The Poetics of Plants in Spanish American Literature
The Poetics of Plants in Spanish American Literature examines the defining role of plants in cultural expression across Latin America, particularly in literature. From the colonial georgic to Pablo Neruda’s Canto general, Lesley Wylie’s close study of botanical imagery demonstrates the fundamental role of the natural world and the relationship between people and plants in the region. Plants are also central to literary forms originating in the Americas, such as the New World Baroque, described by Alejo Carpentier as “nacido de árboles.” The book establishes how vegetal imaginaries are key to Spanish American attempts to renovate European forms and traditions as well as to the reconfiguration of the relationship between humans and nonhumans. Such a reconfiguration, which persistently draws on indigenous animist ontologies to blur the boundaries between people and plants, anticipates much contemporary ecological thinking about our responsibility towards nonhuman nature and shows how environmental thinking by way of plants has a long history in Latin American literature.
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The Poetics of Plants in Spanish American Literature
The Poetics of Plants in Spanish American Literature examines the defining role of plants in cultural expression across Latin America, particularly in literature. From the colonial georgic to Pablo Neruda’s Canto general, Lesley Wylie’s close study of botanical imagery demonstrates the fundamental role of the natural world and the relationship between people and plants in the region. Plants are also central to literary forms originating in the Americas, such as the New World Baroque, described by Alejo Carpentier as “nacido de árboles.” The book establishes how vegetal imaginaries are key to Spanish American attempts to renovate European forms and traditions as well as to the reconfiguration of the relationship between humans and nonhumans. Such a reconfiguration, which persistently draws on indigenous animist ontologies to blur the boundaries between people and plants, anticipates much contemporary ecological thinking about our responsibility towards nonhuman nature and shows how environmental thinking by way of plants has a long history in Latin American literature.
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The Poetics of Plants in Spanish American Literature

The Poetics of Plants in Spanish American Literature

by Lesley Wylie
The Poetics of Plants in Spanish American Literature

The Poetics of Plants in Spanish American Literature

by Lesley Wylie

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Overview

The Poetics of Plants in Spanish American Literature examines the defining role of plants in cultural expression across Latin America, particularly in literature. From the colonial georgic to Pablo Neruda’s Canto general, Lesley Wylie’s close study of botanical imagery demonstrates the fundamental role of the natural world and the relationship between people and plants in the region. Plants are also central to literary forms originating in the Americas, such as the New World Baroque, described by Alejo Carpentier as “nacido de árboles.” The book establishes how vegetal imaginaries are key to Spanish American attempts to renovate European forms and traditions as well as to the reconfiguration of the relationship between humans and nonhumans. Such a reconfiguration, which persistently draws on indigenous animist ontologies to blur the boundaries between people and plants, anticipates much contemporary ecological thinking about our responsibility towards nonhuman nature and shows how environmental thinking by way of plants has a long history in Latin American literature.

Product Details

ISBN-13: 9780822967316
Publisher: University of Pittsburgh Press
Publication date: 08/12/2024
Series: Illuminations Series
Pages: 295
Product dimensions: 6.00(w) x 8.00(h) x 1.30(d)

About the Author

Lesley Wylie is associate professor of Latin American Studies at the University of Leicester. She is the author of Colonial Tropes and Postcolonial Tricks: Rewriting the Tropics in the Novela de la Selva and Colombia’s Forgotten Frontier: A Literary Geography of the Putumayo. She is assistant editor of the Bulletin of Spanish Studies.

Table of Contents

Acknowledgments ix

Note on Translations xiii

List of Abbreviations xv

Introduction: The Poetics of Plants in Spanish American Literature 3

1 "Salve, fecunda zona!": Sugar, Soy, and the Limits of the Spanish American Georgic 17

2 Plants and Plantations: Floriography, Femininity, and the Horticulture of Hair in Sab and Maria 53

3 "Nacido de árboles": Carpentier's Vegetal Baroque 92

4 What Is It Like to Be a Tree? Anthropomorphism, Phytomorphism, and Spanish American Culture 135

5 "No termino en mí mismo": "Vegetal-Thinking" in Pablo Neruda 170

Afterword 201

Notes 209

Bibliography 245

Index 269

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