"I've been reading fantasy my whole life. After all these years, it's a delight to read something so different, so wonderful and strange."—Patrick Rothfuss The Raven Tower, but its strange dark brilliance could only have come from Ann Leckie."—Lev Grossman Publishers Weekly (starred review) New York Times Book Review St. Louis Post-Dispatch Kirkus (starred review) The Raven Tower spins out its mysteries before gleefully setting fire to them in the last few pages."—NPR The Raven Tower are as rich as any we encountered in Imperial Radch space-but it is the mode of narration that truly distinguishes her first novel-length foray into fantasy. Much like Hamlet, from which The Raven Tower draws clear inspiration, Leckie's is a story filled with complicated, very human people, as well as the forces that move around them, guiding them ever so slightly toward choices both good and bad."—B&N SciFi & Fantasy Blog The Raven Tower is an enormously compelling novel. It may draw inspiration from Hamlet, but...it reweaves the fabric of Shakespeare's play into cloth of a different color entirely. Leckie's worldbuilding is deep and thorough, showing us the edges of a broad, rich, complicated world, and her characters are fascinating."—Tor.com Booklist (starred review) Ancillary Justice ."Bustle Ancillary Justice is a knotted rope that slowly comes unteased until it all unravels, satisfyingly and compellingly, at the end."—Slate The Raven Tower is a unique, intricate fantasy set in a fascinating world of gods who are at once formidable and vulnerable. Original and powerful — I loved it. Highly recommended for fans of N. K. Jemisin or Guy Gavriel Kay."—Django Wexler The Raven Tower is an incredible fantasy, told by one of the most unique voices I've had the privilege of reading."—S. A. Chakraborty Seth Dickinson
…absolutely wonderful. Narrated by a god addressing a young trans man named Eolo, it reminded me of nothing so much as Hamlet —if Hamlet were told from the point of view of Elsinore Castle addressing itself to a Horatio who mostly couldn't hear it…The god's voice is mesmerizing, tender and careful, full of admiration for Eolo. The slow reveals of their similarities and the god's basis for interest…are delicious and satisfying…The Raven Tower is also that rarest of creatures, a stand-alone fantasy novel that's relatively short; while I could have gone on reading the Hill's voice, or experiencing more of Eolo's perspective, for ages, it ended exactly where it needed to. In some ways the book has the affect of an elegant short story overlying the complications and concerns of a novel…
The New York Times Book Review - Amal El-Mohtar
★ 11/12/2018Provenance ), the best-laid plans of gods and mortals collide, throwing a nation into turmoil and setting the stage for a divine conflict that’s been brewing for centuries. The tale spins out in past and present, narrated by the rockbound god known as the Strength and Patience of the Hill. The god is speaking to Eolo, a transgender warrior in service to Mawat, a young noble whose uncle has usurped his rightful role as ruler of Iraden. As the god recounts its ancient history (the narrative is told in second person, a technical challenge that Leckie surmounts with aplomb), it also relates Eolo’s attempts to determine what happened to Mawat’s supposedly vanished father and how this connects to their patron god, the Raven, whose power seems on the wane. With foreign gods taking an active interest in the kingdom, political intrigue brewing, and Mawat taking ever-bolder actions, Eolo must uncover Iraden’s greatest secret. Through this unorthodox approach to the relationships between gods and their followers, Leckie’s tale takes on a mythic, metafictional quality; the Strength and Eolo truly inhabit their roles, and the story’s elements weave into a stunning conclusion. This impressive piece of craftsmanship cements Leckie’s place as a powerful voice in both SF and fantasy. Agent: Seth Fishman, Gernert Co. (Feb.)
Narrator Adjoa Andoh lends diverse accents and impressive power to this compelling fantasy from the author of space operas. Andoh portrays an ancient god, called the Strength and Patience of the Hill, with a subtle accent and a tone of growing curiosity as it describes changes over millennia. The god also addresses a certain aide, Eolo, using the second person to describe Eolo’s role in current political intrigue surrounding a stolen throne. The Raven God demands the sacrifice of the Lease, or the ruler, every generation in exchange for protecting the country of Iraden. When the Lease goes missing, Eolo needs to figure out why in order to protect the rightful heir. Andoh’s skill with a dynamic range of voices will propel listeners through the tales of powerful gods, complex political machinations, and revenge. E.E.C. Winner of AudioFile Earphones Award, 2019 Best Audiobook © AudioFile 2019, Portland, Maine
FEBRUARY 2019 - AudioFile
Narrator Adjoa Andoh lends diverse accents and impressive power to this compelling fantasy from the author of space operas. Andoh portrays an ancient god, called the Strength and Patience of the Hill, with a subtle accent and a tone of growing curiosity as it describes changes over millennia. The god also addresses a certain aide, Eolo, using the second person to describe Eolo’s role in current political intrigue surrounding a stolen throne. The Raven God demands the sacrifice of the Lease, or the ruler, every generation in exchange for protecting the country of Iraden. When the Lease goes missing, Eolo needs to figure out why in order to protect the rightful heir. Andoh’s skill with a dynamic range of voices will propel listeners through the tales of powerful gods, complex political machinations, and revenge. E.E.C. Winner of AudioFile Earphones Award, 2019 Best Audiobook © AudioFile 2019, Portland, Maine
FEBRUARY 2019 - AudioFile
★ 2018-11-13
The author of four award-winning and critically acclaimed space operas (Provenance , 2017, etc.) aims her philosophical musings about politics, power, and revenge at a new subgenre: epic fantasy.
The land of Iraden is apparently the territory of two gods: the god of the Silent Forest, who protects the country and offers occasional advice to his chief votary, the Mother of the Silent; and the Raven, who speaks through a living bird known as the Instrument. Advised by a council of lords and the Mother of the Silent, the ruler of the land, known as the Raven's Lease, gains power and authority from the Raven through his oath to sacrifice his own life when the Instrument dies. In a plot that borrows from, but does not lean too heavily on, Hamlet , the Lease's Heir, the warrior Mawat, returns from battle with his faithful aide, Eolo, to discover the previous Instrument dead, his father missing, and his uncle Hibal seated on the Lease's bench. The Strength and Patience of the Hill, a third god embodied as a large stone, recounts the treacherous game of politics that plays out while also telling its own millennialong history, which gradually sheds light on the divine motivations that drive the human plots. The story's voice is a curious but compelling mix of first and second person, the god using its relative omniscience to narrate, explain, and direct action toward Eolo, who actually cannot hear the god most of the time. It is a common fantasy trope to suggest gods gain strength through faith and worshipers and that they can employ that strength to bend reality. But few authors have really explored all the implications of what happens when multiple beings with that power come into conflict. There is so much story and careful thought packed into this short volume that it should correct anyone who believes a fully realized fantasy novel requires a minimum of 500 pages.
Sharp, many layered, and, as always for Leckie, deeply intelligent.
