The Printed Voice of Victorian Poetry
The Printed Voice of Victorian Poetry starts from a simple fact: our written language does not represent the way we speak. Intonation, accent, tempo, and pitch of utterance can be inferred from a written text but they are not clearly demonstrated there. The book shows the implications of this fact for linguists and philosophers of language and offers fundamental criticisms of some recent work in these fields. It aims principally to describe the ways in which nineteenth-century English poets–Tennyson, Browning, Hopkins–responded creatively to the ambiguities involved in writing down their own voices, the melodies of their speech. Original readings of the poets' work are given, both at a minutely detailed level and with regard to major preoccupations of the period–immortality, morbidity, marriage, social divisions, and religious conversions–and in this way Eric Griffiths offers a new map of Victorian poetry.
1000779470
The Printed Voice of Victorian Poetry
The Printed Voice of Victorian Poetry starts from a simple fact: our written language does not represent the way we speak. Intonation, accent, tempo, and pitch of utterance can be inferred from a written text but they are not clearly demonstrated there. The book shows the implications of this fact for linguists and philosophers of language and offers fundamental criticisms of some recent work in these fields. It aims principally to describe the ways in which nineteenth-century English poets–Tennyson, Browning, Hopkins–responded creatively to the ambiguities involved in writing down their own voices, the melodies of their speech. Original readings of the poets' work are given, both at a minutely detailed level and with regard to major preoccupations of the period–immortality, morbidity, marriage, social divisions, and religious conversions–and in this way Eric Griffiths offers a new map of Victorian poetry.
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The Printed Voice of Victorian Poetry

The Printed Voice of Victorian Poetry

by Eric Griffiths
The Printed Voice of Victorian Poetry

The Printed Voice of Victorian Poetry

by Eric Griffiths

Hardcover(2nd ed.)

$105.00 
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Overview

The Printed Voice of Victorian Poetry starts from a simple fact: our written language does not represent the way we speak. Intonation, accent, tempo, and pitch of utterance can be inferred from a written text but they are not clearly demonstrated there. The book shows the implications of this fact for linguists and philosophers of language and offers fundamental criticisms of some recent work in these fields. It aims principally to describe the ways in which nineteenth-century English poets–Tennyson, Browning, Hopkins–responded creatively to the ambiguities involved in writing down their own voices, the melodies of their speech. Original readings of the poets' work are given, both at a minutely detailed level and with regard to major preoccupations of the period–immortality, morbidity, marriage, social divisions, and religious conversions–and in this way Eric Griffiths offers a new map of Victorian poetry.

Product Details

ISBN-13: 9780198827016
Publisher: Oxford University Press
Publication date: 09/12/2018
Edition description: 2nd ed.
Pages: 368
Product dimensions: 5.90(w) x 8.70(h) x 1.10(d)

About the Author

Eric Griffiths, Fellow in English, Trinity College, Cambridge; Lecturer in English, University of Cambridge University

Eric Griffiths is Fellow in English at Trinity College, Cambridge and Lecturer in English at the University of Cambridge. He is the author of If Not Critical edited by Freya Johnston (OUP, 2018) and co-editor of Dante in English (Penguin, 2005).

Table of Contents

1. The Printed Voice2. Tennyson's Breath3. Companionable Forms4. Hopkins: The Perfection of HabitBibliography
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