The Princesses of Iowa

by M. Molly Backes

Overview

“A painful but enlightening journey of self-awareness. . . . Powerfully evoked.” — Publishers Weekly

What does it mean to do wrong when no one punishes you? In this arresting and witty debut, a girl who was once high-school royalty must face a truth that money and status can’t fix. She must choose between living the privileged life of a princess or owning up to her mistakes, thus giving up everything she once held dear. A smart and unflinching look at friendship, the nature of entitlement, and growing up in the heartland.

Product Details

ISBN-13:	9780763671617
Publisher:	Candlewick Press
Publication date:	08/05/2014
Edition description:	Reprint
Pages:	464
Product dimensions:	8.20(w) x 5.50(h) x 1.30(d)
Lexile:	HL800L (what's this?)
Age Range:	14 - 17 Years

About the Author

M. Molly Backes is an exciting new talent in the world of young adult novels. After graduating from Grinnell College in Iowa, she moved to New Mexico, where she taught middle school and got 150 of her students to write novels for National Novel Writing Month. She now lives in Chicago, where she works at StoryStudio, Chicago's center for writing and the related arts.

Editorial Reviews

A well-executed first novel... Backes addresses guilt, deceit, homophobia, loyalty, and the burden of keeping up appearances in a brutally believable high school setting as Paige recognizes the weaknesses of loved ones and her own imperfections.
—Publishers Weekly

In this debut novel, Backes takes Dead Poets Society and brings it into the age of Mean Girls. Her writing style is witty while still being relatable, and the themes of acceptance and identity will ring true to teens... Backes re-creates a world that most teens already live in, with the overarching message that anyone can become more than what others perceive them to be.
—School Library Journal

From the Publisher

Weightier than its title suggests, this well-executed first novel introduces three A-list high school seniors whose perfect lives are in disarray after a drunk-driving accident the previous spring, “After the first cracks that split into canyons between us, sending me spinning across the ocean, Nikki down the Crazy Diet Rabbit Hole, and Lacey into the Land of Crippled Martyrdom.” Narrator Paige is “exiled” to Paris to work as an au pair while her image-conscious mother does damage control. Upon Paige’s return, her friends are cold, distant, and resentful that she was able to escape for the summer. Although the girls put on a front of normalcy once school begins, underlying tensions threaten to undermine their relationship. With the help of a new writing teacher, Paige embarks on a painful but enlightening journey of self-awareness. The conflicts Paige faces and the changes she undergoes are powerfully evoked. Backes addresses guilt, deceit, homophobia, loyalty, and the burden of keeping up appearances in a brutally believable high school setting as Paige recognizes the weaknesses of loved ones and her own imperfections. Ages 14–up. Agent: Becca Stumpf, Prospect Agency. (May)

Publishers Weekly

In the wake of a drunk-driving accident, a girl destined to be homecoming queen finds herself wondering who she really is. Paige was hustled off to France for the summer by her parents to get over the shame. When she gets back to school in the fall, it's hard to fall back into sync with her best friends, also in the accident. Worse, her boyfriend, though he swears he still loves her and seems to like making out with her, is spending an awful lot of time with one of them. Paige is surprised to find that the best class of the day is creative writing, where she makes friends with a couple of kids on the fringe. Through writing exercises, she revisits the night of the accident and interrogates herself--and she doesn't always like what she learns. Paige's journey out of the Mean Girls IT group won't shock readers, but it unfolds with pleasingly realistic hesitations, as does her relationship with the new, uncool boy. Backes has more trouble with her secondary characters; while some feel very real, others never depart from stereotype. Subplots involving homophobic attacks on the writing teacher, Paige's difficult relationship with her social-climbing mother and an anti–drunk-driving campaign weave in and out with sometimes-faltering success, particularly the last. But the writing is fluid, Paige is a likably unreliable narrator and the high-school setting is believably sordid. A mostly solid, if a little too long, high-school drama. (Fiction. 14 & up)

Kirkus Reviews