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Overview
Alice insists her story is one of misinterpreted love, forcing those around her to analyze their own lives. Who is to decide what is normal, and when does loyalty turn to obsession?
Investigating the loophole that lies between murder and euthanasia, Cate must now meet the woman who agreed to comply with her lover’s final request. Shocking revelations expose bitter truths that can no longer be ignored.
Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Product Details
| ISBN-13: | 9781628725353 |
|---|---|
| Publisher: | Arcade |
| Publication date: | 06/23/2015 |
| Edition description: | Reprint |
| Pages: | 240 |
| Product dimensions: | 5.50(w) x 8.20(h) x 0.70(d) |
About the Author
Read an Excerpt
The Sacrificial Man
A Thriller
By Ruth Dugdall, Lauren Parsons-Wolff
Arcade Publishing
Copyright © 2014 Ruth DugdallAll rights reserved.
ISBN: 978-1-61145-898-5
CHAPTER 1
Trains terminated here. It was the end of the line.
Only just past nine, and I waited for the last train to arrive. A sharp breeze made me nip my jacket close, turn my collar up. I was alone on the platform. A mere shelter. No café, not even a chocolate machine, just a bench and a timetable screwed by cracked Plexiglas to the crumbling brickwork. I was on the edge looking down, fighting that familiar urge to jump that some commuters experience. On the track were discarded cans and wrappers, the litter of those who had also waited for trains. I was an actor in the wings of an unlit stage, apprehensive before the audience arrived. The wind picked up in bitter gusts. I turned my face against it, looking down the track into the dark tunnel. Lights would come, then noise. Then him.
I checked my watch. Seven minutes past nine. Eight minutes to go. Not long. Too long. I stamped my feet, fidgety with nervous energy, hands curling and uncurling in my pocket, chilled to the core by the thought of what was to come. I didn't know what he looked like. I'd seen a picture, but how often do people use a photo that reveals the truth? Being beautiful, I didn't need a flattering image, but the picture I sent him was also a lie. My hair looked over bright in the sunshine, light lifting my features as I smiled to someone off-camera. In it I looked carefree. After, I regretted sending it, thinking I'd lured him to me under false pretences. Worried he'd be disappointed when I wasn't as easy-hearted as I'd appeared in the snap. This was one of the advantages with meeting in cyberspace; we could hide our neuroses.
I tried to relax; after all, he'd picked me. He said he'd had quite a choice, more replied to his advert than he would have anticipated. I looked into the dark sky and thought of all the others out in the world seeking the same thing. I wasn't alone in my desire.
Stop. I'm going too fast. There's another story to tell, before he arrives.
Others are coming to judge me. Professionals will come and demand that I tell them my story. Whatever they conclude, bound by conventional thought, by their own mediocre experience of love, my deed will outlive me. Time alone will prove what is right. They can't force this tale from me and I won't trust them. But I've chosen you. You will listen. You are my judge, the true arbiter. And we have time, yet, before the train pulls into the station.
My Internet name was Robin, like the bird, but also because it made me think of American cheerleaders with tanned tennis legs and blonde hair. Wholesome. When I was Robin my world sparkled new and I could do things differently. I could be someone else.
We didn't use our given names on the site. It was part of the unspoken deal. And anyway our parents named us. Our avatars, picked by us, revealed something truer. I liked his. He was Mr. Smith.
To me, Smith was beautifully anonymous—an Everyman. I didn't want the unique or standalone; I sought the mediocre, the average, the one lost in a crowd. I wanted the man who worked behind a desk, who microwaved cardboard meals, who rubbed the sore grooves down his nose, scored by his glasses. Mr. Mousy Hair, Mr. Nylon Shirts. Strange, that I sought the ordinary when I'm anything but. I've never met a man who didn't desire me, at least at first, but my own taste is modest.
Robin wanted safety. Predictability was more important than fun, and I quickly deleted adverts from men who smugly announced they had a GSOH. I like to laugh, but not on demand. I wasn't seeking a cabaret act.
His was a simple enough advert. He'd been a fan of Morrissey in his teens and I imagined a melancholic youth with floppy hair smoking dope. He said he was a Catholic and, however lapsed, the faith was in his blood. I suppose that attracted me, too, that tenuous link to my mother's religion.
Yes, others replied to his advert as well as me. Some men and several women. But I was his choice.
I had to hunt. I'd meet other men before Smith. After all, finding love is never easy. I was making a commitment for life, and these things can't be hurried. Also, I wasn't quite ready. If Smith had come to me before that time, I'd have let him slide through my fingers like sand.
I didn't respond to his advert straight away. I looked around first, visiting chat rooms and surfing the web. Staying silent, a wallflower. It's easy on a computer screen. Your entrance is only noticed when someone types:
Hello Robin! I see you've just joined us. Welcome.
If you stay silent long enough no one bothers you. After a page of conversation your arrival is history and people forget. I learned how relationships could be built by words. Biding my time. Browsing Facebook and Twitter, searching special sites, cruising in and out of chat rooms. I didn't know what I was waiting for until I found his advert:
Man seeks beautiful woman for the journey of a lifetime: I will lift mine eyes to the hills, from whence cometh my help. Will you help me to die?
I read it over and over, keeping it on my screen until I finally logged off. I needed time to think before I replied.
But I'm rushing again. Always my failing, that I head for the summit before charting the course. I must resist. It's important to start at the beginning. And doesn't every story begin with the mother?
My mother's name was Matilde Mariani. This is her story, too.
CHAPTER 2
1977
Matilde walked slowly, scuffing her patent shoes on the pavement and hauling her school bag, letting it bang against her legs, marking the white kneesocks with dust. It was a sticky day and her blazer was tight across her chest. She undid the single button, took off the straw boater with her free hand. No one would be home when she arrived and she could be happy, but first she had to pass the row of shops. The boy who delivered the meat was loitering outside the butcher's, his bike thrown on the pavement. Behind him, through the window, animals hung in halves. She was careful to keep looking ahead, waiting for the jeer. "What, ain't yaw gonna talk to me now? Posh cow! Stuck up spic! Ain't I good enough for yaw, then gal?"
Letting the Norfolk drawl wash over her, she told herself she was used to this and, after all, it was only words. She kept walking, holding her breath against the iron stench of pig's blood in the air. The house felt empty. Her father mostly worked late; he had three factories now and didn't trust the managers so he was always on site, checking the fabrics and the orders, making sure no one was fiddling him. 'I will always be a foreigner to them', he said. 'I cannot expect loyalty.' Matilde's mother was better at fitting in, and belonged to many local groups ran by women with money who needed an occupation. She kept busy so that she did not have to endure the lonely house, but for Matty the hour between arriving home and her parents' return was when she found peace. She preferred to be alone.
She climbed the stairs to her room, shrugging off the blazer, and undid the top buttons on her shirt, still carrying the school bag and boater.
Her bedroom door was ajar. She knew she had closed it that morning. Her heart sunk: Papa was home after all.
He sat on her bed, a great walrus of a man with slackened jowls and eyes like beetles, green-black and shiny. Above him Karen Carpenter, her favourite singer, gave a sad, watery smile.
"You're late. Where've you been?"
She could hear it, the threat. She knew it was there, just under the surface. Karen's smile was hopeless. "Papa, I walked too slowly. I'm sorry."
"Don't lie to me. You've been with a boy again. Look at your shirt!" Her hand rose to cover her collarbone. "Come here." She did not move. "I said, come here." She walked forward, watching Karen's resigned smile so she didn't have to see her father's eyes. Knowing the beetles would crawl all over her flesh if she looked at him. "Closer." She could smell the alcohol on his breath. He spat words that pricked her with moisture, "You are a filthy slut. You are a disgrace to this family." He waited until she was crying, then struggled up from the bed and left the room.
Karen Carpenter was trying to smile, but her eyes remained sad and dark. It was Matty's fault, she was too pretty. She saw herself in the mirror and winced; hair too light. Not the brunette of the Mediterranean, but blonde. And green eyes, not blackened like her father's, but light green like fresh moss. Too striking. If she wasn't so pretty it wouldn't happen, that's what she believed. But how do you make yourself ugly if you're not? How can you still be beautiful when everything inside is ugly?
At school the other girls avoided her. Only the boy who worked at the butcher's showed interest. And Mr. Ferris, the Latin teacher. He spoke to her in a way that made her shiver and shrink back. She was afraid that he could see through her, to the truth. That she was a slut.
She was seventeen. Not an adult, but not a child either, so she knew what it meant when her period was late. There was always the pill to stop babies coming, but how could she get that? She was so young, and not even married. How could she admit her sin to a doctor? Instead Matilde, or Matty as she wanted to be called—at least in her head where she had friends who understood—tried to pretend it was not happening. It would not happen again. Mostly, she tried to ignore it and concentrate on books. All types of books, but especially those about people.
She did well in her studies. Even her mother said so. The previous year she had passed all her O levels, with high grades. So she stayed on at St. Alban's, with the other girls in straw hats who talked endlessly about boys when all she wanted to do was read. And learn. She was studying for A levels. Latin, of course. Papa insisted. It was a part of their heritage, he said, and anyway she was good at it. Mr. Ferris said it must be because of her Italian father, her knowledge of a romantic language, but he was wrong; her father almost never spoke his mother tongue. And music, another good thing for a lady to learn. But what she really wanted to study wasn't on the syllabus. Her choice would have been psychology. She read books that weren't in the school library, only in the big library in town, searching for answers. It was the closest she got to knowing why. She read Freud, his diagnosis for hysteria, and thought she understood. Hated him for naming it, for making it bigger than them, for putting it in every home. She felt sick, but couldn't stop reading about Dora K and she wondered if that is what she was, a hysteric, and if that was why she must keep her mouth shut. Why she must study.
And now, one year into her A levels, one year from the exams, she had stopped bleeding.
She'd felt sick since she woke, and the smell of incense was making it worse. In all of Matty's seventeen years she had only missed mass twice, once when she caught measles and once when her grandfather died and they had travelled to Italy. Other than those rare exceptions, the Mariani family sat in the same pew each Sunday and listened to Father Michael condemn the world.
The wooden pew was like a box that she just couldn't fit into and the effort of trying to sit so straight made her sweat. Her father's huge body was pressed against her right side, and he noticed her fidgeting. "Keep still!" he demanded, and the woman in front turned around. Her father nodded back apologetically. To Matty's left sat her mother, her contained shape as immobile as a sepulcher, staring at Father Michael as if he held the answer to all questions. Perfectly presented, Matty's mother was devout in her attention.
The priest's voice rose, loud and sonorous. The flames of the candles twitched, as if called by his certain proclamation, "Sin is a disease of the soul. And the only physician is Our Lord. And the only medicine is to repent. Do you repent?" he asked, "Do you?" It seemed to Matty that his eyes sought her out and she looked at her knees, overcome again by the wave of nausea that turned in her stomach like a tide. She clasped her hands together, seasick, tried to concentrate on the horizon, but could only kneel. She was forced to lower herself onto the pew cushion. The wool was red and scratchy under her naked knees. She couldn't pray.
Closing her eyes made the sickness worse so she concentrated on the effigy of the Virgin Mary. The irony struck her, as she suffered on her knees before the unmarried mother, bile in her throat.
"Our Father," intoned the congregation, "who art in heaven. Hallowed be thy name." Matty lurched forward, tried to resist, but as the congregation spoke of forgiving those who trespass against us, she knew she could fight it no longer and finally gave in to natural force, vomiting all over the polished floor.
Her mother thought it was food poisoning from the fish they had eaten the night before and Matty was excused from confession. She couldn't have told Father Michael the truth anyway. She knew about Mary, about Jesus' birth, and about things that are sinful. But in the books, the ones in the town library filed under health, the ones with pictures, she knew, too, that a baby could be removed, taken away, like a tumour that needed cutting out. Her mother once had a lump on her breast that was cut away, to make her well again. That was what Matty needed; she wanted the bad bit severed, but knew it was impossible. It was a sin. Even if a cure was possible, she would never recover. How could she when the sickness was within her? When it was her fault for being too pretty. Too lovely. She hated being lovely, but pregnant women weren't lovely. Maybe the baby would make her fat and ugly, too. Maybe it would keep her safe. She didn't know what to do, and there was no one to tell. The blood just never came, and she kept studying the books, and still she was woken too early, because she was too lovely, and all she thought of as she was forced onto her back, was the milk van in the street, glass on glass in the doorway. She rose above herself, tried not to look down, and wished she was fat and ugly and not there at all.
She was so small, Matty Mariani, that her clothes still fit even when the books said they shouldn't. And the rounding of her breasts was just assumed to be puberty by anybody who noticed, like Mr. Ferris, who failed to observe anything else. She walked around on her own, and the other girls called her weird or stuck-up, but mostly they didn't know what to make of her so they didn't try.
But Papa knew she wasn't sick because of the fish. Even though the change to her body was slight, he could tell.
He took her to a doctor. "I do not wish her mother to know. You understand: the shame would kill her."
The doctor nodded sagely at her father, then asked Matty to climb on the couch. It was a narrow couch, and a dark room. She hadn't been there before, the man was not her usual doctor, and her father had driven to a different town, out of the city. They may not even be in Norfolk.
She suspected that it was not the best practice in the area by the stained walls, the receptionist's bleached hair. Her father had already paid—she'd seen him remove his wallet and peel off notes. She heard him give a false name; he was ashamed, of course. Cheap doctor for a cheap whore.
The doctor lifted her shirt, her school one, and pulled down the waistband of her skirt. She looked away, to the wall that peeled paint like a snake shedding skin. At the end of the couch stood her father. Watching.
"You're a good way along." He pushed hard on her stomach, two fingers pressed into her flesh until she wanted to wriggle. She lay still and endured the examination. The doctor finally stopped prodding and said to Matty's father, "She's too far gone."
"She can't be," her father's voice was almost begging, his face red and the beetles blacker than ever. He tipped into anger so easily and she prayed the doctor wouldn't provoke him. "If it's a question of money ..."
The doctor pulled down Matty's shirt and turned fully to her father. "It is not money that's the problem, sir. It's the law. And it would be dangerous to do it now. There could be complications. Your daughter could die."
Her father's face turned from pleading to fury. He grabbed her wrist, wrenched her from the couch as if he would dash the baby from her if he could. "You stupid girl. Why didn't you say something earlier? You could have had an abortion."
(Continues...)
Excerpted from The Sacrificial Man by Ruth Dugdall, Lauren Parsons-Wolff. Copyright © 2014 Ruth Dugdall. Excerpted by permission of Arcade Publishing.
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