The Poem's Two Bodies: The Poetics of the 1590 Faerie Queene

The Poem's Two Bodies: The Poetics of the 1590 Faerie Queene

by David Lee Miller
The Poem's Two Bodies: The Poetics of the 1590 Faerie Queene

The Poem's Two Bodies: The Poetics of the 1590 Faerie Queene

by David Lee Miller

Hardcover

$130.00 
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Overview

The role of the human body as a poetic and ideological construct in the 1590 Faerie Queene provides the point of departure for David Lee Miller's richly detailed treatment of Spenser's allegory. In this major contribution to the study of Renaissance literature and ideology, Miller finds the poem organized by a fantasy of bodily wholeness that, like the marriage of Arthur and Gloriana, is both anticipated and deferred in the text.

Originally published in 1988.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Product Details

ISBN-13: 9780691637211
Publisher: Princeton University Press
Publication date: 04/19/2016
Series: Princeton Legacy Library , #933
Pages: 314
Product dimensions: 6.20(w) x 9.30(h) x 0.90(d)
Age Range: 18 Years

Table of Contents

  • FrontMatter, pg. i
  • Contents, pg. ix
  • Acknowledgments, pg. xi
  • Abbreviations, pg. xiii
  • Introduction, pg. 3
  • 1. "her imperiall Maiestie to frame", pg. 29
  • 2. The Poem's Two Bodies, pg. 68
  • 3. Arthur's Dream, pg. 120
  • 4. Alma's Nought, pg. 164
  • 5. The Wide Womb of the World, pg. 215
  • Afterword, pg. 282
  • Index, pg. 289



What People are Saying About This

From the Publisher

"In a major revisionary study, David Lee Miller now attempts to outline a Spenserian poetics that will let us read the poem with a fuller understanding of the dimensions of [its apparent discontinuities and discordances].... Miller builds upon recent critics who have seen the poem as a world of glass and a test of reading, and provides a refined and more economical terminology. He brings us closer, I think, to understanding what Puttenham may have meant when he called allegory a 'false semblant or dissimulation.'"—Donald Cheney, University of Massachusetts, Amherst

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