The River Wife: A Novel

by Jonis Agee Narrated by Cassandra Campbell

Overview

From acclaimed novelist Jonis Agee, THE RIVER WIFE is a sweeping, panoramic story that ranges from the New Madrid earthquake of 1811 through the Civil War to the bootlegging days of the 1930s.

When the earthquake brings Annie Lark's Missouri house down on top of her, she finds herself pinned under the massive roof beam, facing certain death. Rescued by French fur trapper Jacques Ducharme, Annie learns to love the strong, brooding man and resolves to live out her days as his “River Wife.”

More than a century later, in 1930, Hedie Rails comes to Jacques' Landing to marry Clement Ducharme, a direct descendant of the fur trapper and river pirate, and the young couple begin their life together in the very house Jacques built for Annie so long ago. When, night after late night, mysterious phone calls take Clement from their home, a pregnant Hedie finds comfort in Annie's leather-bound journals. But as she reads of the sinister dealings and horrendous misunderstandings that spelled out tragedy for the rescued bride, Hedie fears that her own life is paralleling Annie's, and that history is repeating itself with Jacques' kin.

Among the family's papers, Hedie encounters three other strong-willed women who helped shape Jacques Ducharme's life. Their stories, together with Annie's, weave a haunting tale of this mysterious, seductive, and ultimately dangerous man, a man whose hand stretched over generations of women at a bend in the river where fate and desire collide.

Editorial Reviews

Publishers Weekly

Agee (Sweet Eyes; Strange Angels) delivers an enthralling family saga set in Missouri's boot heel, a place so remote, "it's as if the whole state of Missouri has been trying to shake it off for years, like a vestigial tail." Seventeen-year-old Hedie Rails arrives in 1930 as the pregnant bride of Clement Ducharme at his family estate, but little does Hedie know that she's carrying on a tradition: in 1811, young Annie Lark is rescued from the Midwestern New Madrid earthquake by French fur trapper Jacques Ducharme and becomes the first "river wife." Hedie discovers this—along with the dark side of the Ducharme legacy—through old diaries she finds at the family home. She also learns of the other women involved with Jacques: Omah, the freed slave girl who joins him in river piracy, and Laura, his fortune-hunting second wife whose daughter, Maddie, is Clement's mother. As Hedie's experiences become increasingly ominous (where does Clement go at night, and why does he come home beaten up? Are those footsteps she hears upstairs?), parallels develop between her life and those of past river wives. Lush historical detail, a plot brimming with danger, love and betrayal, and a magnificent cast (Jacques is larger than life, and the wives are sassy, sexed-up spitfires) will keep readers entranced. (July)

Copyright 2007 Reed Business Information

Library Journal

In the early 1900s, when Hedie Rails arrives at Jacques' Landing, MS, to marry Clement Dumarche, she discovers diaries harkening back to the early 1800s that reveal the complex life and loves of Clement's grandfather, a frontier river pirate. With an eight-city tour. Copyright 2007 Reed Business Information.

Kirkus Reviews

A catfish stew of a novel from Agee (The Weight of Dreams, 1999, etc.), covering three generations of a Missouri farming family that can't shake its river pirate roots. In 1930, Hedie Rails marries charming spendthrift Clement Ducharme and moves to his farm at Jacques' Landing. Desperate for money to keep the farm afloat, Clement disappears frequently on probably criminal business. Left behind, pregnant and lonely, Hedie finds a journal-a too obviously artificial literary device-that tells the Ducharme family history. In 1811, river pirate Jacques Ducharme saves Annie Lark's life after an earthquake leaves her crippled. They marry but their early passion withers when Jacques' vicious dogs kill their child in a horrifying scene. Annie dies in a flood. Jacques' main cohort and confidante becomes Omah, the daughter of freed slaves. After the Civil War, Jacques murders his second wife, Laura, who has proved herself both unfaithful and greedy. Omah helps him raise Laura's daughter, Little Maddie, the novel's one lovable character. When Jacques finally dies, his will requires that Little Maddie remain celibate if she wants to keep the farm. Instead, after a 13-year love affair, she uses a horse to bribe her way into getting both farm and marriage, then dies two years later. Her son is Clement. He squanders Hedie's love with his unquenchable lust for money, and possibly other women. After Hedie miscarries their first child, she befriends the black couple down the road whose daughter, Omah's granddaughter, India, becomes Clement's apparent lover. Then Hedie, again pregnant, finds Clement shot in the front seat of his car with India dead in the back. She follows his dying orders to bury him inquicksand so she can keep Jacques' Landing and raise the next Ducharme generation. Despite fevered descriptions and various half-developed characters meandering down plot paths leading nowhere, the violence-spiked romance upon violence-spiked romance becomes addictive. Agent: Emma Sweeney/Harold Ober Associates

FEB/MAR 08 - AudioFile

Agee's novel is an edgy tale of survival along the banks of the Mississippi River in nineteenth-century Missouri. While Cassandra Campbell's sweet and clear voice is pleasant, it’s a strange match for some of the gory scenes of the novel. The harsh frontier life is sketched in vivid detail by Agee, and Campbell lingers over each intricate description. Campbell admirably creates voices for unusual characters, like the French trapper Jacques Ducharme, and accurately projects their emotions. However, since several characters experience deep tragedies and injuries, the overall story's emotional tone is bleak, and sustained listening can be overwhelming. R.F. © AudioFile 2008, Portland, Maine

Product Details

BN ID:	2940169378443
Publisher:	Penguin Random House
Publication date:	07/17/2007
Edition description:	Unabridged

Read an Excerpt

PROLOGUE
 
HEDIE RAILS DUCHARME
 
THE TREES WERE SO VERTICAL—THAT’S THE FIRST THING I NOTICED, EVEN before the river. And the land that rolled carpet flat away from the eye. As I stepped from the coupe in front of the courthouse in Jacques’ Landing, Missouri, just above New Madrid, the only shiver I felt was a slight vertigo. I held on to the door of the coupe for a moment, and Clement Ducharme must have thought I was reconsidering, because he put his hand under my free arm and lifted me away. I was taller than him by a good two inches, and it seemed to make him proud. He insisted I wear my high heels whenever we were in public. Over the next few weeks, he would buy me pair after pair of shoes, all high heels, open toed, many with tiny straps and coy little rhinestone buttons. I was too young in love to question then.
 
In the street, tired farmers came and went, worrying about taxes, foreclosures, money they didn’t have. It was 1930, the Great Depression, and everybody was poor but us, and nobody stopped to talk.
 
Cotton fibers floated in the air, rising and settling again, as if on an invisible tide rinsing over the town. They caught in the screens of doors and windows, settled over uncovered dishes of beans and cornbread and fresh tomatoes, and clung to your tongue when you tried to talk, so you constantly found yourself licking every syllable as if it were part of a filthy word as you scraped your tongue against your front teeth and swallowed.
 
We climbed the worn flagstones, each with a small trough from eightysome years of feet, up the cupped gray granite steps, and into the round green marble atrium. Clement pointed up at the green stained-glass rose that domed the roof three stories above us, and made me squint to see the repaired glass on the right side.
 
“Cannon fire from the Yankee bombardment,” he said.
 
In fact, I would discover later that it was Billy Shut, the Confederate raider, whose rifle went off during a brief skirmish not long after the town was taken.
 
The light from the dome was green and slightly milky, and I wondered if I needed to slip on my glasses for a moment. It was the only secret I kept from him in the beginning—my weak eyes that wouldn’t let me decipher words and details up close.
 
But I saw the drifts of dust in the shafts of green light, saw the cotton lint on the shoulder of his gray suit jacket. Harvest was early, the yield poor in the relentless heat, and he’d left a puny, half-full wagon in the farmyard to take me to town. There was still a slice on his chin where he’d cut himself shaving at the last minute. Do I have to explain everything? My mother had made me leave. I was seventeen. My sisters had stood aside. I would not be welcome back in the family for ten more years, but by then it would be too late.
 
My soon-to-be husband stood patient, red faced and freckled from the sun, his orange-red hair slicked down with oil, with a part along the right side that looked like it was made with a razor, the scalp bright red in the groove. Somehow he had managed to get a haircut that did not rise so far above the ears that you could see a rind of moon white where his lobe ended. Even farming, he was a neat man, clean, almost prissy with his scrubbed nails. He cleaned his teeth nightly with salt and a slick of riverwillow bark he would slide between each of the small pegged points. You have child’s teeth, I would tell him a few weeks after the wedding.
 
Although I would later return to the courthouse to retrace my path into the peculiar destiny I had chosen, family history wasn’t what I was thinking about that day as I followed the path of Billy Shut’s horse up the steps and felt the places where the iron shoes scored the marble floor as he began to collapse. The soles of my shoes were the thinnest leather, and in the other part of my mind, I would be registering the gouges with my toes as we stood there in the atrium waiting for Clement’s uncle Keaton to come witness for us.
 
“Is your uncle coming?” I finally asked. He looked at the clock over the entrance to the courtroom, then at his wrist where he had on a gold Hamilton watch with a brown alligator band that stank a little when he sweated too much.
 
“Did you tell him we had to do it before the courthouse closes?” I asked. It wasn’t only that, and he knew it. I couldn’t go back home. I’d spent all my money on the bus ticket down here and a present for him—a cat’s-eye ring for his little finger. It was the only size they had at Johnson’s Jewelry in Resurrection when I left that morning, and I couldn’t come empty handed, with nothing but a cardboard suitcase my mother begrudged me.
 
My feet began to ache after a while, and when I shifted my weight so I could lean against one of the columns, my heel caught in a chip from the horseshoe, and I started to go down. He caught me, though, and held me briefly, his ear against my chest, as if he could hear the double heartbeat through the good linen of my white suit. It was the last white suit I ever owned.
 
“Do you think—” I started to say again, but he put his fingers to my lips. His hands smelled of tobacco and the soft lavender scent he ordered from the barbershop twice a year. As much as anything, it was the scent of him that made my stomach pull hard with want. I was so young and there was a mystery unraveling, a door opening to the other side where the whole business you watch as a child suddenly becomes your own. You’re grown up and now the world throbs with something bright the color of blood.
 
At four o’clock, Clement turned to me and nodded, his jaw clamped shut, lips thinned. It wasn’t a face I wanted to see on my wedding day, but it was all I had, so I took his arm and we walked in a straight line through the atrium to the judge’s chambers. When it came time to slip the ring on my finger, he pulled out a platinum band with a large round yellow diamond embedded in the middle. It was so big I had to squeeze my other fingers around it to keep it from sliding off.
 
When it came time to kiss, he whispered in my ear, “Get that ring fixed so it don’t ever come off, hear?”
 
I was thrilled that he wanted to so thoroughly claim me, and after he paid the judge, we walked proudly arm in arm through the hot milky green light out into the late afternoon.
 
That was my wedding day. His uncle Keaton Shut waited three months to come to visit and by then the damage had been done. We didn’t care though, we were happy. And almost nothing can dent that kind of joy. We were going to have the baby at home, where children of his family had always been born. I wasn’t even afraid. And he was a good husband to me, bringing me flowers, feeding me ice cream, a spoonful at a time in the panting heat after dark when the river swished against the banks and the bullfrogs’ deep bass rode the low notes below the peepers’ high throbbing. Afterward, he would make love to me, sucking my swollen nipples until I felt an urgency, a burning so shrill I wanted him to tear me open, empty me and refill me with himself. I tore at his skin, and my own, trying to put us closer and closer still, as if the blood mingling could do that. We spent our days napping in the cool of the fan blowing over a cake of ice, and our nights loving, as we waited for the baby. I didn’t care if another soul ever came to the door in those days. In fact, I didn’t want them to . . .
 
This is love, I kept saying to myself as he sponged cool water over my shoulders and face while I lay in the tub, this is love, the yellow diamond ring wedged so tightly on my swollen finger that it sat between two ridges of flesh. And this is love as the light in the room darkened with an afternoon storm, and we stood out on the second-story porch, naked in the green rain, watching the tree limbs along the river flatten and spread horizontal in the wind while the phone in the hallway behind us rang and rang and rang.
 
“Clement,” I said, looking out across the flat land shimmering in the heat, “this isn’t a land to love, is it?”
 
He shook his head. “The Bootheel is a different kind of country altogether.”
 
Jacques’ Landing sits west of New Madrid, above the water in the tableflat bottomland spread between the foothills of the Ozarks, a distant shadow to the west, and the Mississippi to the east. St. Louis is only 165 miles north. Hanging between Kentucky and Tennessee to the east and Arkansas to the west, it’s as if the whole state of Missouri has been trying to shake it off for years, like a vestigial tail.

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