The Sense of Beauty

by George Santayana

Overview

According to legend, Santayana (1863-1952) was alerted that his job at Harvard was in jeopardy unless he published a book on philosophy, rather than more collections of his poetry. So he obliged, drawing on the undergraduate course in aesthetics he was teaching at the time. The book was published by Charles Scribner and Sons. An introduction is provided by John McCormick (comparative literature, Rutgers U.), who has written a biography of Santayana. Cited in Books for College Libraries, 3rd. ed.Annotation c. Book News, Inc.,Portland, OR

Product Details

ISBN-13:	9781975620769
Publisher:	CreateSpace Publishing
Publication date:	08/20/2017
Pages:	190
Product dimensions:	5.98(w) x 9.02(h) x 0.40(d)

About the Author

George Santayana (1863-1952) was a professor of philosophy at Harvard University. Expressing a theme that remained a lifelong characteristic, he explains why he gave up -academic lumber- and went into retirement. The pursuit of pure philosophy became his revolt against intellectual dissolution and anarchy. His writings were substantial, including a five-volume work, The Life of Reason, and a four-volume work, Realms of Being.

Table of Contents

INTRODUCTION
PART I. THE NATURE OF BEAUTY
1. The philosophy of beauty is a theory of values
2. Preference is ultimatly irrational
3. Contrast between moral and æsthetic values
4. Work and play
5. All values are in one sense æsthetic
6. Æsthetic consecration of general principles
7. Æsthetic and physical pleasure
8. The differentia of æsthetic pleasure not its disinterestedness
9. The differentia of æsthetic pleasure not its universality
10. The differentia of æsthetic pleasure: its objectication
11. The definition of beauty
PART II. THE MATERIALS OF BEAUTY
12. All human functions may contribute to the sense of beauty
13. The influence of the passion of love
14. Social instincts and their æsthetic influence
15. The lower senses
16. Sound
17. Colour
18. Materials surveyed
PART III. FORM
19. There is a beauty of form
20. Physiology of the perception of form
21. Values of geometrical figures
22. Symmetry
23. Form the unity of a manifold
24. Multiplicity in uniformity
25. Example of the stars
26. Defects of pure multiplicity
27. Æsthetics of democracy
28. Values of types and values of examples
29. Origin of types
30. The average modified in the direction of pleasure
31. Are all things beautiful?
32. Effects of indeterminate organization
33. Example of landscape
34. Extensions to objects usually not regarded æsthetically
35. Further dangers of indeterminateness
36. Illusion of infinite perfection
37. Organized nature the source of apperceptive forms; example of sculpture
38. Utility the principle of organization in nature
39. The relation of utility to beauty
40. Utility the principle of organization in the arts
41. Form and adventitious ornament
42. Form in Words
43. Syntactical form
44. Literary form. The plot
45. Character as an æthetic form
46. Ideal characters
47. The religious imagination
PART IV. EXPRESSION
48. Expression defined
49. The associative process
50. Kinds of value in the second term
51. Æsthetic value in the second term
52. Practical value in the same
53. Cost as an element of effect
54. The expression of economy and fitness
55. The authority of morals over æsthetics
56. Negative values in the second term
57. Influence of the first term in the pleasing expression of evil
58. "Mixture of other expressions, including that of truth"
59. The liberation of self
60. The sublime independent of the expression of evil
61. The comic
62. Wit
63. Humour
64. The grotesque
65. The possibility of finite perfection
66. The stability of the ideal
67. Conclusion
INDEX