The Poet as Phenomenologist: Rilke and the New Poems

by Luke Fischer

Overview

The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of Rilke and Husserl.

Fischer explicates an implicit phenomenology of perception in Rilke's writings from his middle period (1902-1910). He argues that Rilke cultivated an artistic perception that, in a philosophically significant manner, overcomes the opposition between the sensuous and the intelligible while simultaneously transcending the boundaries of philosophy. Fischer offers novel interpretations of central poems from Rilke's Neue Gedichte (1907) and Der neuen Gedichte anderer Teil (1908) and frames them as the ultimate articulation of Rilke's non-dualistic vision. He thus demonstrates the continuity between Rilke and phenomenology while arguing that poetry, in this case, provides the most adequate response to a philosophical problem.

Product Details

ISBN-13:	9781628925449
Publisher:	Bloomsbury Publishing
Publication date:	02/26/2015
Series:	New Directions in German Studies , #10
Sold by:	Barnes & Noble
Format:	eBook
Pages:	320
File size:	517 KB

About the Author

Luke Fischer (PhD, University of Sydney) is an independent scholar and award-winning poet. He has held post-doctoral fellowships and taught at universities in the U.S. and Germany and is an honorary associate in the philosophy department at the University of Sydney, Australia. His research focuses on interdisciplinary connections between poetry and philosophy. His publications include the poetry collection Paths of Flight (2013), articles, translations, and poems in journals, anthologies, and edited volumes, as well as a book of bedtime stories (The Blue Forest, 2014). He won the 2012 Overland Judith Wright Poetry Prize, has been shortlisted for the Newcastle Poetry Prize, and was commended in the 2013 FAW Anne Elder Award for a first book of poems.
Luke Fischer is a philosopher and poet. His various books include Philosophical Fragments as the Poetry of Thinking: Romanticism and the Living Present (2024), The Poet as Phenomenologist: Rilke and the 'New Poems' (2015), three books of poetry––most recently A Gamble for my Daughter (2022)––and the co-edited volumes The Seasons: Philosophical, Literary, and Environmental Perspectives (2021) and Rilke's 'Sonnets to Orpheus': Philosophical and Critical Perspectives (2019). He holds a PhD from the University of Sydney where he is also an honorary associate in philosophy. For more information, visit: www.lukefischer.net

Table of Contents

Introduction

Chapter 1. Phenomenology and the Problem of Dualism

Chapter 2. Learning to See: Rilke and the Visual Arts

Chapter 3. Rilke as Seer: A Twofold Vision of Nature

Chapter 4. The Neue Gedichte as a Twofold Imagining of Things

Conclusion

Epilogue

Bibliography

Index

Editorial Reviews

This thick volume's appeal will be limited to two small but intellectually impassioned audiences: scholars of the interrelations of philosophy and poetry in general and those specifically interested in Rilke as a philosophical poet in the tradition of Hölderlin ... Fischer's command of the vast secondary literature of his chosen fields is remarkable. The author does a good job reminding readers of what has been covered as the text moves along ... A remarkable effort of great erudition and insight, this book will find a place in the field of phenomenology of literary aesthetics as well as Rilke studies. Summing Up: Recommended. Graduate students and researchers.” —M. McCulloh, Davidson College, CHOICE

“Fischer manages expertly to balance a compelling theoretical interpretation of Rilke’s New Poems with all the sensitivity to form of a practitioner … By reading Rilke’s New Poems as a form of phenomenology in their own right, Fischer performs the original hermeneutic task of proceeding from the unity of what is actually being said, to explain what the poem wishes to say. He does so with an exquisite attention to form that offers compelling new readings of Rilke’s work. As such, The Poet as Phenomenologist makes a substantial and original contribution to scholarship on Rilke as a “philosophical poet” … as well as to broader attempts … to break down the dichotomy between literature and philosophy in German letters.” - Monatshefte

“While the New Poems have already been the subject of much critical inquiry and commentary, Fischer makes the case for reading them freshly. ... This is a cogent and enlightening volume that brings a new, systematic and thoughtful set of perspectives to the understanding of Rilke’s New Poems.” -Paul Hetherington, University of Canberra, Cordite Poetry Review

“The analysis of Rilke’s practice and texts in Fischer’s book can also be read as an example – of what can be done at the crossroads of literary criticism and philosophy, and also, possibly, of a practice of seeing / writing that the phenomenologist can adopt.” ­– Phenomenological Reviews

From the Publisher

Like Hölderlin, Rainer Maria Rilke has long been viewed as a 'philosophical poet' and has, therefore, held a special fascination for philosophers. Luke Fischer's book is situated in this context. It examines Rilke's relation to phenomenology, and is chiefly concerned with Rilke's significance for an overcoming of dualism, especially in the period of the New Poems. With this book Fischer has made a substantial contribution both to Rilke scholarship and to phenomenological research.

Christoph Jamme

Luke Fischer focuses on Rilke's 'diligence and devotion' to seeing phenomena as suffused with meaning and to embodying this seeing in enabling words. He traces the development of Rilke's poetic practice to his encounters with Cézanne, Rodin, and Jakob von Uexküll's Umwelt theory, and in close readings he elucidates the disclosive powers of some of the major poems in Rilke's Neue Gedichte. The result is a compelling demonstration of the ability of Rilke's poetic art to capture meanings in the world in a way that recovers an understanding of distinctively human attentive being within nature. This is vital work for anyone concerned with poetry and the fate of the human.

Richard Eldridge