The Poe Shadow

INCLUDES MATTHEW PEARL'S EXCLUSIVE AUDIO AFTERWORD ON THE TRUTH BEHIND POE'S DEATH!

Baltimore, 1849. The body of Edgar Allan Poe has been buried in an unmarked grave. Everyone seems to accept the conclusion that Poe was a second-rate writer who met a disgraceful end -- except for a young Baltimore lawyer named Quentin Clark, an ardent admirer who puts his own career and reputation at risk in a crusade to salvage Poe's.

As Quentin explores the puzzling circumstances and unanswered questions of Poe's demise, he realizes that he must find the one person who can help: the real-life model for Poe's brilliant fictional detective character, C. Augustine Dupin, the hero of ingenious tales of crime and detection. Soon Quentin finds himself enmeshed in sinister machinations involving international political agents and the lost secrets of Poe's final hours, and must himself turn master investigator to escape Poe's grisly fate.

Drawing on original, groundbreaking research, the bestselling author of The Dante Club has once again crossed literary history with sublime craftsmanship and devious twists to create a beautifully detailed, ingeniously plotted tale of suspense.

1100394408
The Poe Shadow

INCLUDES MATTHEW PEARL'S EXCLUSIVE AUDIO AFTERWORD ON THE TRUTH BEHIND POE'S DEATH!

Baltimore, 1849. The body of Edgar Allan Poe has been buried in an unmarked grave. Everyone seems to accept the conclusion that Poe was a second-rate writer who met a disgraceful end -- except for a young Baltimore lawyer named Quentin Clark, an ardent admirer who puts his own career and reputation at risk in a crusade to salvage Poe's.

As Quentin explores the puzzling circumstances and unanswered questions of Poe's demise, he realizes that he must find the one person who can help: the real-life model for Poe's brilliant fictional detective character, C. Augustine Dupin, the hero of ingenious tales of crime and detection. Soon Quentin finds himself enmeshed in sinister machinations involving international political agents and the lost secrets of Poe's final hours, and must himself turn master investigator to escape Poe's grisly fate.

Drawing on original, groundbreaking research, the bestselling author of The Dante Club has once again crossed literary history with sublime craftsmanship and devious twists to create a beautifully detailed, ingeniously plotted tale of suspense.

13.99 In Stock
The Poe Shadow

The Poe Shadow

by Matthew Pearl
The Poe Shadow

The Poe Shadow

by Matthew Pearl

eBook

$13.99 

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

INCLUDES MATTHEW PEARL'S EXCLUSIVE AUDIO AFTERWORD ON THE TRUTH BEHIND POE'S DEATH!

Baltimore, 1849. The body of Edgar Allan Poe has been buried in an unmarked grave. Everyone seems to accept the conclusion that Poe was a second-rate writer who met a disgraceful end -- except for a young Baltimore lawyer named Quentin Clark, an ardent admirer who puts his own career and reputation at risk in a crusade to salvage Poe's.

As Quentin explores the puzzling circumstances and unanswered questions of Poe's demise, he realizes that he must find the one person who can help: the real-life model for Poe's brilliant fictional detective character, C. Augustine Dupin, the hero of ingenious tales of crime and detection. Soon Quentin finds himself enmeshed in sinister machinations involving international political agents and the lost secrets of Poe's final hours, and must himself turn master investigator to escape Poe's grisly fate.

Drawing on original, groundbreaking research, the bestselling author of The Dante Club has once again crossed literary history with sublime craftsmanship and devious twists to create a beautifully detailed, ingeniously plotted tale of suspense.


Product Details

ISBN-13: 9781588365170
Publisher: Random House Publishing Group
Publication date: 05/23/2006
Sold by: Random House
Format: eBook
Pages: 384
Sales rank: 892,234
File size: 3 MB

About the Author

About The Author
Matthew Pearl is the New York Times bestselling author of The Dante Club, The Poe Shadow, The Last Dickens, The Technologists, The Last Bookaneer, and The Dante Chamber, and the editor of the Modern Library editions of Dante’s Inferno (translated by Henry Wadsworth Longfellow) and Edgar Allan Poe’s The Murders in the Rue Morgue: The Dupin Tales. His books have been translated into more than thirty languages, and his nonfiction writing has appeared in The New York Times, The Wall Street Journal, The Boston Globe, and Slate.

Read an Excerpt

I remember the day it began because I was impatient for an important letter to arrive. Also, because it was meant to be the day of my engagement to Hattie Blum. And, of course, it was the day I saw him dead.

The Blums were near neighbors of my family. Hattie was the youngest and most affable of four sisters who were considered nearly the prettiest four sisters in Baltimore. Hattie and I had been acquainted from our very infancies, as we were told often enough through the years. And each time we were told how long we'd known each other, I think the words were meant also to say, "and you shall know each other evermore, depend upon it."

And in spite of such pressure as might easily have pushed us apart, even at eleven years old I became like a little husband toward my playfellow. I never made outward professions of love to Hattie, but I devoted myself to her happiness in small ways while she entertained me with her talk. There was something hushed about her voice, which often sounded to me like a lullaby.

My own nature while in society as it developed was markedly quiet and tranquil, to the degree that I was often asked at any given moment if I had only just then been stirred awake. In quieter company, though, I had the habit of turning unaccountably loquacious and even rambling in my speech. Therefore, I savored the stretches of Hattie's animated conversation. I believe I depended upon them. I felt no need to call attention to myself when I was with her; I felt happy and modest and, above all, easy.

Now, I should note that I did not know that I was expected to propose marriage on the afternoon with which we begin this narration. I was on my way to the post office from the nearby chambers of our law practice when I crossed paths with a woman of good Baltimore society, Mrs. Blum--Hattie's aunt. She pointed out immediately that the errands of retrieving waiting mail should be assigned to one of my lesser and less occupied legal clerks.

"You are a specimen, aren't you, Quentin Clark!" Mrs. Blum said. "You wander the streets when you are working, and when you're not working, you have a look upon your face as though you were!"

She was your genuine Baltimorean; she suffered no man without proper commercial interests any more than she would tolerate a girl who was not beautiful.

This was Baltimore, and whether in fine weather or in this day's fog it was a very red-brick type of place, where the movements of the people on well-paved streets and marble steps were quick and boisterous but without gaiety. There was not much of that last quality in supply in our go-ahead city, where large houses stood elevated over a crowded trading bay. Coffee and sugar came in from South America and the West India Islands on great clipper ships, and the barrels of oysters and family flour moved out on the multiplying railway tracks toward Philadelphia and Washington. Nobody looked poor then in Baltimore, even those who were, and every other awning seemed to be a daguerreotype establishment ready to record that fact for posterity.

Mrs. Blum on this occasion smiled and took my arm as we walked through the thoroughfare. "Well, everything is quite perfectly arranged for this evening."

"This evening," I replied, trying to guess what she could be referring to. Peter Stuart, my law partner, had mentioned a supper party at the home of a mutual acquaintance. I had been thinking so much of the letter I anticipated retrieving, I had until then forgotten completely. "This evening, of course, Mrs. Blum! How I've looked forward to it."

"Do you know," she continued, "do you know, Mr. Clark, that only yesterday I heard dear Miss Hattie spoken of on Market Street"--this generation of Baltimoreans still called Baltimore Street by its former name--"yes, talked about as the loveliest unmarried beauty in all Baltimore!"

"One could argue the loveliest above all, married or not," I said.

"Well, isn't that clever!" she replied. "Oh, it won't do at all, twenty-seven and still living bachelor and--now don't interrupt, dear Quentin! A proper young man doesn't . . ."

I had trouble hearing what she said next because a loud rumble of two carriages grew behind us. "If it is a hackney approaching," I thought to myself, "I shall put her into it, and offer double the fare." But as they passed I could see both were private carriages, and the one in front was a sleek, shiny hearse. Its horses kept their heads low, as if in deference to the honorable cargo.

No one else turned to look.

Leaving behind my walking companion with a parting promise of seeing her at the evening's gathering, I found myself crossing the next avenue. A herd of swine swarmed past with belligerent shrieks, and my detour ran along Greene Street and across to Fayette, where hearse and mourning-carriage were parked together.

In a quiet burial ground there, a ceremony began and ended abruptly. I strained through the fog at the figures in attendance. It was like standing in a dream--everything blurred into silhouettes, and I swallowed down the vague feeling that I should not be there. The minister's oration sounded muffled from where I stood at the gates. The small gathering, I suppose, did not demand much effort from his voice.

It was the saddest funeral ever seen.

It was the weather. No: the mere four or five men in attendance--the minimum needed to lift an adult coffin. Or perhaps the melancholy quality came chiefly from that brisk, callous completion of the ceremony. Not even the most impoverished pauper's funeral that I had observed before this day, nor the funerals of the poor Jewish cemetery nearby, not even those exhibited such unchristian indifference. There wasn't one flower, wasn't one tear.

Afterward, I retraced my steps only to find the post office had bolted its doors. I could not know whether there was a letter waiting for me inside or not--but I returned to our office chambers and reassured myself. Soon, I'd hear more from him soon.

That evening at the social gathering, I found myself on a private stroll with Hattie Blum along a field of berries, dormant for the season but shadowed with summer remembrances of Champagne and Strawberry Parties. As ever, I could speak comfortably to Hattie.

"Our practice is awfully interesting at times," I said. "Yet I think I should like to choose the cases with more discrimination. A lawyer in ancient Rome, you know, swore never to defend a cause unless he thought it was just. We take cases if their pay is just."

"You can change your office, Quentin. It is your name and your character hanging on the shingle too, after all. Make it more like yourself, rather than make yourself more suited to it."

"Do you believe so, Miss Hattie?"

Twilight was settling and Hattie became uncharacteristically quiet, which I fear meant that I became insufferably talkative. I examined her expression but found no clues to the source of her distant bearing.

"You laughed for me," Hattie said absently, almost as though I would not hear her.

"Miss Hattie?"

She looked up at me. "I was only thinking of when we were children. Do you know at first I thought you were a fool?"

"Appreciated," I chuckled.

"My father would take my mother away during her different sicknesses, and you would come to play when my aunt was minding me. You were the only one to know just how to make me smile until my parents returned, because you were always laughing at the strangest things!" She said this wistfully, while lifting the bottom of her long skirts to avoid the muddy ground.

Later, when we were inside warming ourselves, Hattie talked quietly with her aunt, whose entire countenance had stiffened from earlier in the day. Auntie Blum asked what should be arranged for Hattie's birthday.

"It is coming, I suppose," Hattie said. "I should hardly think of it, typically, Auntie. But this year . . ." She trailed off into a cheerless hum. At supper, she hardly touched the food.

I did not like this at all. I felt myself turn into an eleven-year-old boy again, an anxious protector of the girl across the way. Hattie had been such a reliable presence in my life that any discomfort on her part upset me. Thus it was perhaps from a selfish motivation I tried to cure her mood, but at all events I did wish her to be genuinely happy.

Others of the party, like my law partner, Peter, joined in attempting to raise her spirits, and I studied each of them vigilantly in the event that one of them had been responsible for bringing Hattie Blum into a fit of blues.

Something was hindering my own role in cheering her on this day: that funeral I had seen. I cannot properly explain why, but it had thoroughly exploded my peace. I tried to call to mind a picture of it again. There had been only the four men in attendance to listen to the minister. One, taller than the others, stood toward the rear, his gaze floating off, as though the most anxious of all to be somewhere else. Then, as they came toward the road, there were their grim mouths. The faces were not known to me but also not forgotten. Only one member delayed, staying his steps regretfully, as though overhearing my private thoughts. The event seemed to speak of a terrible loss and yet to do it no honor. It was, in a word, Wrong.

Under this vague cloud of distraction, my efforts exhausted themselves without rescuing Hattie's spirits. I could only bow and express my helpless regrets in unison with the other guests when Hattie and her Auntie Blum were among the first to depart from the supper party. I was pleased when Peter suggested we bring an end to the evening, too.

"Well, Quentin? What has come over you?" Peter asked in an eruption. We were sharing a hired carriage back to our houses.

I thought to tell him of the sad funeral, but Peter would not understand why that had been occupying my mind. Then I realized by the gravity of his posture that he referred to something altogether different. "Peter," I asked, "what do you mean?"

"Did you decide not to propose to Hattie Blum this evening, after all?" he demanded with a loud exhalation.

"Propose! I?"

"She'll be twenty-three in a few weeks. For a Baltimore girl today, that is practically an old maid! Do you not love the dear girl even a little?"

"Who could not love Hattie Blum? But stay, Peter! How is it you came to assume we were to be engaged on this night? Had I ever suggested this was my design?"

"How is it I--? Do you not know as well as I do that the date today is the very same date your own parents were engaged? Had this failed to occur to you even once this evening?"

It had indeed failed to occur to me, as a matter of fact, and even being reminded of this coincidence provided little comprehension of Peter's queer assumption. He explained further that Auntie Blum had been sagely certain I would take the opportunity of this party to propose, and had thought I had even hinted such earlier in the day, and had so informed Peter and Hattie of this likelihood so they would not be surprised. I had been the unwitting, principal cause of Hattie's mysterious distress. I had been the wretch!

"When would have been a more reasonable time than tonight?" Peter continued. "An anniversary so important to you! When? It was as plain as the sun at noon-day."

"I hadn't realized . . ." I stammered.

"How couldn't you see she was waiting for you, that it is time for your future to begin? Well, here, you're home. I wish you a restful sleep. Poor Hattie is probably weeping into her pillow even now!"

"I should never wish to make her sad," I said. "I wish only that I knew what seemed to be expected from me by everyone else." Peter gruffly muttered agreement, as though I had finally struck upon my general failing.

Of course I would propose, and of course we would marry! Hattie's presence in my life had been my good fortune. I brightened whenever I saw her and, even more, whenever we were apart and I thought about her. There had been so little change all this time knowing her, I suppose it had just seemed odd to call for it now with a proposal.

"What do you think about?" Peter seemed to say with his brow as I closed the carriage door to bid him good night. I pulled the door back open.

"There was a funeral earlier," I said, deciding to try to redeem myself with some explanation. "You see, I watched it pass, and I suppose it troubled me for a reason I had not . . ." But no, I still could not find the words to justify its effects on me.

"A funeral! A stranger's funeral!" Peter cried. "Now, what in heaven does that have to do with you?"

Everything, but I did not know that then. The next morning I came down in my dressing gown and opened the newspaper to distract myself. Had I been warned, I still could not have predicted my own alarm at what I saw that made me forget my other concerns. It was a small heading on one of the inside pages that caught me. Death of Edgar A. Poe.

I would toss the newspaper aside, then would pick it up again, turning pages to read something else; then I'd read again and again that heading: Death of Edgar A. Poe. . . . the distinguished American poet, scholar, and critic in the thirty-eighth year of his age.

No! Thirty-nine, I believed, but possessed of a wisdom worth a hundred times that . . . Born in this city. No again! (How questionable it all was, even before I knew more.)

Then I noticed . . . those four words.

Died in this city.

This city? This was not telegraphed news. This had occurred here in Baltimore. The death in our own city, the burial, maybe, too. Could it be that the very funeral on Greene and Fayette . . . No! That little funeral, that unceremonious ceremony, that entombment in the narrow burial yard?

At the office that day, Peter sermonized about Hattie, but I could hardly discuss it, intrigued instead by these tidings. I sent for confirmation from the sexton, the caretaker of the burial yard. Poor Poe, he replied. Yes, Poe was gone. As I rushed to the post office to see if any letter had arrived, my thoughts revolved around what I had unknowingly witnessed.

What People are Saying About This

Caleb Carr

"To his already prodigious command of mystery and intrigue, Matthew Pearl now adds a deeply genuine affection for and masterly insight into the life, work, and strange fate of Edgar Allan Poe; and the result is an even more compelling work than the extraordinary 'Dante Club,' one that confirms Pearl's position at the very forefront of contemporary novelists."
author of THE ALIENIST and THE ITALIAN SECRETARY

Reading Group Guide

1. Aside from Quentin, most of the novel’s characters in this 1849 setting do not appreciate or read Edgar Allan Poe's works, and this fact in part provokes Quentin to try and rescue Poe's name. Why do you think Poe means so much to Quentin?

2. If you have read Poe, what are your thoughts about his work? Is there any author, from past or present, whom you would "fight" for as much as Quentin does for Poe?

3. In addition to serving as physical locales, Baltimore and Paris may be said to serve as "characters" in the book. What do the cities add to the novel, and what kinds of details bring alive their histories?

4. As the historical note at the back of the novel explains, the book uses authentic details about Poe's strange death. Had you heard anything about Poe's death before reading The Poe Shadow? After reading the evidence and theories throughout the novel, do you agree with all of the conclusions presented by the characters in the final chapters, or do you have any of your own theories?

5. Auguste Duponte and Baron Claude Dupin can be seen as doubles or doppelgangers, and the book discusses Poe's use of doubles in works such as "William Wilson," a tale that features two identical characters with the same names. Discuss the use of doubles and doubling in The Poe Shadow. Are there any other doubles besides Duponte and Dupin? Does Quentin have any doubles? Does Edgar Allan Poe?

6. The word "shadow" is used in many different ways in the novel. Quentin tells us, "Poe once wrote in a tale about the conflict between the substance and the shadow inside of us. The substance, what we know we should do, and the shadow, the dangerous and giggling Imp of the Perverse, the dark knowledge of what we must or will do or secretly want. The shadow always prevails." What are possible meanings of the title The Poe Shadow?

7. If you had been in Quentin's position at the end of the novel, would you have made the information on Poe's death public, or kept it private?

8. What do you think would have happened if Quentin had met Poe before Poe died? Do you think this would have made his personal quest more or less important to him?

Foreword

1. Aside from Quentin, most of the novel’s characters in this 1849 setting do not appreciate or read Edgar Allan Poe's works, and this fact in part provokes Quentin to try and rescue Poe's name. Why do you think Poe means so much to Quentin?

2. If you have read Poe, what are your thoughts about his work? Is there any author, from past or present, whom you would "fight" for as much as Quentin does for Poe?

3. In addition to serving as physical locales, Baltimore and Paris may be said to serve as "characters" in the book. What do the cities add to the novel, and what kinds of details bring alive their histories?

4. As the historical note at the back of the novel explains, the book uses authentic details about Poe's strange death. Had you heard anything about Poe's death before reading The Poe Shadow? After reading the evidence and theories throughout the novel, do you agree with all of the conclusions presented by the characters in the final chapters, or do you have any of your own theories?

5. Auguste Duponte and Baron Claude Dupin can be seen as doubles or doppelgangers, and the book discusses Poe's use of doubles in works such as "William Wilson," a tale that features two identical characters with the same names. Discuss the use of doubles and doubling in The Poe Shadow. Are there any other doubles besides Duponte and Dupin? Does Quentin have any doubles? Does Edgar Allan Poe?

6. The word "shadow" is used in many different ways in the novel. Quentin tells us, "Poe once wrote in a tale about the conflict between the substance and the shadow inside of us. The substance, what we know weshould do, and the shadow, the dangerous and giggling Imp of the Perverse, the dark knowledge of what we must or will do or secretly want. The shadow always prevails." What are possible meanings of the title The Poe Shadow?

7. If you had been in Quentin's position at the end of the novel, would you have made the information on Poe's death public, or kept it private?

8. What do you think would have happened if Quentin had met Poe before Poe died? Do you think this would have made his personal quest more or less important to him?

From the B&N Reads Blog

Customer Reviews