The Rock Music Imagination

by Robert McParland

Overview

The Rock Music Imagination is an exploration of rock artists in their social and artistic contexts, particularly between 1964 and 1980, and of rock music in relation to literature, that is, creative expression, fantastic imagination, and contemporary fiction about rock. Robert McParland analyzes how rock music touches our imaginative lives by looking at themes that appear in classic rock music: freedom and liberation, utopia and dystopia, community, rebellion, the outsider, the quest for transcendence, monstrosity, erotic and spiritual love, imaginative vision, and mystery. The Rock Music Imagination explores blues imagination, countercultural dreams of utopia, rock’s critiques of society and images of dystopia, rock’s inheritance from romanticism, science fiction and mythic imagination in progressive rock, and rock’s global reach and potential to provide hope and humanitarian assistance.

Product Details

ISBN-13:	9781498588539
Publisher:	Lexington Books
Publication date:	08/09/2019
Series:	For the Record: Lexington Studies in Rock and Popular Music
Sold by:	Barnes & Noble
Format:	eBook
Pages:	218
File size:	1 MB

About the Author

Robert McParland is professor of English at Felician University.

Table of Contents

Introduction: Themes in Classic Rock Music: Rebellion, Utopia, and Liberation

Chapter One: Listening to the Blues

Chapter Two: The Imaginative Legacy of the Beats: Countercultural Utopia

Chapter Three: Science Fiction Imagination and Fantasy in Progressive Rock

Chapter Four: The End of the World as We Know It: Rock Music Dystopia

Chapter Five: Rock Romanticism: Power Chords and the Imaginary Company:

Chapter Six: Paperback Writers: Rock Music and Fiction

Chapter Seven: Human Rights, Community, and Global Rock

Editorial Reviews

In this addition to the "For the Record: Lexington Studies in Rock and Popular Music" series, McParland (English, Felician Univ., and an ASCAP member) focuses on the period between 1964 (the beginning of the "British invasion") and the 1980s and joins the daunting discussion of rock’s social and artistic contexts and rock music in relation to literature as a product of rock music’s imagination. McParland focuses such classic themes as liberation, freedom, utopia/dystopia, the outsider, imaginative vision, and mystery. Including abundant references to songs and artists, discussions hinge on the author's extensive source work. He researched the standard literature on American popular music (specifically music of the 1960s), including work by all the usual suspects—Walter Everett, Susan McClary, Robert Walser. McParland discusses significant aspects of the musical imagination in reference to the blues, progressive rock, punk and new wave, the lyricist as poet, rock in literature, music as community identity/identifier, and the role of the musical imagination in the face of crisis. Part music history, part cultural analysis, The Rock Music Imagination works hard to address heady issues in American popular music.

Summing Up: Recommended. Upper-division undergraduates through faculty.

Choice Reviews

McParland’s The Rock Music Imagination explores the roles of creativity, imagination, and emotional expression in the era of 'classic rock' in a manner that is rewarding for the indoctrinated fan and accessible for the uninitiated reader. For those familiar with the subjects, McParland presents novel readings, interpretations, and connections between the popular and less popular, the creative process (produced from within the established commercial recording industry), and literature and related arts. For the newer fan of classic rock music, The Rock Music Imagination provides a primer of introduction that eschews linear and temporal timelines, scenes, and surface relations in favor of creative and imaginative connections between otherwise disconnected artists. Far from the repetitive playlists of classic rock format radio, McParland rescues classic rock’s creative influence from the banality of one or two representative songs by nostalgia acts in favor of a web-like analysis of innovators and innovation in one of popular music’s greatest 'golden eras.'

Colin Helb

The Rock Music Imagination takes on a huge and sprawling topic—and doesn’t disappoint. Robert McParland maps out the diverse and complex terrain of the rock music imagination during its height of creativity from 1964 to 1980. Drawing on multiple theories concerning the creative process, he cuts a path through blues and psychedelic rock, folk rock and prog rock, utopian and dystopian imaginings, science fiction meanderings and humanitarian appeals, and more. It is an ambitious undertaking that not only succeeds but also suggests further lines of inquiry to the serious student of rock music.

Thomas Kitts

In this addition to the "For the Record: Lexington Studies in Rock and Popular Music" series, McParland (English, Felician Univ., and an ASCAP member) focuses on the period between 1964 (the beginning of the "British invasion") and the 1980s and joins the daunting discussion of rock’s social and artistic contexts and rock music in relation to literature as a product of rock music’s imagination. McParland focuses such classic themes as liberation, freedom, utopia/dystopia, the outsider, imaginative vision, and mystery. Including abundant references to songs and artists, discussions hinge on the author's extensive source work. He researched the standard literature on American popular music (specifically music of the 1960s), including work by all the usual suspects—Walter Everett, Susan McClary, Robert Walser. McParland discusses significant aspects of the musical imagination in reference to the blues, progressive rock, punk and new wave, the lyricist as poet, rock in literature, music as community identity/identifier, and the role of the musical imagination in the face of crisis. Part music history, part cultural analysis, The Rock Music Imagination works hard to address heady issues in American popular music. Summing Up: Recommended. Upper-division undergraduates through faculty.

Choice

In this addition to the "For the Record: Lexington Studies in Rock and Popular Music" series, McParland (English, Felician Univ., and an ASCAP member) focuses on the period between 1964 (the beginning of the "British invasion") and the 1980s and joins the daunting discussion of rock’s social and artistic contexts and rock music in relation to literature as a product of rock music’s imagination. McParland focuses such classic themes as liberation, freedom, utopia/dystopia, the outsider, imaginative vision, and mystery. Including abundant references to songs and artists, discussions hinge on the author's extensive source work. He researched the standard literature on American popular music (specifically music of the 1960s), including work by all the usual suspects—Walter Everett, Susan McClary, Robert Walser. McParland discusses significant aspects of the musical imagination in reference to the blues, progressive rock, punk and new wave, the lyricist as poet, rock in literature, music as community identity/identifier, and the role of the musical imagination in the face of crisis. Part music history, part cultural analysis, The Rock Music Imagination works hard to address heady issues in American popular music.

Summing Up: Recommended. Upper-division undergraduates through faculty.

CHOICE