The Poems of Emma Lazarus, Volume I: Narrative, Lyric, and Dramatic

The Poems of Emma Lazarus, Volume I: Narrative, Lyric, and Dramatic

by Emma Lazarus
The Poems of Emma Lazarus, Volume I: Narrative, Lyric, and Dramatic

The Poems of Emma Lazarus, Volume I: Narrative, Lyric, and Dramatic

by Emma Lazarus

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Overview

New York City–based poet Emma Lazarus (1849–87) is best known for "The New Colossus," which is inscribed upon the base of the Statue of Liberty. The highly respected writer and intellectual corresponded with Ralph Waldo Emerson and was an advocate for indigent Jewish refugees and a forerunner of the Zionist movement. This two-volume edition of The Poems of Emma Lazarus marks the work's first major reappearance since its last printing in 1900.
Volume I features epochs, sonnets, and naturalist poems. The epochs consist of reflections on youth, regret, grief, longing, and other emotions. Other poems include "On the Proposal to Erect a Monument in England to Lord Byron," "Agamemnon's Tomb," "August Moon," "A Masque of Venice," and the renowned "The New Colossus." The collection concludes with "The Spagnoletto: A Play in Five Acts." Volume II, available separately, features verse with historic Jewish themes as well as translations of eleventh-century Hebrew poetry and works by Heinrich Heine, Petrarch, and Alfred de Musset.

Product Details

ISBN-13: 9780486799889
Publisher: Dover Publications
Publication date: 09/27/2014
Series: Dover Thrift Editions: Poetry , #1
Sold by: Barnes & Noble
Format: eBook
Pages: 352
File size: 3 MB

About the Author

New York City–based poet Emma Lazarus (1849–87) is best known for "The New Colossus," which is inscribed upon the base of the Statue of Liberty. The highly respected writer and intellectual corresponded with Ralph Waldo Emerson and was an advocate for indigent Jewish refugees and a forerunner of the Zionist movement.

Read an Excerpt

The Poems of Emma Lazarus Volume I

Narrative, Lyric, and Dramatic


By Emma Lazarus

Dover Publications, Inc.

Copyright © 2015 Dover Publications, Inc.
All rights reserved.
ISBN: 978-0-486-79988-9



CHAPTER 1

EPOCHS.

"The epochs of our life are not in the visible facts, but in the silent thought by the wayside as we walk."—Emebson.


    I. YOUTH.

    Sweet empty sky of June without a stain,
    Faint, gray-blue dewy mists on far-off hills,
    Warm, yellow sunlight flooding mead and plain,
    That each dark copse and hollow overfills;
    The rippling laugh of unseen, rain-fed rills,
    Weeds delicate-flowered, white and pink and gold,
    A murmur and a singing manifold.

    The gray, austere old earth renews her youth
    With dew-lines, sunshine, gossamer, and haze.
    How still she lies and dreams, and veils the truth,
    While all is fresh as in the early days!
    What simple things be these the soul to raise
    To bounding joy, and make young pulses beat,
    With nameless pleasure finding life so sweet.

    On such a golden morning forth there floats,
    Between the soft earth and the softer sky,
    In the warm air adust with glistening motes,
    The mystic winged and flickering butterfly,
    A human soul, that hovers giddily
    Among the gardens of earth's paradise,
    Nor dreams of fairer fields or loftier skies.


    II. REGRET.

    Thin summer rain on grass and bush and hedge,
    Reddening the road and deepening the green
    On wide, blurred lawn, and in close-tangled sedge;
    Veiling in gray the landscape stretched between
    These low broad meadows and the pale hills seen
    But dimly on the far horizon's edge.

    In these transparent-clouded, gentle skies,
    Wherethrough the moist beams of the soft June sun
    Might any moment break, no sorrow lies,
    No note of grief in swollen brooks that run,
    No hint of woe in this subdued, calm tone
    Of all the prospect unto dreamy eyes.

    Only a tender, unnamed half-regret
    For the lost beauty of the gracious morn;
    A yearning aspiration, fainter yet,
    For brighter suns in joyous days unborn,
    Now while brief showers ruffle grass and corn,
    And all the earth lies shadowed, grave, and wet;

    Space for the happy soul to pause again
    From pure content of all unbroken bliss,
    To dream the future void of grief and pain,
    And muse upon the past, in reveries
    More sweet for knowledge that the present is
    Not all complete, with mist and clouds and rain.


    III. LONGING.

    Look westward o'er the steaming rain-washed slopes,
    Now satisfied with sunshine, and behold
    Those lustrous clouds, as glorious as our hopes,
    Softened with feathery fleece of downy gold,
    In all fantastic, huddled shapes uprolled,
    Floating like dreams, and melting silently,
    In the blue upper regions of pure sky.

    The eye is filled with beauty, and the heart
    Rejoiced with sense of life and peace renewed;
    And yet at such an hour as this, upstart
    Vague myriad longings, restless, unsubdued,
    And causeless tears from melancholy mood,
    Strange discontent with earth's and nature's best,
    Desires and yearnings that may find no rest.


    IV. STORM.

    Serene was morning with clear, winnowed air,
    But threatening soon the low, blue mass of cloud
    Rose in the west, with mutterings faint and rare
    At first, but waxing frequent and more loud.
    Thick sultry mists the distant hill-tops shroud;
    The sunshine dies; athwart black skies of lead
    Flash noiselessly thin threads of lightning red.

    Breathless the earth seems waiting some wild blow,
    Dreaded, but far too close to ward or shun.
    Scared birds aloft fly aimless, and below
    Naught stirs in fields whence light and life are gone,
    Save floating leaves, with wisps of straw and down,
    Upon the heavy air; 'neath blue-black skies,
    Livid and yellow the green landscape lies.

    And all the while the dreadful thunder breaks,
    Within the hollow circle of the hills,
    With gathering might, that angry echoes wakes,
    And earth and heaven with unused clamor fills.
    O'erhead still flame those strange electric thrills.
    A moment more,—behold! yon bolt struck home,
    And over ruined fields the storm hath come!


    V. SURPRISE.

    When the stunned soul can first lift tired eyes
    On her changed world of ruin, waste, and wrack,
    Ah, what a pang of aching sharp surprise
    Brings all sweet memories of the lost past back,
    With wild self-pitying grief of one betrayed,
    Duped in a land of dreams where Truth is dead!

    Are these the heavens that she deemed were kind?
    Is this the world that yesterday was fair?
    What painted images of folk half-blind
    Be these who pass her by, as vague as air?
    What go they seeking? there is naught to find.
    Let them come nigh and hearken her despair.

    A mocking lie is all she once believed,
    And where her heart throbbed, is a cold dead stone.
    This is a doom she never preconceived,
    Yet now she cannot fancy it undone.
    Part of herself, part of the whole hard scheme,
    All else is but the shadow of a dream.


    VI. GRIEF.

    There is a hungry longing in the soul,
    A craving sense of emptiness and pain,
    She may not satisfy nor yet control,
    For all the teeming world looks void and vain.
    No compensation in eternal spheres,
    She knows the loneliness of all her years.

    There is no comfort looking forth nor back,
    The present gives the lie to all her past.
    Will cruel time restore what she doth lack?
    Why was no shadow of this doom forecast?
    Ah! she hath played with many a keen-edged thing;
    Naught is too small and soft to turn and sting.

    In the unnatural glory of the hour,
    Exalted over time, and death, and fate,
    No earthly task appears beyond her power,
    No possible endurance seemeth great.
    She knows her misery and her majesty,
    And recks not if she be to live or die.


    VII. ACCEPTANCE.

    Yea, she hath looked Truth grimly face to face,
    And drained unto the lees the proffered cup.
    This silence is not patience, nor the grace
    Of resignation, meekly offered up,
    But mere acceptance fraught with keenest pain,
    Seeing that all her struggles must be vain.

    Her future clear and terrible outlies,—
    This burden to be borne through all her days,
    This crown of thorns pressed down above her eyes,
    This weight of trouble she may never raise.
    No reconcilement doth she ask nor wait;
    Knowing such things are, she endures her fate.

    No brave endeavor of the broken will
    To cling to such poor strays as will abide
    (Although the waves be wild and angry still)
    After the lapsing of the swollen tide.
    No fear of further loss, no hope of gain,
    Naught but the apathy of weary pain.


    VIII. LONELINRESS.

    All stupor of surprise hath passed away;
    She sees, with clearer vision than before,
    A world far off of light and laughter gay,
    Herself alone and lonely evermore.
    Folk come and go, and reach her in no wise,
    Mere flitting phantoms to her heavy eyes.

    All outward things, that once seemed part of her,
    Fall from her, like the leaves in autumn shed.
    She feels as one embalmed in spice and myrrh,
    With the heart eaten out, a long time dead;
    Unchanged without, the features and the form;
    Within, devoured by the thin red worm.

    By her own prowess she must stand or fall,
    This grief is to be conquered day by day.
    Who could befriend her? who could make this small,
    Or her strength great? she meets it as she may.
    A weary struggle and a constant pain,
    She dreams not they may ever cease nor wane.


    IX. SYMPATHY.

    It comes not in such wise as she had deemed,
    Else might she still have clung to her despair.
    More tender, grateful than she could have dreamed,
    Fond hands passed pitying over brows and hair,
    And gentle words borne softly through the air,
    Calming her weary sense and wildered mind,
    By welcome, dear communion with her kind.

    Ah! she forswore all words as empty lies;
    What speech could help, encourage, or repair?
    Yet when she meets these grave, indulgent eyes,
    Fulfilled with pity, simplest words are fair,
    Caressing, meaningless, that do not dare
    To compensate or mend, but merely soothe
    With hopeful visions after bitter Truth.

    One who through conquered trouble had grown wise,
    To read the grief unspoken, unexpressed,
    The misery of the blank and heavy eyes,—
    Or through youth's infinite compassion guessed
    The heavy burden,—such a one brought rest,
    And bade her lay aside her doubts and fears,
    While the hard pain dissolved in blessed tears.


    X. PATIENCE.

    The passion of despair is quelled at last;
    The cruel sense of undeservéd wrong,
    The wild self-pity, these are also past;
    She knows not what may come, but she is strong;
    She feels she hath not aught to lose nor gain,
    Her patience is the essence of all pain.

    As one who sits beside a lapsing stream,
    She sees the flow of changeless day by day,
    Too sick and tired to think, too sad to dream,
    Nor cares how soon the waters slip away,
    Nor where they lead; at the wise God's decree,
    She will depart or bide indifferently.

    There is a deeper pathos in the mild
    And settled sorrow of the quiet eyes,
    Than in the tumults of the anguish wild,
    That made her curse all things beneath the skies;
    No question, no reproaches, no complaint,
    Hers is the holy calm of some meek saint.


    XI. HOPE.

    Her languid pulses thrill with sudden hope,
    That will not be forgot nor cast aside,
    And life in statelier vistas seems to ope,
    Illimitably lofty, long, and wide.
    What doth she know? She is subdued and mild,
    Quiet and docile "as a weanéd child."

    If grief came in such unimagined wise,
    How may joy dawn? In what undreamedof hour,
    May the light break with splendor of surprise,
    Disclosing all the mercy and the power?
    A baseless hope, yet vivid, keen, and bright,
    As the wild lightning in the starless night.

    She knows not whence it came, nor where it passed,
    But it revealed, in one brief flash of flame,
    A heaven so high, a world so rich and vast,
    That, full of meek contrition and mute shame,
    In patient silence hopefully withdrawn,
    She bows her head, and bides the certain dawn.


    XII. COMPENSATION.

    'T is not alone that black and yawning void
    That makes her heart ache with this hungry pain,
    But the glad sense of life hath been destroyed,
    The lost delight may never come again.
    Yet myriad serious blessings with grave grace
    Arise on every side to fill their place.

    For much abides in her so lonely life,—
    The dear companionship of her own kind,
    Love where least looked for, quiet after strife,
    Whispers of promise upon every wind,
    And quickened insight, in awakened eyes,
    For the new meaning of the earth and skies.

    The nameless charm about all things hath died,
    Subtle as aureole round a shadow's head,
    Cast on the dewy grass at morning-tide;
    Yet though the glory and the joy be fled,
    'T is much her own endurance to have weighed,
    And wrestled with God's angels, unafraid.


    XIII. FAITH.

    She feels outwearied, as though o'er her head
    A storm of mighty billows broke and passed.
    Whose hand upheld her? Who her footsteps led
    To this green haven of sweet rest at last?
    What strength was hers, unreckoned and unknown?
    What love sustained when she was most alone?

    Unutterably pathetic her desire,
    To reach, with groping arms outstretched in prayer,
    Something to cling to, to uplift her higher
    From this low world of coward fear and care,
    Above disaster, that her will may be
    At one with God's, accepting his decree.

    Though by no reasons she be justified,
    Yet strangely brave in Evil's very face,
    She deems this want must needs be satisfied,
    Though here all slips from out her weak embrace.
    And in blind ecstasy of perfect faith,
    With her own dream her prayer she answereth.


    XIV. WORK.

    Yet life is not a vision nor a prayer,
    But stubborn work; she may not shun her task.
    After the first compassion, none will spare
    Her portion and her work achieved, to ask.
    She pleads for respite,—she will come ere long
    When, resting by the roadside, she is strong.

    Nay, for the hurrying throng of passers-by
    Will crush her with their onward-rolling stream.
    Much must be done before the brief light die;
    She may not loiter, rapt in this vain dream.
    With unused trembling hands, and faltering feet,
    She staggers forth, her lot assigned to meet.

    But when she fills her days with duties done,
    Strange vigor comes, she is restored to health.
    New aims, new interests rise with each new sun,
    And life still holds for her unbounded wealth.
    All that seemed hard and toilsome now proves small,
    And naught may daunt her,—she hath strength for all.


    XV. VICTORY.

    How strange, in some brief interval of rest,
    Backward to look on her far-stretching past.
    To see how much is conquered and repressed,
    How much is gained in victory at last!
    The shadow is not lifted,—but her faith,
    Strong from life's miracles, now turns toward death.

    Though much be dark where once rare splendor shone,
    Yet the new light has touched high peaks unguessed
    In her gold, mist-bathed dawn, and one by one
    New outlooks loom from many a mountain crest.
    She breathes a loftier, purer atmosphere,
    And life's entangled paths grow straight and clear.

    Nor will Death prove an all-unwelcome guest;
    The struggle has been toilsome to this end,
    Sleep will be sweet, and after labor rest,
    And all will be atoned with him to friend.
    Much must be reconciled, much justified,
    And yet she feels she will be satisfied.


    XVI. PEACE.

    The calm outgoing of a long, rich day,
    Checkered with storm and sunshine, gloom and light,
    Now passing in pure, cloudless skies away,
    Withdrawing into silence of blank night.
    Thick shadows settle on the landscape bright,
    Like the weird cloud of death that falls apace
    On the still features of the passive face.

    Soothing and gentle as a mother's kiss,
    The touch that stopped the beating of the heart.
    A look so blissfully serene as this,
    Not all the joy of living could impart.
    Patient to bide, yet willing to depart,
    With dauntless faith and courage therewithal,
    The Master found her ready at his call.

    On such a golden evening forth there floats,
    Between the grave earth and the glowing sky
    In the clear air, unvexed with hazy motes,
    The mystic-winged and flickering butterfly,
    A human soul, that drifts at liberty,
    Ah! who can tell to what strange paradise,
    To what undreamed-of fields and lofty skies!


(Continues...)

Excerpted from The Poems of Emma Lazarus Volume I by Emma Lazarus. Copyright © 2015 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

New York City–based poet Emma Lazarus (1849–87) is best known for "The New Colossus," which is inscribed upon the base of the Statue of Liberty. The highly respected writer and intellectual corresponded with Ralph Waldo Emerson and was an advocate for indigent Jewish refugees and a forerunner of the Zionist movement. This two-volume edition of The Poems of Emma Lazarus marks the work's first major reappearance since its last printing in 1900.
Volume I features epochs, sonnets, and naturalist poems. The epochs consist of reflections on youth, regret, grief, longing, and other emotions. Other poems include "On the Proposal to Erect a Monument in England to Lord Byron," "Agamemnon's Tomb," "August Moon," "A Masque of Venice," and the renowned "The New Colossus." The collection concludes with "The Spagnoletto: A Play in Five Acts." Volume II, available separately, features verse with historic Jewish themes as well as translations of eleventh-century Hebrew poetry and works by Heinrich Heine, Petrarch, and Alfred de Musset.
Dover (2015) republication of the edition originally published by Houghton, Mifflin and Company, Boston and New York, 1888.
See every Dover book in print at
www.doverpublications.com

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