Publishers Weekly
★ 02/13/2023
Actor and playwright Joseph draws from his one-person show, Sancho: A Remembrance, for this thoroughly engrossing portrait of a historical Englishman who escaped from slavery and made inroads with the royal court. Born to two enslaved African people crossing the Atlantic in 1729, Charles Ignatius is soon orphaned and sent to three spinster women in Greenwich, England, who name him Sancho. One day, Sancho runs away and is rescued from the clutches of the local slavecatcher by John, Second Duke of Montagu. The duke, noting Sancho’s quick mind, brings him to his estate, teaches Sancho to read and write, and gives him a job as a butler. Among Sancho’s accomplishments, he composes and publishes music, plays the lead in a local production of Othello, and is painted by celebrated portraitist Thomas Gainsborough. At his lowest ebb, suicidal over gambling debts and enduring painful attacks of gout, he’s befriended by a supportive group of free Black Londoners, and later marries one of their daughters, a fellow abolitionist. Toward the end of his life, he buys a shop and becomes a grocer. The purchase makes him a free male landowner, and he becomes the first Black man to vote in Great Britain. Joseph channels the writing style of the day and draws on the real-life Sancho’s diaries to give voice to his hero’s rich interior life. Readers shouldn’t miss this exhilarating and rewarding account of a man living at the cusp of world change. (Apr.)
From the Publisher
Winner of the Royal Society of Literature’s Christopher Bland prize
Longlisted for 2023 Walter Scott Prize for Historical Fiction
Jhalak Prize 2023 Shortlist
A New York Public Library Book of the Day
“A winning first novel. . . . With the conjuring tricks of historical fiction, Joseph has taken an actual man and, two and a half centuries later, made him as thoroughly himself, and as fully present, as he was the first time round.“
—Thomas Mallon, New York Times Book Review
“It’s a tough task for a writer to set themselves, but the care and research shine through in every chapter. This is a tragicomedy of the first order, and not to be missed.“
—The Guardian
“Add this fictionalized account of a real Black British trailblazer to your pile of necessary historical fiction.“
—Book Riot
“Joseph channels the writing style of the day and draws on the real-life Sancho’s diaries to give voice to his hero’s rich interior life. Readers shouldn’t miss this exhilarating and rewarding account of a man living at the cusp of world change.”
—Publishers Weekly (starred review)
"[T]he rollicking fictionalized memoirs of a real-life Black British trailblazer . . . An entertaining portrait that also illuminates rare opportunities for Black people in 18th-century London."
—Kirkus Reviews
“Paterson Joseph’s Sancho is a joy to read as much for the riveting and full portrait of a historical figure’s interior life as for the page-turning tale. Joseph navigates this wonderfully entertaining story with intelligence and verve. The real Sancho composed a life of music and service; Joseph renders his life as art.”
—Brendan Slocumb, author of The Violin Conspiracy and Symphony of Secrets
“Paterson Joseph's The Secret Diaries of Charles Ignatius Sancho is a needed perspective of historical Black excellence on English soil. Witty and insightful, the novel is a critical perspective of what it means to want more and to become a master of one's destiny. Joseph gives life to the times, the politics, the friendships, and all aspects of a fully realized man, Ignatius Sancho. Crafted with care, respect, and the resolve to edu-tainment, Paterson Joseph does not disappoint in penning the story of a dignified man whose ascendency from enslaved to a wholly free British man needs to be known.”
—Vanessa Riley, award-winning author of Island Queen and Queen of Exiles
“An absolutely thrilling, throat-catching wonder of a historical novel. In The Secret Diaries of Charles Ignatius Sancho, Paterson has given us a character for the ages. It’s hard to overpraise this achievement. You might read it for its evocation of an age or for its depiction of the cultures, attitudes, and race all colliding in ‘Enlightenment’ England, but whatever you bring to the book, the book will bring to you adventure, romance, and the full flowering of a magnificent literary hero, all told in wonderful prose and with dazzling energy and brilliant panache. Hugely recommended.”
—Stephen Fry, actor, comedian, director, and writer
”A rollicking picaresque and one hell of a good read.”
—Book Culture newsletter
"[A] spry, likeable gambol through 18th-century Georgian London."
—Literary Review
Kirkus Reviews
2023-02-25
This debut novel comprises the rollicking fictionalized memoirs of a real-life Black British trailblazer who associated with David Garrick and Dr. Johnson, played Othello, served as a valet at Windsor Castle, was painted by Thomas Gainsborough, and voted for abolition.
Author Joseph, who wrote and starred in the 2018 play Sancho: An Act of Remembrance, researched Charles Ignatius Sancho (1729-1780) for 20-plus years. Here, Sancho recounts his life through diary entries and letters—some between him and his future wife, Anne Osborne, during a long separation; others addressed to his son, Billy, as, gout-ridden, Sancho nears death. The story opens on a slave ship. Sancho’s young African parents die in quick succession: his mother in childbirth, his father by suicide. From the Americas, Sancho is taken to England at age 3 to live with his owner's three unmarried aunts. They treat him like a pet, trotted out to perform amateur theatrics for friends’ entertainment (his name comes from a resemblance to “the rotund servant of Cervantes’ hero, Don Quixote”). Under the secret patronage of the Duke of Montagu, the boy learns to read and play music. The aunts imprison him in the cellar for his audacity, but with a maid’s help he escapes. Neither slave nor documented freeman, the adult Sancho is well spoken and impeccably dressed; as likely to carouse with William Hogarth—alcohol, food, and gambling being his chief vices—as to be collared by slave catcher Jonathan Sill. He earns distinction as a musician and composer and becomes a landowning shopkeeper, but the brutality of slavery, such as Anne witnessed on Caribbean plantations, is a constant reminder of his privilege. Vindictive guardians, shifting fortunes, and the protagonist’s sheer pluck add Dickensian flavor, and the picaresque style recalls Francis Spufford’s Golden Hill.
An entertaining portrait that also illuminates rare opportunities for Black people in 18th-century London.
