The Secret Place (Dublin Murder Squad Series #5)

The Secret Place (Dublin Murder Squad Series #5)

by Tana French

Narrated by Stephen Hogan, Lara Hutchinson

Unabridged — 20 hours, 35 minutes

The Secret Place (Dublin Murder Squad Series #5)

The Secret Place (Dublin Murder Squad Series #5)

by Tana French

Narrated by Stephen Hogan, Lara Hutchinson

Unabridged — 20 hours, 35 minutes

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Overview

“An absolutely mesmerizing read. . . . Tana French is simply this: a truly great writer.” -Gillian Flynn

Read the New York Times bestseller by Tana French, author of the forthcoming novel The Hunter and “the most important crime novelist to emerge in the past 10 years” (The Washington Post).

A year ago a boy was found murdered at a girls¿ boarding school, and the case was never solved. Detective Stephen Moran has been waiting for his chance to join Dublin's Murder Squad when sixteen-year-old Holly Mackey arrives in his office with a photo of the boy with the caption: “I KNOW WHO KILLED HIM.” Stephen joins with Detective Antoinette Conway to reopen the case-beneath the watchful eye of Holly's father, fellow detective Frank Mackey. With the clues leading back to Holly's close-knit group of friends, to their rival clique, and to the tangle of relationships that bound them all to the murdered boy, the private underworld of teenage girls turns out to be more mysterious and more dangerous than the detectives imagined.

Editorial Reviews

The New York Times Book Review - Marilyn Stasio

With her awesome facility at girl-speak, French constructs an idiom that is clever and crude and vulgar and vicious in one breath and deeply, profoundly tragic in the next.

Publishers Weekly - Audio

11/24/2014
French’s fifth Dublin Murder Squad entry focuses on Stephen Moran, a smart detective feeling his ambition cool in the cold-cases department. When 16-year-old Holly Mackey, a student at St. Kilda’s exclusive suburban school for girls, presents him with key information on the unsolved murder of a boy from a neighboring academy, he sees this as his ticket back into the city’s elite Murder Squad, where he once apprenticed with Holly’s father, Frank. But first he has to convince the detective assigned to the case—Antoinette Conway, the squad’s ultra-abrasive sole woman—to use him in the investigation. The book consists of Moran’s narration, broken by flashbacks from Holly and her closest schoolmates, recalling a time before the murder. Readers Hogan and Hutchinson, Dubliners as well as skilled performers, present the compelling prose with nuance and lyrical naturalness. Hogan captures Moran’s anxious desire to succeed and the brittle loneliness not quite hidden in Conway’s hard-boiled attitude. Hutchinson’s softer, higher-pitched voice clearly delineates Holly’s flashbacks, moving between a schoolgirl’s sentimentality and the snobbery, anger, and impatience of a temperamental teen. Most of the novel takes place at St. Kilda’s, and it’s a testament to the quality of the prose and the readers that, at 20 hours, it never feels claustrophobic. A Viking hardcover. (Sept.)

Publishers Weekly

★ 07/28/2014
In French’s mesmerizing fifth Dublin Murder Squad mystery (after 2012’s Broken Harbor), Det. Stephen Moran, who works in the cold-case unit, is biding his time until he can make the Murder Squad. When 16-year-old Holly Mackey, a colleague’s daughter, shows up with a clue to an old crime, Moran sees his chance. A student at St. Kilda’s boarding school, Holly vividly remembers the previous year’s murder of Chris Harper, a popular teen from Colm’s, the neighboring boys’ school. From the St. Kilda’s personal notice board known as the Secret Place, Holly brings Moran a photo of Chris with the words “I know who killed him” pasted across his chest. Moran joins forces with the murder squad’s feisty Det. Antoinette Conway, and the pair visit the school, setting off a chain of events that ensnares Holly and her three best mates. French stealthily spins a web of teenage secrets with a very adult crime at the center. Agent: Darley Anderson, Darley Anderson Literary, TV & Film Agency. (Sept.)

From the Publisher

an absolutely mesmerizing read.”
—Gillian Flynn
 
“a book full of giddy, slangy, devious schoolgirls who cannot be trusted about anything, at least not on the first, second, third or fourth rounds of questioning...Part of this book’s trickiness is its way of letting characters hide the truth behind the smoke screen of language and let both readers and investigators gradually figure out who is lying.”
Janet Maslin, The New York Times
 
“There are echoes of Leopold and Loeb and Donna Tartt’s The Secret History, but the language and landscape are unmistakably French’s, as is the way she excavates the past to illuminate the present.”
O Magazine
 
“Terrific—terrifying, amazing, and the prose is incandescent.”
—Stephen King
 
“Tana French is irrefutably one of the best crime fiction writers out there…[The Secret Place is] dizzyingly addictive…don’t miss this one.”
The Associated Press*
 
“clever and crude and vulgar and vicious in one breath and deeply, profoundly tragic in the next.”
—Marilyn Stasio, The New York Times Book Review
 
 “French is such a gorgeous writer: She’s a poet of mood and a master builder of plots . . . The Secret Place is another eerie triumph for French.”
—Maureen Corrigan, The Washington Post
 
“French pegs each [character] with cold, cruel precision, one by one, like a knife thrower popping balloons…it makes the world of The Secret Place pop into prickly-sharp focus and full color.”
— Lev Grossman, Time

 
The Secret Place will keep you up all night.”
Bustle.com

The Secret Place may be French’s best novel yet and that’s saying something. She’s that good.”
The New York Daily News
 
 “rendered vividly, with sharp dialogue and finely observed detail.”
The Wall Street Journal
 
Gone Girl fans will revel in this enthralling thriller.”
People
 
“[Tana French’s] mysteries are less procedurals and more thoughtful, smart, stunningly clever and well-written literary yarns.”
USA Today
 
“A twisting, teasing, and tense murder mystery that, while impressive in the matter of whodunit, soars on the psychological insights of whydunit. The Secret Place rips you to shreds, too, but in all the right ways. While channeling teens and cops alike, Tana French has – OMG, like, totes, amazeball – written a novel that seems all but certain to be among the best mysteries of the year”
The Christian Science Monitor

The Secret Place is Tana French’s latest extraordinary procedural… French’s plots are inventive and her prose is elegant, but she’s always been more interested in character development. Here, her steely gaze brilliantly nails the baffled and baffling emotions of teenagers on the verge of adulthood.”
The Seattle Times
 
“French…writes beautifully.”
The Boston Globe
 
The Secret Place is an absorbing take on a hot subgenre by one of our most skillful suspense novelists.”
Popmatters.com
 
“[Tana French] simply nails it…I just could not put it down!”
BookPage
 
The Secret Place simmers and seethes with skillfully crafted suspense, and French's prose often shines with beauty. But her strongest point is her characters, who are sharply observed and layered into complex and surprising people, revealed both in the wild memories of the flashback sequences and the crushing pressure of the interrogations in the present.”
Tampa Bay Times
 
“If you’re a thriller fan and haven’t discovered the wonders of Tana French, her latest, The Secret Place, will surely get you hooked, and by hooked, we mean feverishly reading till the wee hours… An exceptional thriller. Be prepared — but the ride will be worth it.”
Dallas Morning News
 
“Mesmerizing…French stealthily spins a web of teenage secrets with a very adult crime at the center.”
Publishers Weekly (Starred Review)
 
“Complex characters and a vivid sense of place are at the heart of French’s literary success…”
Booklist (Starred Review)
 
“[Tana French] has few peers in her combination of literary stylishness and intricate, clockwork plotting… Beyond the murder mystery, which leaves the reader in suspense throughout, the novel explores the mysteries of friendship, loyalty and betrayal, not only among adolescents, but within the police force as well. Everyone is this meticulously crafted novel might be playing—or being played by—everyone else.”
Kirkus (Starred Review)
 
“Tana French expertly lays bare the striations of age, class and gender that keep people apart while making them need each other more. With carefully crafted characters and motives, French not only makes a boarding school murder seem plausible, she makes the reader wonder how teenagers could ever live in such close quarters without doing each other grievous bodily harm.”
Shelf Awareness (Starred Review)

Library Journal - Audio

★ 11/15/2014
A new investigation into the murder of a student from St. Colm's is triggered when a message appears in the nearby girls' school, St. Kilda's, declaring, "I know who killed him." Holly Mackey, a detective's daughter and a St. Kilda's student, brings the note to likable detective Stephen Moran, who appeared in the previous series installment, Broken Harbor. Moran works with homicide detective Antoinette Conway on the ensuing investigation, hoping his superb interviewing skills will land him a permanent spot in the homicide division. The action takes place over a single day, but it is a full day with interviews, detection, breakdowns, breakthroughs, flashbacks, and secrets exposing the truth. Characters from previous books appear, but the work can easily stand alone. Stephen Hogan's and Lara Hutchinson's excellent narrations provide the listener with strong character studies accompanied by nerve-wracking psychological suspense. VERDICT Highly recommended for all public libraries. ["True to form, French succeeds yet again in both wholly satisfying and deeply unsettling the reader. Not to be missed," read the starred review of the Viking hc, LJ Xpress Reviews, 9/5/14.]—Sandra C. Clariday, Tennessee Wesleyan Coll., Athens

Library Journal

04/15/2014
A year after the body of swoon-worthy Chris Harper was dumped at St. Kilda's, a girls' school in a Dublin suburb, student Holly Mackey gives Det. Stephen Moran a photo of Chris she's found with the words "I know who killed him" inscribed on the back. From the multi-award-winning and New York Times best-selling French.

OCTOBER 2014 - AudioFile

In French’s new entry in the Dublin Murder Squad series, a visiting teenager is violently murdered at a girls’ school. Expert narrators Stephen Hogan, sounding emphatic, focused, authoritarian, and Lara Hutchinson, sounding acerbic and knowing, trade chapters. Investigators Stephen Moran and Antoinette Conway deftly explore the nature of teenage friendship and loyalty to uncover the killer after a simple note appears that says, “I know who killed him.” Fans of the bestselling French find able partners in bringing the world of teen angst to life as Hogan and Hutchinson use their honed voices to maintain the tension all the way to the revelation of the killer. R.O. © AudioFile 2014, Portland, Maine

Kirkus Reviews

★ 2014-07-02
A hint of the supernatural spices the latest from a mystery master as two detectives try to probe the secrets teenage girls keep—and the lies they tell—after murder at a posh boarding school. The Dublin novelist (Broken Harbor, 2012, etc.) has few peers in her combination of literary stylishness and intricate, clockwork plotting. Here, French challenges herself and her readers with a narrative strategy that finds chapters alternating between two different time frames and points of view. One strand concerns four girls at exclusive St. Kilda's who are so close they vow they won't even have boyfriends. Four other girls from the school are their archrivals, more conventional and socially active. The novel pits the girls against each other almost as two gangs, with the plot pivoting on the death of a rich boy from a nearby school who had been sneaking out to see at least two of the girls. The second strand features the two detectives who spend a long day and night at the school, many months after the unsolved murder. Narrating these chapters is Stephen, a detective assigned to cold cases, who receives an unexpected visit from one of the girls, Holly, a daughter of one of Stephen's colleagues on the force, who brings a postcard she'd found on a bulletin board known as "The Secret Place" that says "I know who killed him." The ambitious Stephen, who has a history with both the girl and her father, brings the postcard to Conway, a hard-bitten female detective whose case this had been. The chapters narrated by Stephen concern their day of interrogation and investigation at the school, while the alternating ones from the girls' perspectives cover the school year leading up to the murder and its aftermath. Beyond the murder mystery, which leaves the reader in suspense throughout, the novel explores the mysteries of friendship, loyalty and betrayal, not only among adolescents, but within the police force as well. Everyone is this meticulously crafted novel might be playing—or being played by—everyone else.

Product Details

BN ID: 2940171847876
Publisher: Penguin Random House
Publication date: 09/02/2014
Series: Dublin Murder Squad Series , #5
Edition description: Unabridged
Sales rank: 504,631

Read an Excerpt

***This excerpt is from an advance uncorrected proof***
Holly dumped her schoolbag on the floor. Hooked a thumb under her lapel, to point the crest at me. Said, ‘I go to Kilda’s now.’ And watched me.

St Kilda’s: the kind of school the likes of me aren’t supposed to have heard of. Never would have heard of, if it wasn’t for a dead young fella.

Girls’ secondary, private, leafy suburb. Nuns. A year back, two of the nuns went for an early stroll and found a boy lying in a grove of trees, in a back corner of the school grounds. At first they thought he was asleep, drunk maybe. The full-on nun-voice thunder: Young man! But he didn’t move.

Christopher Harper, sixteen, from the boys’ school one road and two extra-high walls away. Sometime during the night, someone had bashed his head in.

Enough manpower to build an office block, enough overtime to pay off mortgages, enough paper to dam a river. A dodgy janitor, handyman, something: eliminated. A classmate who’d had a punch-up with the victim: eliminated. Local scary non-nationals seen being locally scary: eliminated.

Then nothing. No more suspects, no reason why Christopher was on St Kilda’s grounds. Then less overtime, and fewer men, and more nothing. You can’t say it, not with a kid for a victim, but the case was done.

Holly pulled her lapel straight again. ‘You know about Chris Harper,’ she said. ‘Right?’

‘Right,’ I said. ‘Were you at St Kilda’s back then?’

‘Yeah. I’ve been there since first year.’

And left it at that, making me work for every step. One wrong question and she’d be gone, I’d be thrown away: got too old, another useless adult who didn’t understand. I picked carefully.

‘Are you a boarder?’

‘The last two years, yeah.’

‘Were you there the night it happened?’

‘The night Chris got killed.’

Blue flash of annoyance. No patience for pussyfooting, or anyway not from other people.

‘The night Chris got killed,’ I said. ‘Were you there?’

‘I wasn’t there there. Obviously. But I was in school, yeah.’

‘Did you see something? Hear something?’

Annoyance again, sparking hotter this time. ‘They already asked me that. The Murder detectives. They asked all of us, like, a thousand times.’

I said, ‘But you could have remembered something since. Or changed your mind about keeping something quiet.’

‘I’m not stupid. I know how this stuff works. Remember?’ She was on her toes, ready to head for the door.

Change of tack. ‘Did you know Chris?’

Holly quieted. ‘Just from around. Our schools do stuff together; you get to know people. We weren’t close, or anything, but our gangs had hung out together a bunch of times.’

‘What was he like?’

Shrug. ‘A guy.’

‘Did you like him?’

Shrug again. ‘He was there.’

I know Holly’s da, a bit. Frank Mackey, Undercover. You go at him straight, he’ll dodge and come in sideways; you go at him sideways, he’ll charge head down. I said, ‘You came here because there’s something you want me to know. I’m not going to play guessing games I can’t win. If you’re not sure you want to tell me, then go away and have a think till you are. If you’re sure now, then spit it out.’

Holly approved of that. Almost smiled again; nodded instead.

‘There’s this board,’ she said. ‘In school. A noticeboard. It’s on the top floor, across from the art room. It’s called the Secret Place. If you’ve got a secret, like if you hate your parents or you like a guy or whatever, you can put it on a card and stick it up there.’

No point asking why anyone would want to. Teenage girls: you’ll never understand.

‘Yesterday evening, me and my friends were up in the art room – we’re working on this project. I forgot my phone up there when we left, but I didn’t notice till lights-out, so I couldn’t get it then. I went up for it first thing this morning, before breakfast.’

Coming out way too pat; not a pause or a blink, not a stumble. Another girl, I’d’ve called bullshit. But Holly had practice, and she had her da; for all I knew, he took a statement every time she was late home.

‘I had a look at the board,’ Holly said. Bent to her schoolbag, flipped it open. ‘Just on my way past.’

And there it was: the hand hesitating above the green folder. The extra second when she kept her face turned down to the bag, away from me, ponytail tumbling to hide her. Not ice-cream-cool and smooth right through, after all.

Then she straightened and met my eyes again, blank-faced. Her hand came up, held out the green folder. Let go as soon as I touched it, so quick I almost let it fall.

‘This was on the board.’

The folder said ‘Holly Mackey, 4L, Social Awareness Studies’, scribbled over. Inside: clear plastic envelope. Inside that: a thumbtack, fallen down into one corner, and a piece of card.

I recognised the face faster than I’d recognised Holly’s. He had spent weeks on every front page and every TV screen, on every department bulletin.

This was a different shot. Caught turning over his shoulder against a blur of spring-green leaves, mouth opening in a laugh. Good-looking. Glossy brown hair, brushed forward boyband-style to thick dark eyebrows that sloped down at the outsides, gave him a puppydog look. Clear skin, rosy cheeks; a few freckles along the cheekbones, not a lot. A jaw that would’ve turned out strong, if there’d been time. Wide grin that crinkled his eyes and nose. A little bit cocky, a little bit sweet. Young, everything that rises green in your mind when you hear the word young. Summer romance, baby brother’s hero, cannon-fodder.

Glued below his face, across his blue T-shirt: words cut out of a book, spaced wide like a ransom note. Neat edges, snipped close.

I know who killed him

Holly watching me, silent.

(Continues…)



Excerpted from "The Secret Place"
by .
Copyright © 2015 Tana French.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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