The Rise of the Modern Yiddish Theater

by Alyssa Quint

Overview

Alyssa Quint explores the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden.

Product Details

ISBN-13:	9780253038647
Publisher:	Indiana University Press
Publication date:	03/12/2021
Series:	Jews in Eastern Europe
Sold by:	Barnes & Noble
Format:	eBook
Pages:	299
File size:	4 MB
Age Range:	18 Years

About the Author

Alyssa Quint is Vilna Collections Scholar-in-Residence at YIVO Institute of Jewish Research. She is editor (with Justin Daniel Cammy, Dara Horn, and Rachel Rubinstein) of Arguing the Modern Jewish Canon. She is also a member of the Digital Yiddish Theatre Project.

Table of Contents

Acknowledgments

Note on Transliteration

The Social Life of Jewish Theater in the Russian Empire: An Introduction

1. Goldfaden, Elite (1876–1883)

2. The Rise of the Yiddish Actor

3. The Rise of the Jewish Audience

4. The Rise of the Jewish Playwright

5. The Rise of the Female Yiddish Actor

6. The Ban, Cultural Momentum, and the Modern Yiddish Theater

Afterword: The Fall and Rise of Avrom Goldfaden

Appendix I: Synopses of Goldfaden's Operettas

Appendix II: The Sorceress

Appendix III: Excerpt from the memoirs of Avrom Fishzon

Bibliography

Index

What People are Saying About This

Joel Berkowitz

Quint arms herself with extensive research, using sources in Yiddish, Russian, and Hebrew, to reassess the late nineteenth-century Russian Jewish experience from the vantage point of the Yiddish theater as it evolved into a thriving cultural institution. She surveys the content of their performances; describes the lives of the actors, writers, and directors; and explores critics' and audiences' responses to their productions. The Rise of the Modern Yiddish Theater teems with fascinating information that deepens our understanding of how the professional Yiddish theater coalesced, and the role it played in the social life of the late nineteenth-century Russian Jewish city.

Jeffery Veidinger

In lively prose and penetrating analysis, Quint turns the fascinating life of Avrom Goldfaden into a multi-dimensional history of the Yiddish theater's formative years, and a study of the origins of Jewish modernity itself.

Barbara Henry

Imagine a history of the English novel that makes scant reference to Sterne or Austen, a study of American literature that leaves out all mention of Irving or Poe, or an assessment of German Romantic poetry that ignores Heine. That is roughly the state of scholarship in English on the Yiddish theater, which has no major work devoted to Avrom Goldfaden, one of the founders of the professional Yiddish stage. Alyssa Quint's pathbreaking work is valuable not only for the attention paid to the texts of Goldfaden's Yiddish work, but for its discussion of how the texts emerged from their milieu and how they, in turn, influenced that world.

Editorial Reviews

"Quint arms herself with extensive research, using sources in Yiddish, Russian, and Hebrew, to reassess the late nineteenth-century Russian Jewish experience from the vantage point of the Yiddish theater as it evolved into a thriving cultural institution. She surveys the content of their performances; describes the lives of the actors, writers, and directors; and explores critics' and audiences' responses to their productions.The Rise of the Modern Yiddish Theaterteems with fascinating information that deepens our understanding of how the professional Yiddish theater coalesced, and the role it played in the social life of the late nineteenth-century Russian Jewish city."—Joel Berkowitz, Professor of Foreign Languages and Literature, University of Wisconsin-Milwaukee

"This is the final word on the subject; the sources are in Yiddish, Russian, Hebrew, French, and German. If the adjective definitive holds any meaning in literary history, it can be applied to this volume, yet the prose is transparent and comfortable for any reader."—Choice

"Imagine a history of the English novel that makes scant reference to Sterne or Austen, a study of American literature that leaves out all mention of Irving or Poe, or an assessment of German Romantic poetry that ignores Heine. That is roughly the state of scholarship in English on the Yiddish theater, which has no major work devoted to Avrom Goldfaden, one of the founders of the professional Yiddish stage.Alyssa Quint's pathbreaking work is valuable not only for the attention paid to the texts of Goldfaden's Yiddish work, but for its discussion of how the texts emerged from their milieu and how they, in turn, influenced that world."—Barbara Henry, editor (with Joel Berkowitz) of Inventing the Modern Yiddish Stage: Essays in Drama, Performance, and Show Business

"In lively prose and penetrating analysis, Quint turns the fascinating life of Avrom Goldfaden into a multi-dimensional history of the Yiddish theater's formative years, and a study of the origins of Jewish modernity itself."—Jeffery Veidinger, author of Jewish Public Culture in the Late Russian Empire

"Finalist, 2019 Jewish Book Awards, Scholarship"—

"This is a major contribution that fills longstanding scholarly gaps, both in our understanding of Goldfaden as a historical figure and in our understanding of how modern Yiddish theater first developed."—Debra Caplan, In Geveb A Journal of Yiddish Studies

"Quint sucessfully outlines the interconnections between theatre producers, audience, actors, and theatre critics as well as Yiddish critics."—The Year's Work in Modern Language Studies

From the Publisher

This is a major contribution that fills longstanding scholarly gaps, both in our understanding of Goldfaden as a historical figure and in our understanding of how modern Yiddish theater first developed.

In Geveb A Journal of Yiddish Studies - Debra Caplan

Quint sucessfully outlines the interconnections between theatre producers, audience, actors, and theatre critics as well as Yiddish critics.

The Year's Work in Modern Language Studies

This is the final word on the subject; the sources are in Yiddish, Russian, Hebrew, French, and German. If the adjective definitive holds any meaning in literary history, it can be applied to this volume, yet the prose is transparent and comfortable for any reader.

Choice

Quint arms herself with extensive research, using sources in Yiddish, Russian, and Hebrew, to reassess the late nineteenth-century Russian Jewish experience from the vantage point of the Yiddish theater as it evolved into a thriving cultural institution. She surveys the content of their performances; describes the lives of the actors, writers, and directors; and explores critics' and audiences' responses to their productions. The Rise of the Modern Yiddish Theater teems with fascinating information that deepens our understanding of how the professional Yiddish theater coalesced, and the role it played in the social life of the late nineteenth-century Russian Jewish city.

Joel Berkowitz