
 3. Strangers on a Train: Playing Doubles
 4. Cape Fear (1962): Picturing the Other
 5. Cape Fear (1991): The Other Wronged
 6. In the Line of Fire: The Knowing Other
 7. Blood Work: Double Feature
 8. Something Wild: The Other Half
 9. Sea of Love: The Feminine Other
10. Fight Club: The Imagined Other
11. Desperately Seeking Susan: Seeking the Other
12. Apocalypse Now: The Other Story
13. The Lives of Others: The Others of Our Lives
Chapter Notes
Bibliography
Index

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