The Removes: A Novel

by Tatjana Soli Narrated by Xe Sands

Overview

As the first wave of pioneers travel westward to settle the American frontier, two women discover their inner strength when their lives are irrevocably changed by the hardship of the wild west in The Removes, a historical audiobook from New York Times bestselling and award-winning author Tatjana Soli.

Spanning the years of the first great settlement of the west, The Removes tells the intertwining stories of fifteen-year-old Anne Cummins, frontierswoman Libbie Custer, and Libbie's husband, the Civil War hero George Armstrong Custer. When Anne survives a surprise attack on her family's homestead, she is thrust into a difficult life she never anticipated-living among the Cheyenne as both a captive and, eventually, a member of the tribe. Libbie, too, is thrown into a brutal, unexpected life when she marries Custer. They move out to the territories with the U.S. Army, where Libbie is challenged daily and her worldview expanded: the pampered daughter of a small-town judge, she transforms into a daring camp follower. But when what Anne and Libbie have come to know-self-reliance, freedom, danger-is suddenly altered through tragedy and loss, they realize how indelibly shaped they are by life on the treacherous, extraordinary American plains.

With taut, suspenseful writing, Tatjana Soli tells the exhilarating stories of Libbie and Anne, who have grown like weeds into women unwilling to be restrained by the strictures governing nineteenth-century society. The Removes is a powerful, transporting audiobook about the addictive intensity and freedom of the American frontier.

Editorial Reviews

Publishers Weekly

05/07/2018
Soli (The Lotus Eaters) unleashes a thrilling novel set in the violent Wild West just as the Civil War ends, when a newly formed United States set its sights on Native American territory. Onto the larger canvas of the lives of George Armstrong Custer, the soldier tasked with defeating and corralling the Natives, and his spirited wife, Libbie, is painted the horrific tale of Anne, a young daughter of settlers in the Kansas Territory. The story opens with unimaginable violence as Anne is captured and her family slaughtered by the Cheyenne, then jumps from her travails to the lives of Libbie and Custer, nicknamed “Autie.” Soli depicts Custer flailing to find a purpose after the war; his love of battle and the open prairie make him more kin to his Native “enemies” than to his own people. The Custers forge an unbreakable bond, the story swinging from Libbie’s perspective to Autie’s, and to Anne’s, who is battling simply to stay alive. Anne survives starvation, rape, and childbirth, only to eventually be brutalized by one of her own. The clash of cultures is Soli’s grand theme, and here she drives home her message that the winners are no more worthy than the losers, and that “not even brotherhood was enough to safeguard people who had what others coveted.” (June)

From the Publisher

A New York Times Book Review Editors' Choice!

"Soli brings a new twist to the oft-told love story of Libbie and George Armstrong Custer." —The Denver Post

"Vivid and unsettling . . . an engaging read." —The Historical Novel Society

"Ms. Soli honours the history she uses to tell her tale by the care she takes with her storytelling, and by the way she laces through the book documents and photographs from the era. She does not shy away from violence, but nor does she revel in it . . . the reader’s imagination has been well-schooled by the author’s art: the horror is more vivid for being created in the mind’s eye." —The Economist

"A narrative of the American West centered on women, a kind of remaking of the classic Western myth . . . Soli paints pictures that will stick in my head." —San Francisco Chronicle

"Manifest Destiny meets our feminist moment as Soli conjures the layered lives of two woman.” —O Magazine

"Thrilling." —POPSUGAR

"An epic, enthralling look at the American West in the mid-1800s, told through the eyes of General George Armstrong Custer, his wife Libbie, and Anne Cummins, a 15-year-old girl abducted by the Cheyenne in Kansas . . . With visceral, vibrant language, Soli paints a stark portrait of the violence, hardship, and struggles that characterized the American West." —Kristine Huntley, Booklist (starred review)

"Soli unleashes a thrilling novel set in the violent Wild West . . . The clash of cultures is Soli's grand theme, and here she drives home her message that the winners are no more worthy than the losers, and that "not even brotherhood was enough to safeguard people who had what others coveted." —Publishers Weekly

“The Removes is a stunning, vivid portrayal of captivity and freedom, and of wars waged on the landscapes and peoples of the American frontier. Tatjana Soli's writing is so visceral and evocative, one feels transported to that moment when history is forged. At once intimate and sweeping, unflinching and compassionate, The Removes is a magnificent read.” —Vaddey Ratner, PEN/Hemingway Finalist, author of In the Shadow of the Banyan

“Tatjana Soli’s The Removes is a rousing, thoroughly engrossing novel of the Indian Wars in the tradition of the best of western fiction. Told through the actions, suffering, and inner musings of three very different characters—the demon-ridden George A. Custer; his fervid wife, Libbie; and a persevering young woman captive of the Cheyennes—The Removes tells a tale of impeccable verisimilitude that is at once a tightly interwoven narrative and a kaleidoscopic picture of the Indian Wars of the American West. Readers will emerge with a keen appreciation of this tragic American epoch.” —Peter Cozzens, author of The Earth is Weeping:The Epic Story of the Indian Wars for the American West

“Tatjana Soli braids a beautiful and harrowing tale of Custer, his wife, and a fifteen-year-old girl held captive out on the western plains. Intimate and panoramic all at once, this is a novel of transformation and self-reliance, a book that powerfully questions what we know of women on the American frontier.” —Dominic Smith, author of The Last Painting of Sara de Vos

"The Removes is as beautiful a novel as I’ve read in some time. It tells of the nearly unimaginable brutality of western expansion through the stories of two women living in diverse captivities: Libbie, wife of philandering General Custer, and Anne, captured as a girl by the Cheyenne. Tatjana Soli’s writing is spare, lyrical, haunting, and heartbreaking, and countless images from this book will stay with me forever: the harsh majesty of the plains, the 'sheer animal joy' of horses running into battle, and the bravado of Custer’s long, meandering march to his ruin." —Elizabeth McKenzie, author of The Portable Veblen, long-listed for the National Book Award

“Tatjana Soli weaves a stark western landscape, a national tragedy, and intimate portrayals of two pioneer women into a poignant and powerful tapestry of identity and belonging that will break your heart. I absolutely loved The Removes.” —Meg Waite Clayton, Langum Prize-honored author of The Race for Paris

"Tatjana Soli’s The Removes breathes new life into a story I thought I already knew inside out—the tale of George Custer and the Battle of the Little Bighorn, a century-old icon of American history, and exhaustively covered by Evan S. Connell’s Son of the Morning Star. Any writer entering these lists must be both bold and strong, and Soli proves herself all that, finding fresh blood in the strangely vexed, compelling romance between Custer and his wife Libbie, real pathos in the plight of captives both before and after “rescue,” and surprising sympathy for the man who wanted—fatally too much—to be a hero." —Madison Smartt Bell, author of All Souls' Rising, a finalist for the National Book Award

"Soli's new novel focuses on General Custer, the frontier, and the Indian wars. This is a western, but a modern one—beautifully detailed and carefully researched, completely free of the questionable mythologies that sometimes characterize the genre. A vivid, sometimes harrowing, but always riveting read." —Karen Joy Fowler, author of We Are All Completely Beside Ourselves, winner of the PEN/Faulkner Award

Praise for The Lotus Eaters and The Forgetting Tree:

“[A] haunting debut novel . . . Quietly mesmerizing.” —Janet Maslin, The New York Times on The Lotus Eaters

“A devastatingly awesome novel. It's one of those books that I didn't want to put down.” —Nancy Pearl, NPR on The Lotus Eaters

“Daring . . . haunting . . . A remote citrus ranch can be a crossroads where cultures collide, and those collisions can be life-changing for everyone involved . . . Soli writes with patience and wisdom.” —Jane Smiley, The New York Times Book Review on The Forgetting Tree

Product Details

BN ID:	2940172010835
Publisher:	Macmillan Audio
Publication date:	06/12/2018
Edition description:	Unabridged

Read an Excerpt

CHAPTER 1

THE FIRST REMOVE

Indian attack — Fighting alongside the men — The massacre — Family — Taken captive — The march

The thunder of the rifle inside the house so blasted Anne's ears that she forgot for a moment the reason for her father's firing it, so caught up was she in the physical pain of the noise. She cupped her palms over her ears to shelter them but too late. When she took her hands away, her hearing had fled, vanished so that events unfolded before her in eerie silence. From her mother's pious beliefs, she wondered briefly if this was a gift of God, this shielding deafness, but decided against such interpretation because if God had willingly allowed the sights before her eyes it would be blasphemy to his goodness. The silence proved both blessing and curse. Not the war cries of the Indians, nor the screams of her relatives in their death throes as they departed from this earth, had the power to frighten her, but the lack of sound endowed her sight with a magnified strength. The acts committed before her turned into visions burned on her mind's eye that she would revisit, voluntarily or not, for the rest of her days.

In the morning the men had left to work the fields, leaving the small group of homesteads unguarded except for old men, the blacksmith, and some stragglers, including her beau, Michael, who loitered in the communal barn with the hope of a stolen meeting with her.

A party of Cheyenne rode in, one warrior in the lead, waving a dirty white piece of cloth on a stick. Immediately her mother's face went slack with fear. The tribes had become habituated to handouts, and they demanded charity whether given freely or not. She hissed to Anne's six-year-old brother, Nevin, to run out the back.

"Be careful, don't be seen. Bring the men back!

Quick!"

Anne's grandfather went out to offer the band provision and delay any possible aggression till the men were returned to defend the homestead. Anne watched from the window as he walked up to the leader and within seconds was surrounded by mounted warriors. Only the back of his graying head was visible above the ponies. It would be the last moment the world would appear safe to her. As quickly as she drew her next breath, an Indian behind him raised a hatchet even as he parleyed with the leader in front. Anne screamed as the blow came down, a bloom of horror. He staggered a moment from the impact, the circle of warriors still and calm, only mildly curious as he crumpled to the ground between their horses' feet.

Her father and some of the neighbors had run in through the back door, loaded down with rifles and bags of ammunition. In the part of Kansas they farmed, it was necessary to work the fields with hoe in one hand and rifle in the other, so the men had been ready to protect their families. The Indians already surrounded the other houses so that the men had no choice but stay and defend Anne's homestead before reaching their own. With one look outside, her father roughly pulled Anne from the window and directed her mother to gather the children against the back wall, low against the ground to avoid the ricochet of bullets. Her father's first firing, the one that deafened her, hit the warrior who killed her grandfather, the shot taking off the side of his head, and he slumped over and rolled off his horse. Within moments, as if his blood nourished the earth he fell on, fifty more equally fierce fighters sprang into view.

Anne pressed against her mother and sisters, her arms around Nevin to keep him from squirming away to join the men. Having sounded the alarm of the attack, he was filled with fearlessness and childish belief in his own invincibility. Anne closed her eyes. Again she saw the Indian's concave head, his face fierce as a hawk's, and then the dip of his body to earth. The darkness under her eyelids combined with the lack of sound to calm her. Did her grandfather share this same darkness with her? She pretended that this was a nightmare from which she could soon wake. Her mother poked her up.

Her father, manning the window, motioned for Anne to rise and travel between the shooters along the front of the house, resupplying them with ammunition. The neighbor whose task it had been now lay facedown in the doorway, blood pooling under him, and Anne had no choice but to step over his legs each time she must hand out bullets. She would never be able to explain it, but with the duty to attend her fear went away. Her greatest preoccupation was to lift her skirts clear so that they should not sop the blood. If she accomplished that, it seemed everything else would be okay. She stayed dry-eyed and calm as yet another man slumped over the window frame, and she must pull him back inside and lay up his rifle against the wall. One man who raised dairy cows cried as he shot blindly, and another who tenant-farmed wheat soiled himself, yet Anne glided between them as if serving cakes at one of her mother's teas. There were five dead inside the house when she finally glanced at the clock and realized two hours had passed. Outside the number of Indians had grown so that they appeared a hive of angry bees.

"Take up the rifle!" her father yelled, and realizing his daughter's impairment he pointed his chin at a gun.

It had come down to her father, an elderly neighbor with poor eyesight, and herself as defense for her mother and siblings. Without hesitation she crawled to the window and pointed the weapon's barrel out.

Several homesteads were burning, and the sunny morning had grayed in the thickening smoke. She fired as best she could, the recoil paining her shoulder, but as far as she could tell the bullets did not come close to a single target. As she watched, the blacksmith's family attempted escape across the fields. First the father was shot and fell down. The mother and children continued running, but they seemed to have lost compass and moved in an arc that they retraced like chickens in the farmyard running from the approach of the axe. Warriors on foot trotted after them, easily nabbing all three. When the mother begged to have her children back and offered money, the warriors knocked her on the head, then proceeded to strip off her clothes and scalp her. Her long reddish gold hair had been the envy of all the women. Anne would not talk of the other things they did to the body. She whispered a prayer, entrusting the woman's immortal soul to the Lord. After the mutilation was over, Anne turned away and daintily vomited onto the dining room floor.

Her head throbbed, a mix of fear, noise, and smoke making her dry-heave the contents of her empty stomach. Dully she wondered where Michael was, and why had he not come to save her? She had allowed him to kiss her and touch underneath her blouse. Had he run away and left her behind? If he was such a coward she would not marry him after all. Her heart quaked at the thought she might not survive long enough to reject a suitor.

Now the warriors on horseback turned their attention on Anne's house, which was the last left standing. They rode full speed circling it, throwing up a cloud of dust that mingled with the heavy burning smoke from the other buildings and the crop fields farther on that had been set aflame. She could not hear the terrifying shrill of their cries, nor the beating of the horses' hooves, although she imagined she felt their percussion through the floor, the rumble and awful pound of danger, unless it was simply the thud of her own despairing heart.

Anne fired in a haphazard way, slowed down both by fatigue and inaccuracy. She had only practiced still targets while shooting with her father, never at anything moving, definitely never anything threatening to shoot back at her. Even that limited practice had been grudged by her father, who thought it unbecoming for a fifteen-year-old girl to learn such. Strange that now she was the one tasked with defending them.

Two young men, friends of her Michael, fearful of Indians surrounding their barn in the northwest corner of the settlement, tried to flee along the south field and were shot down as easily as quail. So taken up was she by the plight of their neighbors, Anne at first did not notice Indians had climbed on her own roof. Soon flames could be seen licking the corner of the ceiling, smoke thickening the air so that her father had to set down his gun and beat out the nascent fire with a blanket. It was at that moment that a bullet fired through the doorway caught him in the throat. Surprised, angered, he could offer her no last words, but she read in his eyes how sorry he was to leave them in such danger. A moment later, he was no more.

His old carbine was unwieldy in her hands, too heavy to hold, but she carried it over to her mother and siblings and crowded over them. The weapon's metal was warm. She imagined it still held the life from her father's hands. She was determined she would blast the first Indian who made it through the door, even if she could do nothing about the second, third, and fourth.

What happened instead was the entire roof caught ablaze at once and formed a fiery crown above them. With no one to extinguish it the heat grew unbearable inside the room, like sitting in the oven where the bread baked. Hot ash fell like snowflakes and ate small burning holes in their clothing. As soon as the beams were softened enough, the entire structure would collapse and incinerate the family whole. The unbidden thought came into Anne's head that perhaps this was her father's parting protection as he waited in heaven above for them to join him.

"We must leave, Mama," Anne yelled, but her mother shook her head, already entered on the path of her Christian martyr's death.

It was a commonplace that any death was preferable to the fate to be found through the door, leaving oneself at the mercy of the Indians. Anne sat, the heavy, oily smoke scratching her lungs, tearing her eyes. An active girl, she preferred movement, wanted to bolt out the door for a last gulp of sweet air and risk being shot rather than sit and roast to death. Already her skin prickled red and tender.

"We should run to the river," she said aloud to no one.

Her mother had gone blank with fear. Blind and helpless and ultimately doomed as the kittens her father regularly gunnysacked and dropped into the river. She would be of no help. Her baby sister, Dottie, and her middle sister, Emma, were already weak from coughing. After witnessing his father die, Nevin had reverted to his usual timidity and was now crying at full volume. He had wet his pants.

"Mama, please?" Anne pleaded.

They all felt a shifting of the house as if it were seeking a more comfortable seating, and as the roof crashed down inside the room, Anne in one motion grabbed Nevin and ran out the door. Why him? Nevin because he was the youngest and the only boy in the family?

Outside was unutterable relief. She gulped the cool air and held her brother closer as she ran along the front of the house, a hail of bullets so strong the wall looked as if it were being chewed apart. She would not think about the arrows also raining, would instead pretend she was making her way through a storm, but then Nevin spasmed in her arms, forcing her to stop. A bullet had shattered his leg; it dangled down bloody and useless at her hip. He howled so loudly that even she could hear the small, astonished roar.

A warrior took advantage of her distraction to grab her from behind while another tore Nevin from her arms. She fought with all her remaining strength, regretting, too late, that she had not remained by her mother's side. She lunged for her brother and was butted in the stomach with a rifle stock. The wind sucked out of her, pain made her forget where she was while in its grip. After a moment, despite the jab of something sharp at her back, she crawled on hands and knees to Nevin's crumpled form, wanting to cover him and go back inside. She ignored the feet at each side of her, too frightened to look up.

A warrior lifted Nevin above her and stood blocking her path. When he set the boy down on the ground like a toy, holding each arm for balance, her brother was queerly calm as he stepped down on the shattered leg. It buckled unnaturally under him, the white of thin bone protruding through skin while he screamed himself to delirium. The warrior chuckled as the child fell to earth, and then clucked his tongue, grabbed the boy by the feet like a rabbit, and dashed him against the building.

Anne prayed for the Lord to claim her. She was guilty of having taken the boy from their mother and then failing him. His last moments on earth filled with cruelty and terror, and it was her fault. Stupid, stupid girl, she deserved whatever now happened.

When the warrior came at her and preemptively grabbed her hair, he found all resistance gone. Frontier children were always taunting one another in games with scalping, and she had the idle thought that now she would know what it was like. She endured his punches and kicks as penance, sure they were only preliminary to her being killed. Her only prayer was that she would die with her honor left intact to please God and her mother.

It surprised her when instead she was led to a small, bedraggled group of neighbor women gathered in a field. A group of ten children, including Emma, was corralled under a tree. How had she gotten out? What had become of Dottie and Mama? None of the rest of her family had come out of the burning house. This indeed was not a nightmare — reality was far worse than anything imagination could conjure.

The Indians motioned for the women to start walking, and one of them, a young mother whose babe was nowhere in sight, began crying aloud that they would be killed.

"If they so wanted, we would no longer be breathing," Anne said.

Unhearing, the woman collapsed on the ground and commenced a primitive baying. One of the warriors came and prodded her, conveying by sign language that the captives would soon be fed, but she was beyond caring of their intentions. Years younger than her, nevertheless Anne was impatient with the woman's obtuseness.

"We live only at their mercy, which you now test. Come, please. Get up now," Anne urged, but there was no help for her. The woman was lost inside her own horror as surely as if it were yet another conflagration. The warrior in charge of them looked in exasperation at Anne as if the two of them had somehow become conspirators, then quickly brought out a knife and in a single motion slit the woman's throat.

Anne turned away and began walking. She did not blame the woman for her weakness. She herself had promised that she would rather die than suffer capture, but when the moment came she found an unwillingness to give up her life so easily, despite the immediate dangers and afflictions. She prayed for rescue.

CHAPTER 2

VIRGINIA, 1863

That morning Custer used the lull after battle to cross enemy lines, handed off from a Union picket to a Confederate second lieutenant, who promised to get him safely to his destination. It was risky, madness really. If not taken prisoner, he would be skinned alive by McClellan if found out, but a gentleman's word was his honor. He treasured his. Besides, it was a thrill to change out of his Union blue for the Rebel gray, even donning the wide-brimmed hat. If things had been slightly different, the Confederacy might have been the side he fought for.

They skirted camps, Custer listening, looking for a glimpse of his old roommates, especially Rosser.

Only a scant two years ago at West Point, Rosser had slapped down his plate at dining hall. It being Washington's birthday, they had been rewarded with an extra dessert and entertainment by the marching band. The cadets shouted over one another, the Southerners vowed to resign to join the forming Confederate forces. There was talk of secession, but no one believed it would lead to war.

Rosser looked fondly over at Custer and grabbed his hand.

— We're going to have a war. There's no use talking. I see it coming.

— Then I'll fight alongside you.

Rosser pursed his mouth as if he were testing something gone bad.

— No, my friend. You belong to the North, whether you like it or not.

It felt like a rebuke, and Custer swallowed hard to hide his disappointment.

— I suppose.

— One day soon, we will face each other in battle, Rosser said, his eyes filled with a perverse joy.

— That would be the darkest day for me. I would be so sorrowful to defeat you.

With that, Custer banged his hand on the table and ran out to the parade ground, Rosser in hot pursuit.

When the flag had been lowered, the band struck up "The Star-Spangled Banner," and Custer led a cheer that the cadets took up. Rosser jumped up on a bench and led "Dixie" to a small but loud subset of men. The moment their cheers went up, Custer jumped on a low wall and led another round of "The Star-Spangled Banner." Back and forth it went, everyone in high spirits.

Leaving barracks at dawn, Custer failed to notice the effigy of Lincoln that hung outside until he almost ran into its dangling feet. He had a country boy's respect for those in power, especially a president, and he found such an act reprehensible. Of course his Southern brethren were the culprits. Nonetheless, to avoid their being punished, he cut it down before any staff noticed and demanded the perpetrators' dismissal.

(Continues…)

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Excerpted from "The Removes"
by .
Copyright © 2018 Tatjana Soli.
Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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