Five outstanding narrators capture the beauty and despair of this haunting novel about a Cherokee family that is reckoning with the murder of their teenage son and brother. In the week before the anniversary of his death, Maria, portrayed by DeLanna Studi, tries to hold her family together. Her two adult children, Sonja (Katie Rich) and Edgar (Shaun Taylor-Corbett) wrestle with their own demons. Each narrator brings their character to life. Maria's voice is tired but warm. Edgar sounds frenzied and unmoored. Sonja's sections brim with steely determination. Tying it all together is the deep, assured voice of a Cherokee elder, portrayed by Gary Farmer, whose tales link the family to their past. This powerful intergenerational story carries many interlocking stories within it—tales of ancestors, ghosts, history, legend, memory, and the land itself. L.S. © AudioFile 2021, Portland, Maine
The Removed: A Novel
Narrated by Gary Farmer, Shaun Taylor-Corbett, DeLanna Studi, Katie Rich, Christopher Salazar
Brandon HobsonUnabridged — 7 hours, 6 minutes
The Removed: A Novel
Narrated by Gary Farmer, Shaun Taylor-Corbett, DeLanna Studi, Katie Rich, Christopher Salazar
Brandon HobsonUnabridged — 7 hours, 6 minutes
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Overview
“A haunted work, full of voices old and new. It is about a family's reckoning with loss and injustice, and it is about a people trying for the same. The journey of this family's way home is full-in equal measure-of melancholy and love.” -Tommy Orange, author of There There
A RECOMMENDED BOOK FROM
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Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago-from National Book Award finalist Brandon Hobson
In the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer's in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation.
With the family's annual bonfire approaching-an occasion marking both the Cherokee National Holiday and Ray-Ray's death, and a rare moment in which they openly talk about his memory-Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. Maria and Ernest take in a foster child who seems to almost miraculously keep Ernest's mental fog at bay. Sonja becomes dangerously fixated on a man named Vin, despite-or perhaps because of-his ties to tragedy in her lifetime and lifetimes before. And in the wake of a suicide attempt, Edgar finds himself in the mysterious Darkening Land: a place between the living and the dead, where old atrocities echo.
Drawing deeply on Cherokee folklore, The Removed seamlessly blends the real and spiritual to excavate the deep reverberations of trauma-a meditation on family, grief, home, and the power of stories on both a personal and ancestral level.
“The Removed is a marvel. With a few sly gestures, a humble array of piercingly real characters and an apparently effortless swing into the dire dreamlife, Brandon Hobson delivers an act of regeneration and solace. You won't forget it.” -Jonathan Lethem, author of The Feral Detective
Editorial Reviews
★ 10/19/2020
National Book Award–finalist Hobson (Where the Dead Sit Talking) depicts a Cherokee family’s grief and resilience 15 years after a police officer unjustly kills one of the family’s three children in Quah, Okla. Maria Echota, a retired social worker in her 70s, battles depression and watches as her adult children struggle and her husband, Ernest, develops Alzheimer’s. Their oldest, 31-year-old Sonja, works at Quah’s public library, and they fear she’s taken an unhealthy fixation on Vin Hoff, a younger white man. Edgar, the youngest, lives in Albuquerque and is addicted to meth. The family’s plan to reunite for an annual bonfire to celebrate Cherokee independence in Quah—an event always shaped for them by memories of Ray Ray, who was killed the same day at 15 after a cop wrongly believed Ray Ray had shot a gun—are complicated when Edgar won’t answer the phone. Instead, he’s taken a train to the mysterious Darkening Land, where the spirits of David Foster Wallace and Jimi Hendrix appear, leaving the reader to wonder if Edgar has died as well. There’s hope, though, as Maria and Ernest’s foster child, Wyatt, stimulates Ernest’s decaying mind, reminding him of Ray-Ray—and Sonja’s obsession with Vin turns out to be part of a wonderfully twisted plan to heal her grief. The alternating first-person narration is punctuated by the powerful voice of Tsala, a family ancestor who died before he was forced onto the Trail of Tears. Hobson is a master storyteller and illustrates in gently poetic prose how for many Native Americans the line between this world and the next isn’t so sharp. This will stay long in readers’ minds. (Feb.)
Extraordinary…. Pulling out all the stops, [Hobson’s] carved a striking new benchmark for fiction about Native Americans.” — Los Angeles Times
“[A] mythic, sweeping novel.” — New York Times Book Review
“Deeply resonant and profound, and not only because of its exquisite lyricism. It's also a hard and visceral entrance into our own reckoning as a society and civic culture with losses we created, injustices we allowed, and family separations we ignored…. The Removed is powerful storytelling.” — NPR
“A subtle, powerful novel that connects the Echotas’ immediate struggles with loss and memory to a wider swath of Cherokee history, from the Trail of Tears to the present. It’s a surprisingly magnetic and eerie book, like a concrete brick that cracks open to reveal a sparkling geode, throwing off a strange light.” — USA Today
“A funny, sensual, realistic, thoughtful, horrific, and ultimately truthful account of the ongoing scourge of racism in American life…. Intelligent and compassionate.” — LA Review of Books
"Blurring the boundaries between the tangible and the spiritual, Brandon Hobson’s latest novel draws on Cherokee folklore to offer a moving meditation on family, home, and ancestral trauma." — Harper’s Bazaar
"A soul-stirring saga... very much about the power of storytelling, how telling tales—true or otherwise—can be bittersweet but a necessary balm." — O, the Oprah Magazine
“Spirituality is woven into the story like a soft thread of silk, binding the everyday lives of the characters with otherworldly warnings and messages of strength…. This gut-wrenching tale of broken hearts and shattered dreams spotlights the devastation caused by ongoing racism in our country, while also providing a ray of hope on the distant horizon.” — Washington Independent Review of Books
“Though rooted in—and inseparable from—the Cherokee culture, the book is also a complex, inventive and thoughtfully universal tale of love and longing.” — Bookreporter.com
"Stunning.... Hobson uses Cherokee folklore to great effect in this profound, powerful look at the ways in which trauma — both recent and generational — infuses every aspect of our lives, but that it is possible to heal, to recover without ever forgetting what happened and what is still owed in order to reach a place of true understanding." — Refinery 29
“Splendid…. Hobson, a National Book Award finalist for his novel Where the Dead Sit Talking, weaves strands of the past and present so skillfully that events that would be improbable in the hands of another author are inevitable in The Removed. More than anything, in the case of the beleaguered Echota family, Hobson understands William Faulkner’s adage, ‘The past is never dead. It’s not even past.’” — BookPage
"If we tell ourselves stories to expand our worldview, then modern literature is one of society’s most powerful tools.... Rich in Cherokee folklore." — San Francisco Chronicle
“Hobson uses magical realism to deftly draw a line connecting the historical atrocities committed against Indigenous people to how this violence is manifested today, while also challenging us to consider the power of grief, love and family in the face of immeasurable loss.” — Time
“If you’re looking for a powerful read that explores the generational impacts of trauma, The Removed is the book for you…. Hobson’s tale will leave readers wiser in many ways.” — New York Journal of Books
"A disconnected web of tragedies—loss, loneliness, dementia, and drugs—draw together a disparate Cherokee family in this powerful novel that blurs the lines between spiritual and earthly. Pulling from centuries-old Cherokee folklore to ground this present-day tale, Brandon Hobson has built a grave and unforgettable legend." — Elle
“A beautiful, elegiac narrative that seamlessly blends the real and supernatural…. [A] wondrous, deeply felt book.” — Minneapolis Star Tribune
Deeply resonant and profound, and not only because of its exquisite lyricism. It's also a hard and visceral entrance into our own reckoning as a society and civic culture with losses we created, injustices we allowed, and family separations we ignored…. The Removed is powerful storytelling.
A funny, sensual, realistic, thoughtful, horrific, and ultimately truthful account of the ongoing scourge of racism in American life…. Intelligent and compassionate.
"A soul-stirring saga... very much about the power of storytelling, how telling tales—true or otherwise—can be bittersweet but a necessary balm."
[A] mythic, sweeping novel.”
"Blurring the boundaries between the tangible and the spiritual, Brandon Hobson’s latest novel draws on Cherokee folklore to offer a moving meditation on family, home, and ancestral trauma."
A subtle, powerful novel that connects the Echotas’ immediate struggles with loss and memory to a wider swath of Cherokee history, from the Trail of Tears to the present. It’s a surprisingly magnetic and eerie book, like a concrete brick that cracks open to reveal a sparkling geode, throwing off a strange light.
Extraordinary…. Pulling out all the stops, [Hobson’s] carved a striking new benchmark for fiction about Native Americans.
Though rooted in—and inseparable from—the Cherokee culture, the book is also a complex, inventive and thoughtfully universal tale of love and longing.”
Spirituality is woven into the story like a soft thread of silk, binding the everyday lives of the characters with otherworldly warnings and messages of strength…. This gut-wrenching tale of broken hearts and shattered dreams spotlights the devastation caused by ongoing racism in our country, while also providing a ray of hope on the distant horizon.”
"Stunning.... Hobson uses Cherokee folklore to great effect in this profound, powerful look at the ways in which trauma — both recent and generational — infuses every aspect of our lives, but that it is possible to heal, to recover without ever forgetting what happened and what is still owed in order to reach a place of true understanding."
A subtle, powerful novel that connects the Echotas’ immediate struggles with loss and memory to a wider swath of Cherokee history, from the Trail of Tears to the present. It’s a surprisingly magnetic and eerie book, like a concrete brick that cracks open to reveal a sparkling geode, throwing off a strange light.
Extraordinary…. Pulling out all the stops, [Hobson’s] carved a striking new benchmark for fiction about Native Americans.
If you’re looking for a powerful read that explores the generational impacts of trauma, The Removed is the book for you…. Hobson’s tale will leave readers wiser in many ways.
A beautiful, elegiac narrative that seamlessly blends the real and supernatural…. [A] wondrous, deeply felt book.
"A disconnected web of tragedies—loss, loneliness, dementia, and drugs—draw together a disparate Cherokee family in this powerful novel that blurs the lines between spiritual and earthly. Pulling from centuries-old Cherokee folklore to ground this present-day tale, Brandon Hobson has built a grave and unforgettable legend."
Splendid…. Hobson, a National Book Award finalist for his novel Where the Dead Sit Talking, weaves strands of the past and present so skillfully that events that would be improbable in the hands of another author are inevitable in The Removed. More than anything, in the case of the beleaguered Echota family, Hobson understands William Faulkner’s adage, ‘The past is never dead. It’s not even past.’
"If we tell ourselves stories to expand our worldview, then modern literature is one of society’s most powerful tools.... Rich in Cherokee folklore."
"If we tell ourselves stories to expand our worldview, then modern literature is one of society’s most powerful tools.... Rich in Cherokee folklore."
"You’ll be sucked right in, and you won’t be able to put it down."
"Hobson’s last novel...was a finalist for the National Book Award, and I’ll eat my pajamas if his new novel — which is also set in Oklahoma and deepens Hobson’s themes of displacement and violence — doesn’t get a nom too."
An insightful and compassionate novel…. [Hobson] blends everyday life with history and traditional stories in a dark but gorgeous cascade of echoes…. A raw and hopeful tale of tragedy and grace, The Removed invites multiple re-readings to appreciate fully Hobson's many interconnected threads and to absorb its message of regrowth in the face of unspeakable sorrow.
"For characters who stay with you long after the final chapter, The Removed is a look at the struggles, fears and hopes of one Cherokee family and their ancestors."
"Drawing from Cherokee folklore, Hobson mines the lasting effects of trauma and grief, showcasing the quietly divergent paths of each family member—one struggling to manage a husband’s Alzheimers, another filling solitude with romantic fancies, and the other slipping into addiction. Here, we are witnesses to mourning. Here, we sit with the power and strength of personal and ancestral stories."
The Removed is a marvel. With a few sly gestures, a humble array of piercingly real characters and an apparently effortless swing into the dire dreamlife, Brandon Hobson delivers an act of regeneration and solace. You won’t forget it.”
There are many stories in The Removed, a mystical, deep, and compassionate novel that explores how the intimate lives of a family are shaped by powerful ancestral legacies. The traumas of the past, both personal and historical, are forever with us, but—and here is the miraculous heart of this novel—people can still abide, resist, and even recover. Every character in The Removed seems to contain an intricate, particular, fully realized world. A quietly dazzling and haunting achievement.”
Brandon Hobson has given us a haunted work, full of voices old and new. It is about a family’s reckoning with loss and injustice, and it is about a people trying for the same. The journey of this family’s way home is full—in equal measure—of melancholy and love. The Removed is spirited, droll, and as quietly devastating as rain lifting from earth to sky.
"With elegiac grace, The Removed tells of one family’s struggles to find wholeness after tragedy."
Astonishing. This moving and affecting novel tells the story of a Native family in crisis, each person dealing with the aftereffects of grief and trauma following the murder of a beloved son. But this is a book of hope and healing, a remarkable tale of resilience in the face of unimaginable pain. Written with lyrical and evocative prose and a deep reverence for Cherokee culture and tradition, The Removed is an important contribution to indigenous fiction and American literature.
★ 12/01/2020
Hobson follows up his National Book Award finalist Where the Dead Sit Talking with a multilayered, emotionally radiant second novel featuring the Echota family 15 years after the death of teenage son Ray-Ray, killed by a gun-ready police officer in an incident at the mall. His struggling mother, Maria; her Alzheimer's-afflicted husband, Ernest; and their remaining children—obsessive daughter Sonja and drug-addicted Edgar—approach the anniversary of Ray-Ray's death with an increasing sense of his presence and more broadly that of a mostly beneficent Spirit World. As effectively depicted in flashback, Ray-Ray was a remarkable young man, and his spirit is manifested by or through foster child Wyatt, who stays briefly with Maria and Ernest and proves singularly capable of lightening their emotional burdens. Meanwhile, Sonja engages in some risky dating behavior but with an ultimately arresting purpose, and she joins her parents in wishing that Edgar would return home for their annual commemoration of Ray-Ray on the anniversary of his death, which falls on the Cherokee National Holiday. But to return home, semi-estranged Edgar must pass through the mythical Darkening Land. VERDICT Hobson uses Cherokee tradition and the Echotas' story to amplify each other, blending past and present in a narrative of blistering loss and final healing. Highly recommended.—Barbara Hoffert, Library Journal
Five outstanding narrators capture the beauty and despair of this haunting novel about a Cherokee family that is reckoning with the murder of their teenage son and brother. In the week before the anniversary of his death, Maria, portrayed by DeLanna Studi, tries to hold her family together. Her two adult children, Sonja (Katie Rich) and Edgar (Shaun Taylor-Corbett) wrestle with their own demons. Each narrator brings their character to life. Maria's voice is tired but warm. Edgar sounds frenzied and unmoored. Sonja's sections brim with steely determination. Tying it all together is the deep, assured voice of a Cherokee elder, portrayed by Gary Farmer, whose tales link the family to their past. This powerful intergenerational story carries many interlocking stories within it—tales of ancestors, ghosts, history, legend, memory, and the land itself. L.S. © AudioFile 2021, Portland, Maine
★ 2020-11-27
Signs and wonders animate a Cherokee tale of family and community abiding through trauma.
Stories are “like medicine, but without the bad taste,” says Wyatt, a 12-year-old Cherokee boy in foster care who is preternaturally gifted in telling them. He spins mesmerizing, ambiguous fables about snakes and birds and an underworld, called the Darkening Land, for children at a shelter in rural Oklahoma. Wyatt, whose father is in jail and mother is in the wind, is spending a few days with Maria and Ernest Echota, the only Cherokee placement available. Fifteen years earlier, a White policeman shot and killed the couple’s middle child, Ray-Ray, outside a mall. Now Wyatt’s quirks and buoyant impersonations startle the Echotas by echoing those of Ray-Ray. More remarkably, the presence of this child appears to draw Ernest back from the fog of Alzheimer’s. Maria, her surviving son, Edgar, and daughter, Sonja, all take turns narrating. So does Tsala, a mysterious figure who declares, “We are speakers of the dead, the drifters and messengers….We are always restless, carrying the dreams of children and the elderly, the tired and sick, the poor, the wounded. The removed.” The talented Hobson conjures both the Trail of Tears and family fracturing, as he did in Where the Dead Sit Talking (2018), a finalist for the National Book Award. The traumas of forced removal and Ray-Ray’s killing twine in Maria’s depression, Edgar’s meth use, and Sonja’s drifting detachment. “I used to stare out the window, envying trees,” she says. “This became a regular pattern of thought for me...that I stared at a tree outside and envied its anonymity, its beauty and silence....A tree could stand over a hundred years and remain authentic.” Edgar, in his own Darkening Land, fights a treacherous fellow named Jackson Andrews, an evocation of Andrew Jackson. Each of the Echotas gropes toward their annual family bonfire commemorating Ray-Ray on the Cherokee National Holiday. Spare, strange, bird-haunted, and mediated by grief, the novel defies its own bleakness as its calls forth a delicate and monumental endurance.
A slim yet wise novel boils profound questions down to its final word: "Home."
Product Details
| BN ID: | 2940173328816 |
|---|---|
| Publisher: | HarperCollins |
| Publication date: | 02/02/2021 |
| Edition description: | Unabridged |
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