The Poetry of the Americas: From Good Neighbors to Countercultures

by Harris Feinsod

Overview

The Poetry of the Americas offers a lively and detailed history of relations among poets in the US and Latin America, spanning three decades from the Good Neighbor diplomacy of World War II through the Cold War cultural policies of the late 1960s. Connecting works by Martín Adán, Elizabeth Bishop, Paul Blackburn, Jorge Luis Borges, Julia de Burgos, Ernesto Cardenal, Jorge Carrera Andrade, Allen Ginsberg, Langston Hughes, José Lezama Lima, Pablo Neruda, Charles Olson, Octavio Paz, Heberto Padilla, Wallace Stevens, Derek Walcott, William Carlos Williams, and many others, Feinsod reveals how poets of many nations imagined a "poetry of the Americas" that linked multiple cultures, even as it reflected the inequities of the inter-American political system. This account offers a rich contextual study of the state-sponsored institutions and the countercultural networks that sustained this poetry, from Nelson Rockefeller's Office of the Coordinator for Inter-American Affairs to the mid-1960s avant-garde scene in Mexico City. This innovative literary-historical project enables new readings of such canonical poems as Stevens's "Notes Toward a Supreme Fiction" and Neruda's "The Heights of Macchu Picchu," but it positions these alongside lesser known poetry, translations, anthologies, literary journals and private correspondences culled from library archives across the Americas. The Poetry of the Americas thus broadens the horizons of reception and mutual influence--and of formal, historical, and political possibility--through which we encounter midcentury American poetry, recasting traditional categories of "U.S." or "Latin American" literature within a truly hemispheric vision.

Product Details

ISBN-13:	9780190682026
Publisher:	Oxford University Press
Publication date:	09/08/2017
Series:	Modernist Literature and Culture
Sold by:	Barnes & Noble
Format:	eBook
Pages:	368
File size:	9 MB

About the Author

Harris Feinsod is Assistant Professor of English and Comparative Literature at Northwestern University.

Table of Contents

Foreword Acknowledgments Abbreviations List of Illustrations A Note on the Text Introduction Hazarding the Poetry of the Americas The Poetry of the Americas: A Genealogy Integrationist Literary History Cultural Diplomacy from Good Neighbors to Countercultures Six Chapters in the Poetry of the Americas 1. Hemispheric Solidarities: Wartime Poetry and the Limits of the Good Neighbor The Office of the Coordinators of Inter-American Poetry Bridging the Hemisphere: Carrera Andrade's Hart Crane Minority Islands: Hughes, Frank, de Moraes, and the Poem of Racial Democracy Between Dissidence and Diplomacy: Neruda, Bishop, Burgos William Carlos Williams and the Ardor of Puerto Rico Lysander Kemp and the Gunboat Good Neighbor 2. A Xenoglossary for the Americas Foreign Words and Bloc Politics Steven's Lingua Franca et Jocundissima Post-Symbolists Lezama's Citations Borges and the Dawn of English 3. The Ruins of Inter-Americanism Privileged Observatories: A Midcentury Culture of Pre-Columbian Ruins Dead Mouths: Neruda at Machu Picchu Repossessed Dynamics: Olson and Barlow Among Stones Mechano Hells and Mayan Isms: Ginsberg, Lamantia, Cardenal Hidden Doors: Ferlinghetti and Adán at Machu Picchu 4. The New Inter-American Poetry Beats and Barbudos Blackburn, Cortázar and all the Village Cronopios The True Pan-American Union: Margaret Randall and El Corno Emplumado Transnational Martyrology: Heraud, Quena, Eshleman Neruda, Deep Image, and the Politics of Translation Manhattan Poems beyond the New York School 5. Questions of Anticommunism: Hemispheric Lyric in the 1960s Bishop's First Anticommunist Shudder Lowell's Imperial Phantasmagoria Walcott in the Gulf Padilla in Difficult Times Stations in the Gulf 6. Renga and Heteronymy: Cosmopolitan Poetics after 1967 Go Home, Octavio Paz! La Renga de Occidente Heteronyms and Literary History Notes Index

Editorial Reviews

"this study not only deepens our understanding of poetry scholarship and Literary History, but also may help reform the way Literary History is taught. This will entail applying Feinsod's insights in innovative anthologies and in courses and seminars that allow students to immerse themselves in the work of a single author, allowing one to focus also on the hemispheric dimensions of their work." — Philipp Reisner, Amerikastudien

"Its poetic interpretations are forensic and fearless, formally sophisticated and yet politically acute. And the book is sustained by extensive archival research into the collections of poets and translators and bureaucrats. The range of poetry considered is impressively wide..." — Peter Hulme, University of Essex, New West Indian Guide

"[An] excellent, felicitously written exploration of two generations of poets in the United States and Spanish-speaking America... The trans-national story Feinsod tells of poetry as a practice for social reimagination shows the difficulty of such a dramatic and extensive transformation, but also visions of a life radically different from the present shimmering unexpectedly into view." — Richard Cándida Smith, Society for U.S. Intellectual History

"this book is a treasure-trove ... a series of crisp, new interpretations." — Stephen M Hart, Modern Language Notes

"These days few critical monographs compel me to read them cover to cover. In most cases I do not make it much past the introduction. Harris Feinsod's first book is among the rare exceptions that I read and reread with genuine delight. Why? Because this book offers unexpected ways of thinking about poetic form in the work of writers from Argentina, Brazil, Chile, Cuba, Guyana, Mexico, Nicaragua, Puerto Rico, St. Lucia, and the United States, and it does so in lucid, graceful prose. What I find most attractive is Feinsod's focus on poetic forms as 'expression[s] of geopolitical desire,'vision[s] of an alternative world order,' and 'manifestations of a network of writers and institutions'that stand behind them" — Vera Kutzinski, Modern Language Quarterly

"Articulating the far-flung hemispheric coordinates of the poetry of the Americas has, until Harris Feinsod's highly anticipated book, proved too challenging. ...[In] his exceptional literary history... some of the his archival finds are indeed world-reshaping, for the poetry world, but also for cultural histories of World War II, the Cold War, and the Sixties... The Poetry of the Americas has a fine-tuned critical style.... unsettling, wise, and strangely entertaining." —Michael Dowdy, Modernism/modernity

"Feinsod masterfully tells an overarching story of the entwined development of the poetry of the Americas and the "modern inter-American political system" through poems and their archives - a story that is impressively wide-ranging in its geography, contents, forms, protagonists, and antagonists... Feinsod's rare ability to illuminate fine detail and then to make it speak to the personally intimate and globally public with equal verve is admirable. Both for the arguments it makes and for the archives it opens in making them, Poetry of the Americas is a title that will find influence in ways that eluded many of its subjects." —Gayle Rogers, Contemporary Literature

"Feinsod's book has earned excellent reviews for a reason; the energy and erudition he brings to his project, the cross-lingual readings and historical nuance are impressive, and make his book a delight to read... an invigorating map tracing a fresh route into Stevens's inter-Americanism." —Jason D. Stevens, Wallace Stevens Journal

"The only thing more impressive than the scope and extent of Feinsod's research...is its readerly agility..... [It] makes a series of timely, indelible interventions into fields both overlapping and adjacent.... The result is a groundbreaking and immediately indispensable work at the intersection of poetic and cultural history." —Tobias Huttner, Critical Inquiry

"Geopolitical feelings, both institutional and self-expansive, are the subject of this first-rate inter-American literary history. Harris Feinsod animates episodes in the ambassadorship of poetic forms infused with optimism and misgiving about integrationist desires, diplomacy, and poetics. Genealogical lines connect in tropes of pre-conquest ruins that serve as allegories about inter-Americanism; collaborative poems mirror the assemblage of political and economic alignments in the hemisphere; and at the heart of this book is the landmark example of Margaret Randall and Sergio Mondragón's avant-garde journal El corno emplumado. Here at last are the archives and arguments to endorse contemporary practitioners for whom a poetry of the Americas has long been a drive and aspiration." —Roberto Tejada, University of Houston

"The Poetry of the Americas is a field-changing book. Recovering a lost literary project of inter-American poetic conversation, Harris Feinsod disrupts our sense of the boundaries of 'American poetry' and obliges us to rethink stale period markers. His work allows us to re-evaluate poems we thought we knew, and to be stunned by poems we didn't know we should: in his readings, many energies - cosmopolitan; imperialist and anti-imperialist; communist and anti-communist - all mix and mingle through the medium of the contradictory ideal of 'the Americas.' It is a triumph of historical research, and a miracle of cross-linguistic reading." —Christopher Nealon, John Hopkins University

"Its poetic interpretations are forensic and fearless, formally sophisticated and yet politically acute." — Peter Hulme, New West Indian Guide

From the Publisher