The Princess and the Goblin

The Princess and the Goblin

The Princess and the Goblin

The Princess and the Goblin

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Overview

Full of exquisite moonlit scenes that play out like dreams and underground escapades descending into nightmare, this is a must-read for all fantasy aficionados and fans of Tolkien, Lewis, and RowlingEight-year-old Princess Irene lives a lonely life in a wild, desolate, mountainous kingdom, with only her nursemaid Lootie for company. She is protected from the outside world and oblivious to the existence of goblins, hideous creatures that live underground and only come out at night. One day, while out walking, Irene and Lootie get lost. As night falls, strange shadows creep out from under boulders and around corners, closing in on them. Terrified, they try to run but the goblins give chase. It is then they run into Curdie, the brave miner's son who knows how to scare the goblins away. He leads the pair to safety, back to the castle. While working late one night in the mines Curdie overhears the goblins' diabolical plan. The terrible goblin Queen plans to kidnap the princess and force her to marry her son, so humans will be forced to accept goblins as their rulers. Can they be stopped and the kingdom be saved before it is too late? Before the creation of Middle Earth or Narnia, George MacDonald was inventing wonderful kingdoms and populating them with magical creatures and enchanted beings, such as this unique, compelling fantasy.

Product Details

ISBN-13: 9781780942391
Publisher: Hesperus Press
Publication date: 04/01/2014
Sold by: Barnes & Noble
Format: eBook
Pages: 224
File size: 344 KB
Age Range: 9 - 12 Years

About the Author

About The Author
George MacDonald (1824–1905) was a Scottish author known particularly for his poignant fairy tales and fantasy novels. He inspired many authors, such as W.H. Auden, J. R. R. Tolkien, C. S. Lewis, E. Nesbit, and Madeleine L'Engle. Joseph Delaney is the author of The Last Apprentice series.

Read an Excerpt

The Princess and
The Goblin

Chapter One

Why The Princess Has A Story About Her

There was once a little princess who —

"But, Mr. Author, why do you always write about princesses.

"Because every little girl is a princess."

"You will make them vain if you tell them that."

"Not if they understand what I mean."

"Then what do you mean?"

"What do you mean by a princess?"'

"The daughter of a king."

"Very well, then every little girl is a princess, and there would be no need to say anything about it, except that she is always in danger of forgetting her rank, and behaving as if she had grown out of the mud. I have seen little princesses behave like the children of thieves and lying beggars, and that is why they need to be told they are princesses. And that is why, when I tell a story of this kind, I like to tell it about a princess. Then I can say better what I mean, because I can then give her every beautiful thing I want her to have."

"Please go on."

There was once a little princess whose father was king over a great country full of mountains and valleys. His palace was built upon one of the mountains, and was very grand and beautiful. The princess, whose Dame was Irene, was born there, but she was sent soon after her birth, because her mother was not very strong, to be brought up by country people in a large house, half castle, half farm-house, on the side of another mountain, about halfway between its base and its peak.

The princess was a sweet little creature, and at the time my story begins was about eight years old, Ithink, but she got older very fast. Her face was fair and pretty, with eyes like two bits of night-sky, each with a star dissolved in the blue. Those eyes you would have thought must have known they came from there, so often were they turned up in that direction. The ceiling of her nursery was blue, with stars in it, as like the sky as they could make it. But I doubt if ever she saw the real sky with the stars in it, for a reason which I had better mention at once.

These mountains were full of hollow places underneath; huge caverns, and winding ways, some with water running through them, and some shining with all colors of the rainbow when a light was taken in. There would not have been much known about them, had there not been mines there, great deep pits, with long galleries and passages running off from them, which had been dug to get at the ore of which the mountains were full. In the course of digging, the miners came upon many of these natural caverns. A few of them had far-off openings out on the side of a mountain, or into a ravine.

Now in these subterranean caverns lived a strange race of beings, called by some gnomes, by some kobolds, by some goblins. There was a legend current in the country that at one time they lived above ground, and were very like other people. But for some reason or other, concerning which there were different legendary theories, the king had laid what they thought too severe taxes upon them, or had required observances of them they did not like, or had begun to treat them with more severity in some way or other, and impose stricter laws; and the consequence was that they had all disappeared from the face of the country. According to the legend, however, instead of going to some other country, they had all taken refuge in the subterranean caverns, whence they never came out but at night, and then seldom showed themselves in any numbers, and never to many people at once. It was only in the least frequented and most difficult parts of the mountains that they were said to gather even at night in the open air. Those who had caught sight of any of them said that they had greatly altered in the course of generations; and no wonder, seeing they lived away from the sun, in cold and wet and dark places. They were now, not ordinarily ugly, but either absolutely hideous, or ludicrously grotesque both in face and form. There was no invention, they said, of the most lawless imagination expressed by pen or pencil, that could surpass the extravagance of their appearance. And as they grew mis-shapen in body, they had grown in knowledge and clevernesss, and now were able to do things no mortal could see the possibility of. But as they grew in cunning, they grew in mischief, and their great delight was in every way they could think of to annoy the people who lived in the open-air-story above them. They had enough of affection left for each other, to preserve them from being absolutely cruel for cruelty's sake to those that came in their way; but still they so heartily cherished the ancestral grudge against those who occupied their former possession, and especially against the descendants of the king who had caused their expulsion, that they sought every opportunity of tormenting them in ways that were as odd as their inventors; and although dwarfed and mis-shapen, they had strength equal to their cunning. In the process of time they had got a king, and a government of their own, whose chief business, beyond their own simple affairs., was to devise trouble for their neighbors. It will now be pretty evident why the little princess had never seen the sky at night. They were much too afraid of the goblins to let her out of the house then, even in company with ever so many attendants; and they had good reason, as we shall see by-and-by.

Table of Contents

Contents

title page,
foreword,
chapter one: why the princess has a story about her,
chapter two: the princess loses herself,
chapter three: the princess and – we shall see who,
chapter four: what the nurse thought of it,
chapter five: the princess lets well alone,
chapter six: the little miner,
chapter seven: the mines,
chapter eight: the goblins,
chapter nine: the hall of the goblin palace,
chapter ten: the princess's king-papa,
chapter eleven: the old lady's bedroom,
chapter twelve: a short chapter about curdie,
chapter thirteen: the cobs' creatures,
chapter fourteen: that night week,
chapter fifteen: woven and then spun,
chapter sixteen: the ring,
chapter seventeen: springtime,
chapter eighteen: curdie's clue,
chapter nineteen: goblin counsels,
chapter twenty: irene's clue,
chapter twenty-one: the escape,
chapter twenty-two: the old lady and curdie,
chapter twenty-three: curdie and his mother,
chapter twenty-four: irene behaves like a princess,
chapter twenty-five: curdie comes to grief,
chapter twenty-six: the goblin-miners,
chapter twenty-seven: the goblins in the king's house,
chapter twenty-eight: curdie's guide,
chapter twenty-nine: masonwork,
chapter thirty: the king and the kiss,
chapter thirty-one: the subterranean waters,
chapter thirty-two: the last chapter,
biographical note,
copyright,

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