The Romance of a Mummy
"I have a presentiment that we shall find in the valley of Biban el Molûk a tomb intact," said to a high-bred-looking young Englishman a much more humble personage who was wiping, with a big, blue-checked handkerchief, his bald head, on which stood drops of perspiration, just as if it had been made of porous clay and filled with water like a Theban water-jar.
"1030572714"
The Romance of a Mummy
"I have a presentiment that we shall find in the valley of Biban el Molûk a tomb intact," said to a high-bred-looking young Englishman a much more humble personage who was wiping, with a big, blue-checked handkerchief, his bald head, on which stood drops of perspiration, just as if it had been made of porous clay and filled with water like a Theban water-jar.
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The Romance of a Mummy

The Romance of a Mummy

by Theophile Gautier
The Romance of a Mummy

The Romance of a Mummy

by Theophile Gautier

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Overview

"I have a presentiment that we shall find in the valley of Biban el Molûk a tomb intact," said to a high-bred-looking young Englishman a much more humble personage who was wiping, with a big, blue-checked handkerchief, his bald head, on which stood drops of perspiration, just as if it had been made of porous clay and filled with water like a Theban water-jar.

Product Details

BN ID: 2940161397121
Publisher: UnderPress Books
Publication date: 04/23/2019
Sold by: Barnes & Noble
Format: eBook
File size: 2 MB

About the Author

Pierre Jules Théophile Gautier (1811-1872) was a French poet, dramatist, novelist, journalist, and literary critic. In the 1830 Revolution, he chose to stay with friends in the Doyenné district of Paris, living a rather pleasant bohemian life. He began writing poetry as early as 1826 but the majority of his life was spent as a contributor to various journals, mainly for La Presse, which also gave him the opportunity for foreign travel and meeting many influential contacts in high society and in the world of the arts, which inspired many of his writings including Voyage en Espagne (1843), Trésors d'Art de la Russie (1858), and Voyage en Russie (1867). He was a celebrated abandonnée of the Romantic Ballet, writing several scenarios, the most famous of which is Giselle. His prestige was confirmed by his role as director of Revue de Paris from 1851-1856. During this time, he became a journalist for Le Moniteur universel, then the editorship of influential review L'Artiste in 1856. His works include: Albertus (1830), La Comédie de la Mort (1838), Une Larme du Diable (1839), Constantinople (1853) and L'Art Moderne (1856
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