The Poetics of Radical Hope in Abderrahmane Sissako's Film Experience

The Poetics of Radical Hope in Abderrahmane Sissako's Film Experience

by Olivier-Jean Tchouaffe
The Poetics of Radical Hope in Abderrahmane Sissako's Film Experience

The Poetics of Radical Hope in Abderrahmane Sissako's Film Experience

by Olivier-Jean Tchouaffe

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Overview

The Poetics of Radical Hope: The Abderrhamane Sissako Experience communicates pieces of evidence that Sissako is the most talented and the most sophisticated filmmaker of his generation. This imaginative excellence emanates from new aspirations to fashion an original African cinematic aesthetic for a politic of radical hope and creative adaptation. Sissako’s contribution extends to all aspects of the indigenous motion pictures industry to help rebuild the continent’s cultural infrastructures and create intellectual and cultural spaces to mobilize narrative strategies to contribute in the making of potent African collectives. Far from being abstract, Sissako's logic of contribution resists facile reading and demands a direct and profound engagement with the text. Sissako is one of the best filmmakers working today because his cinema constitutes a generative contribution to the contemporary production of African intelligibility. This logic of contribution helps to better articulate the historical logics and practices of a continent in constant throes of situational emergencies. The cinemas confront African colonial legacies to contemporary globalization discourses that grip the contemporary global condition, notably: political instability, poverty, illiteracy, digital divide, global warming and food shortages, diseases and the so-called "clash of civilization."

Product Details

ISBN-13: 9781498539821
Publisher: Lexington Books
Publication date: 05/04/2017
Sold by: Barnes & Noble
Format: eBook
Pages: 162
File size: 2 MB

About the Author

Olivier J. Tchouaffe is professor of film at the University of Texas at Austin.

Table of Contents

Part I: On the Genealogy of the Camera-Eye and Sissako’s Poetic Possibilities
Chapter 1: Mapping the Theoretical Terrain: Cinema, Sensor-Ship, and the Search for Authenticity in the Age of Neoliberal Rationalities and Islamic Terror
Chapter 2: The Camera-Eye, The Arte wave and Afro-Futurism
Part II: Aesthetic and Film Analysis
Chapter 3: Sissako’s Cinema: Communal Life as an Aesthetic Practice
Chapter 4: Life on Earth (1998): Meditation on Belonging in a Globalized World
Chapter 5: Heremakono (2002): On African Imaginative Landscapes, Frontiers, and Journeys
Chapter 6: Bamako (2007): Africa, Cowboys, and Postcolonial Economic Blues.
Chapter 7: Timbuktu (2015): Notes on Art, Terror, and Cosmopolitan Politics
Chapter 8: Conclusion: Marginal Subjectivities and Globalization: The Subaltern Speaking
About the Author
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