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Overview
Consistently ranked among the top authors of historical fiction, along with Mary Renault, Mary Stewart, Phillipa Gregory, and Diana Gabaldon, the great Cecelia Holland now transports readers to the sixteenth-century Netherlands in an exciting tale of resistance and rebellion against cruel Spanish oppressors that combines unforgettable fictional characters with real historic personages.
No one was safe from religious persecution in the Dutch Low Countries when the “conqueror king,” Phillip II of Spain, dispatched the Catholic Church’s Inquisition to the Netherlands in the late 1500s. The van Cleef family has suffered mightily, with a father executed by a Spanish hangman and a mother driven into madness. Now their children, Jan and Hanneke, must survive on their own by any means necessary as fate carries them down separate but equally dangerous paths.
Jan’s destiny is on the high seas—and ultimately in the royal court of England’s Queen Elizabeth—as he and his uncle Pieter boldly retake the old man’s captive ship and join the infamous pirates known as the Sea Beggars in their quest to drive the enemy invaders from Dutch waters.
Remaining behind in Antwerp, Hanneke, meanwhile, is forced to endure a series of devastating trials that would crush a young woman of weaker spirit and sensibilities. Strong, courageous, and independent, she embarks on a harrowing journey to Germany in the company of refugee ruler William of Orange ahead of the impending terror of Spain’s sadistic Duke of Alva. But young Hanneke soon realizes there can be no escape or safe haven anywhere as long as her country is in chains, and she vows to dedicate her life to the perilous cause of freedom.
A sweeping and epic historical novel rich in color and stunning period detail, Holland’s The Sea Beggars is an enthralling, action-packed adventure that interweaves fact with brilliant invention. It is yet one more fictional excursion into the breathtaking world of the past by an author the New York Times praises as “a literary phenomenon.”
Product Details
| ISBN-13: | 9781504039994 |
|---|---|
| Publisher: | Open Road Media |
| Publication date: | 10/11/2016 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 305 |
| File size: | 2 MB |
About the Author
Holland has three daughters. She lives in Fortuna, California, and, once a week, teaches a class in creative writing at Pelican Bay State Prison in Crescent City, California. Holland’s personal website is www.thefiredrake.com.
Cecelia Holland was born in Henderson, Nevada, in 1943 and started writing at the age of twelve. Starting with The Firedrake in 1966, she has published twenty-one independent historical novels covering periods from the middle of the first millennium CE up through parts of the early twentieth century, and from Egypt, through Russia, central Europe, Scandinavia, Great Britain, and Ireland to the West Coast of the United States. Most recently, she has completed a series of five novels set in the world of the Vikings, covering a period of about fifty years during the tenth century and following the adventures of Corban Loosestrife and his descendants. The hallmark of her style is a vivid re-creation of time, place, and character, all true to known facts. She is highly regarded for her attention to detail, her insight into the characters she has researched and portrayed, and her battle scenes, which are vividly rendered and powerfully described. Holland has also published two nonfiction historical/biographic works, two children’s novels, a contemporary novel, and a science fiction novel, as well as a number of historical essays.
Holland has three daughters. She lives in Fortuna, California, and, once a week, teaches a class in creative writing at Pelican Bay State Prison in Crescent City, California. Holland's personal website is www.thefiredrake.com.
Read an Excerpt
The Sea Beggars
A Novel
By Cecelia Holland
OPEN ROAD INTEGRATED MEDIA
Copyright © 1982 Cecilia HollandAll rights reserved.
ISBN: 978-1-5040-3999-4
CHAPTER 1
In the heat of the summer, the great Calvinist preachers went into the countryside, into fallow fields and meadows, and there delivered their sermons under the open sky. From all over the Provinces, pious folk came to listen, whole families, with their children by the hand and their dinners in baskets.
In a barley field near the great city of Antwerp, in Brabant, the preacher Albert van Luys stood up to declare the Word of God. Hundreds of people came to listen; the women sat on the grass in a circle around him, with their little children on their laps, and the men stood behind them in another circle.
Albert van Luys had the true fire of his calling, but the day was hot and long and some of the men had brought beer with them, and gin, and wine in flasks. Some too had muskets, which they fired off now and again, shouting, "Vive les gueux!"
Mies van Cleef had no musket, and drank no more beer than necessary to cool his throat and maintain his strength through the heat of the day. Standing in the ring of men facing the preacher, he dwelt with his whole mind on the sermon: The day of the Lord cometh like a thief in the night. Mies had a wonderful power of concentration. Intent on Albert's words, he noticed neither the occasional bursts of musket fire nor the shouts of the drunkards; and he realized only gradually that his son, Jan, had slipped away into the crowd.
That annoyed him. He was a merchant, with a large trade and many employees, whom he expected to obey him without flaw. That his son could disobey him pricked his temper like a needle in his flesh. For a while longer, when he was sure Jan was gone, he struggled to keep his interest on the sermon, but the needle pierced ever deeper into his pride and his rectitude, and finally he stepped backward through the ring of men to the empty meadow.
There he paused and collected himself, a lean man in middle age, balding, his clothes as somber as a monk's and expensive as a prince's. He cast a look around him. The grass was trampled to a pulp; a fine gray dust lay over everything, even the shoulders and backs of the men watching the preacher, whose ranks he had just left. He shook a layer of dust off his sleeves.
At that moment a crackle of gunfire went up on the far side of the crowd. That told him where to find his son. He strode off around the outside of the circle in the direction of the shots.
The field lay along the Antwerp–Mechlin Canal; boats crowded both banks. On the far side, a gigantic mill creaked and wheeled its arms in the gusty breeze. White clouds streamed across the sky. Mies lengthened his stride, pressed on by these hints of a storm coming up over the horizon: his wife and daughter would not enjoy getting rained on.
"Long live the beggars!"
Another musket went off into the air; a man in a flapping black hat waved his weapon over his head. Near him was Mies' son, Jan, squatting on his heels beside another man with a gun, asking questions. Mies' jaw tightened. When he took Jan into a factory with him, or out to the shops, Jan never asked questions. Mies stalked across the beaten grass to his son and taking a handful of his collar pulled him to his feet.
"This is how you value the chance to hear God's Truth expounded!"
Jan shook him violently off, blushing to the ears; his sun-bleached hair bristled with bad temper. Although he was only seventeen, he was much taller than Mies, which perversely angered his father as much as Jan's sinful interest in guns and fighting. He struck Jan on the face with his open hand.
"Go back to the sermon!"
"Don't hit me," Jan said, between his teeth. Past him, Mies saw the men with their muskets, grinning at them.
"Go back to the sermon," Mies said, and wheeling marched away again, toward his place in the circle of men.
Jan followed him. Some last shred of filial piety remained in him. It was not enough for Mies; bitterly he wondered why God had sent him this lout for a son, and wasted a keen mind and a heart for truth on his daughter, who would never be anything but someone's wife.
The sermon was ending. Albert had them in prayers, many in the crowd, even men, weeping for their sins. Mies stopped to look among the gathering for his wife.
Jan stood sullenly beside him. With the briefest of looks into his son's face, the father said, "Be sure your mother does not learn of your truancy."
"Yes, sir," the boy mumbled. His fine white skin still showed the stain of his furious blush.
Now rain was falling. Quickly Mies collected together his family; the sermon had overcome his wife, in whose large-boned frame he saw the pattern by which his son was cut, and she leaned heavily on his daughter's shoulder. Hanneke too had their mother's tawny hair and generous size of bone. She smiled at her father as he lifted her mother's weight from her arm.
"Beautiful," her mother said, and sobbed. Tears streamed down her cheeks. "When Albert speaks of Heaven, he makes me long so for it ..." In a flood of weeping she lost the power of speech.
"What thought you of the sermon, Hanneke?" Mies asked. Supporting his wife on his arm, he led his family toward the canal where their boat waited.
"His style is very fine," the girl said, "but I think he is not so strong in his reasoning as he might be. There were moments I thought he tried with a great wind of words to blow me over the gaps in his logic."
Mies laughed, delighted with her composed and critical expression. He reached past his wife, to squeeze his daughter's hand. "Trust you to yield not to his fulsome blasts, my little dear one."
Jan burst forward, moving on ahead of them, awkward, as if the size and weight of his limbs outstretched his mastery of them. "I'll help with the horses."
It was in Mies' thoughts to stop him, to remind him of his place, but there was no use in it. He shrugged. "Very well," he said, to his son's back.
They got into the flat-bottomed boat, and Mies arranged his wife on cushions in the stern and sat there with her, his hand on the tiller. Their boatman brought the horses and hitched up the long towline to the harness; with Jan to help him, he had the van Cleefs' boat ready long before the others in the crowd, whose horses neighed and jogged up and down the high bank of the canal while the boatmen cursed and struggled with tangled lines. Stuck in the midst of the fleet, Mies could not see a way clear, and they had to wait for the others to hitch up and move along, to make space for them. Reluctantly Jan climbed down the dusty bank of the canal and stepped into the barge, which dipped under his weight and swung into the boat next to it. He sat beside his sister in the bow, glowering, his eyes downcast, his large square hands gripped between his knees.
Lout, Mies thought, with a hot spurt of anger. The rain was falling harder now. The boats ahead of them were moving at last, and he called to his boatman to drag the barge along the canal, back to their home in Antwerp.
For running off from the sermon, Jan's father sent him down the next morning to the wharf on the canal behind the silk factory, to work at loading and unloading the boats. Although the work was hard Jan enjoyed it; he liked showing off his strength, and while the rough, voiceless men of the regular crew shuffled up and down the steps, four hands to every bolt and spool, Jan leapt back and forth from the wharf to the factory with the great heavy goods balanced on his shoulders and scorned any help at all.
After he had done this for most of the morning, the foreman of the regular crew took him aside and told him to stop.
"If the overseer catches you doing that, he will think we ought to be doing it too," the foreman said. He was a burly man whose bulging forearms jutted out of the frayed sleeves of his shirt.
"It's not that hard," Jan said.
They were standing on the wharf, beside the tufted bollard where the canal boats tied up. Behind the foreman, the short steep ladder scaled the canal bank, and along the top of the bank on either side of it the rest of the crew stood watching what went on between their leader and Jan. The foreman crossed his arms over his chest.
"You're only a boy," he said, "and you have no family. Likely you will take your wage and spend it on beer and whores. We all have to put bread into our babies' mouths. If you work so hard, the factory men will think they don't need all of us, and some of us will be turned off."
Down the canal, someone yelled; a heavy-laden barge was steering around the bend. Jan said, "You should do a good day's work for your wage."
The foreman cocked his fist. "You slow down, or we'll see you don't come back tomorrow."
Jan opened his mouth to inform this brute that he was the son of the factory's owner, but something warned him against that. He looked up at the row of men on the canal bank above him, their faces in shadow, the sun at their backs. The barge passed behind him, parting the canal water with a low murmur; as it passed, its horn gave a breathy honk.
"Very well," he said. "I won't be here that long anyway."
The foreman smiled and lowered his fist. "That's a good boy." His wrist was spotted with old healing sores, flea bites, or scrofula. When he turned to go back up the ladder, Jan saw spots of blood on his shirt. Jan stooped to hoist a bale of carded wool to his back, remembered, and straightened up to wait for help.
That evening he and his father walked home together and his father said, "How did you on the wharf?"
"Fair enough," Jan said.
"Did you talk to any of the other men?"
"A little," Jan said, warily. They were walking down the tree-shaded lane toward their street; the sun had just gone down and the birds shrilled and flapped in the branches overhead, revived in the cool after the day's humid heat.
"Did you notice any one of them who seemed to be" — Mies made a thoughtful face — "a troublemaker?"
"What?"
"One who incited the others to laziness, perhaps, or wild talk."
"No," Jan said.
His father shook his head a little, his lips still pursed, as if over some indigestible idea. He said, "Well, keep your eyes and ears open."
"Am I a spy, then?" Jan asked, furious.
Mies gave him a sharp look. "You are my son. What benefits me does you also, does it not? People who talk sedition are bad for business."
"No one talked any sedition."
Mies said, "There are how many on the wharf? Six? Do we need so many?" That came at Jan too fast to answer; he opened his mouth and shut it again, wondering what to say. Although he had spoken to the other men only briefly, and the foreman had threatened him, he felt the first formings of a loyalty to them.
"Well?" his father asked.
"What will you do if I say no?" Jan said.
His father walked along, square and solid as one of the big linden trees they passed beneath. "They are overpaid as 'tis. To send some off would help me balance my books a little more favorably."
"They have families. Children to feed."
"So do I."
"You're rich."
"I am not in business to provide a means of life for half the rabble in Antwerp. What a tender heart you have. Then there are too many men on the wharf."
"But I am not there always," Jan said. "When I am not there, surely the work must be harder on the others."
"True," said Mies.
They were coming to the end of the street. Soon their house would be in view, the smells of dinner floating from it; Jan's stomach let out a loud and painful growl. His hunger sharpened something in his understanding of the foreman and his babies.
He said, "What would they do, if you turned them off? Who would care for them? Are they Catholic?" The Catholics gave bread to their poor.
His father laughed. "No, they are good reformed folk, like us, most of them. If we had not settled the issue of the Inquisition, things would be worse than they are in Antwerp."
"'If we had not settled' it," Jan said, an edge in his voice. "You had nothing to do with that."
"Men who think like me," Mies said. "Keep a filial tongue, my boy, or you will see worse than the loading docks." He frowned at Jan; the older man's face was hard as a bandit's. "Keep your ears open down there — I want to know who says what, who makes trouble. Now that you know what to look for."
Jan shut his lips tightly together. They were at the end of the street; ahead of them, other men were hurrying to their homes, and through the last overhanging linden branches the painted eaves of his house were visible, the carved window frames, the door. In an upper story window a pale oval appeared, his sister's face. The place seemed more solid to him now, warmer, a refuge. He lengthened his stride toward it.
Mies van Cleef lived with his family in the house his grandfather had built on Canal Street in Antwerp, three streets away from his cloth-weaving factory. The house was three stories high, with big windows facing the street, carvings around the door, and a wall to hold in the yard, opening in a five-foot wrought iron gate. Mies spent a lot of money on his house, to show how God had favored him, and the house was a formidable presence on Canal Street.
Hanneke van Cleef knew this because as people went by the house they always paused and looked up at it with awe and sometimes envy on their faces. She herself saw the outside of the house very seldom. She spent most of her days helping her mother order the servants and keep the place. In the afternoons usually she sat in the front room on the second floor and read, or looked out the window at the street, waiting for her father to come home.
That was when her life began, when Mies appeared, walking up the street of the big linden trees toward his house.
Today she sat in the window, her elbow on the sill and her chin in her hand, her gaze steady on the corner where Mies would appear, although it was still nearly an hour before the church bells would ring out the end of the day. She was tired of reading, and done with her needlework; the day seemed very empty. She missed Jan, too. Usually she had his company in the afternoons but lately his father had been keeping him at work in the factory.
She wished she were a boy, able to work side by side with Mies. Thinking that, she brought a sigh up that sounded through the room.
"What was that?" her mother said, looking in the door.
"Oh, nothing," Hanneke said.
Her mother came up behind her and set her hands on her shoulders. "A girl should keep busy. Have you nothing to do?" Stooping, the older woman peered out the window over Hanneke's shoulder. "Oh, look — van der Heghe's stork."
Now it was her mother who sighed, watching the angular white bird circle above the chimney of the house opposite and drop to its great nest of sticks. "I'll set Jan to steal that nest this winter, if I must give him money to do it."
"Oh, Mother."
"Well, why should van der Heghe have a stork and not Mies van Cleef?" Her mother straightened, swished at the windowsill with her dustrag, and sniffed. "They haven't got a penny to part their hair with, I'll tell you that. All pretense and show it is with them." She sniffed again. "They don't deserve a stork." She marched out of the room, batting at the furniture with the dustrag, although not a visible fleck of dust ever lay long on the van Cleefs' household.
Hanneke turned back to the window, suddenly near tears. Storks and dust, that was all her mother cared about — all she could care about; and that way lay Hanneke's life too, a house like this one, except probably not as nice, and envy for the neighbors and gossip and never going out. That presumed she married; if she did not, things would be even worse. She pressed her face to the sour-smelling glass, feeling sorry for herself.
In the street below a boy ran, shouting and waving a sheet of paper over his head.
The window kept his voice out. Hanneke watched him hurry past, his paper like a banner overhead. Little boys could run the streets at will, like dogs, and she thought it very unfair that she could not leave the house without her mother, who never wanted to go out at all. Across the way, van der Heghe's door opened, and the cook came out onto the walk between the rose beds, looking after the boy with his broadside.
Hanneke's gaze sharpened. The boy was coming back; the cook had a coin out and was buying his broadside. Turning her thumb ring around, Hanneke rapped on the glass, trying to get the cook's attention.
(Continues...)
Excerpted from The Sea Beggars by Cecelia Holland. Copyright © 1982 Cecilia Holland. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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