The pit and the pendulum/Le puits et le pendule: (Bilingual edition/Édition bilingue)
The story depicts the Spanish Inquisition. An unnamed narrator is brought to trial before sinister judges. Poe provides no explanation of why he is there or what he has been arrested for. Before him are seven tall white candles on a table, and, as they melt, his hopes of survival also diminish. He is condemned to death and finds himself in a pitch black compartment. At first the prisoner thinks that he is locked in a tomb, but then he discovers that he is in a cell. He decides to explore the cell by placing a hem from his robe against a wall so that he can count the paces around the room, but he faints before he can measure the whole perimeter. When he reawakens he discovers food and water nearby. He tries to measure the cell again, and finds that the perimeter measures one hundred steps. While crossing the room he slips on the hem of his robe and discovers that if he had not tripped, he would have walked into a deep pit in the center of the cell, with water at the bottom. After losing consciousness again the narrator discovers that the prison is slightly illuminated and that he is bound to a wooden board by ropes. He looks up to see a painted picture of Father Time on the ceiling. Hanging from the figure is a gigantic pendulum with a crescent razor measuring "one feet from horn to horn," and swinging slowly back and forth. The pendulum is inexorably sliding downwards and will eventually kill him. However, the condemned man is able to attract rats to his bonds with the meat left for him to eat and they start chewing through the ropes. As the pendulum reaches a point inches above his heart, the prisoner breaks free of the ropes and watches as the pendulum is drawn back to the ceiling. He then sees that the walls have become red-hot and have begun moving inwards, driving him into the center of the room and towards the brink of the pit. As he gazes into the pit, he decides that no fate could be worse than falling into it: "Neither could I forget what I had read of these pits -- that the sudden extinction of life formed no part of their most horrible plan." As the narrator moves back from the pit, he sees that the red-hot walls are leaving him with no foothold. As he begins to fall into the pit, he hears human voices, a loud trumpeting, and a huge boom as loud as "a thousand thunders." The walls rush back and an arm catches him. The French Army has taken Toledo and the Inquisition is in the hands of its enemies. Le narrateur est jugé coupable par l'Inquisition espagnole de Tolède d'un crime non divulgué et se retrouve enfermé dans une cellule plongée complètement dans l'obscurité. Il s'évanouit en essayant de délimiter la taille de la pièce en longeant ses murs. Quand il se réveille, il se rend compte, en manquant de tomber dedans, qu'un puits large et profond se trouve au milieu de la pièce. Il s'évanouit à nouveau et quand il reprend ses esprits, il est allongé sur le dos, ligoté, et ne peut bouger que la tête et, de façon limitée, le bras gauche. Il se rend compte qu'une grande lame très aiguisée en forme de pendule se balance au-dessus de lui et se rapproche lentement de sa poitrine. Il trouve un moyen d'échapper à son supplice en enduisant ses liens avec de la nourriture laissée à son intention, ce qui attire des rats qui rongent ses liens et le libèrent juste avant le moment fatidique. Mais les murs de sa prison, enflammés et rendus brûlants depuis l'extérieur, se mettent à bouger et à le cerner, le rapprochant de plus en plus du puits. Au moment où il va chuter par manque d'espace, les murs commencent à reculer et un bras le saisit, celui du général Lasalle dont l'armée vient de prendre Tolède.
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The pit and the pendulum/Le puits et le pendule: (Bilingual edition/Édition bilingue)
The story depicts the Spanish Inquisition. An unnamed narrator is brought to trial before sinister judges. Poe provides no explanation of why he is there or what he has been arrested for. Before him are seven tall white candles on a table, and, as they melt, his hopes of survival also diminish. He is condemned to death and finds himself in a pitch black compartment. At first the prisoner thinks that he is locked in a tomb, but then he discovers that he is in a cell. He decides to explore the cell by placing a hem from his robe against a wall so that he can count the paces around the room, but he faints before he can measure the whole perimeter. When he reawakens he discovers food and water nearby. He tries to measure the cell again, and finds that the perimeter measures one hundred steps. While crossing the room he slips on the hem of his robe and discovers that if he had not tripped, he would have walked into a deep pit in the center of the cell, with water at the bottom. After losing consciousness again the narrator discovers that the prison is slightly illuminated and that he is bound to a wooden board by ropes. He looks up to see a painted picture of Father Time on the ceiling. Hanging from the figure is a gigantic pendulum with a crescent razor measuring "one feet from horn to horn," and swinging slowly back and forth. The pendulum is inexorably sliding downwards and will eventually kill him. However, the condemned man is able to attract rats to his bonds with the meat left for him to eat and they start chewing through the ropes. As the pendulum reaches a point inches above his heart, the prisoner breaks free of the ropes and watches as the pendulum is drawn back to the ceiling. He then sees that the walls have become red-hot and have begun moving inwards, driving him into the center of the room and towards the brink of the pit. As he gazes into the pit, he decides that no fate could be worse than falling into it: "Neither could I forget what I had read of these pits -- that the sudden extinction of life formed no part of their most horrible plan." As the narrator moves back from the pit, he sees that the red-hot walls are leaving him with no foothold. As he begins to fall into the pit, he hears human voices, a loud trumpeting, and a huge boom as loud as "a thousand thunders." The walls rush back and an arm catches him. The French Army has taken Toledo and the Inquisition is in the hands of its enemies. Le narrateur est jugé coupable par l'Inquisition espagnole de Tolède d'un crime non divulgué et se retrouve enfermé dans une cellule plongée complètement dans l'obscurité. Il s'évanouit en essayant de délimiter la taille de la pièce en longeant ses murs. Quand il se réveille, il se rend compte, en manquant de tomber dedans, qu'un puits large et profond se trouve au milieu de la pièce. Il s'évanouit à nouveau et quand il reprend ses esprits, il est allongé sur le dos, ligoté, et ne peut bouger que la tête et, de façon limitée, le bras gauche. Il se rend compte qu'une grande lame très aiguisée en forme de pendule se balance au-dessus de lui et se rapproche lentement de sa poitrine. Il trouve un moyen d'échapper à son supplice en enduisant ses liens avec de la nourriture laissée à son intention, ce qui attire des rats qui rongent ses liens et le libèrent juste avant le moment fatidique. Mais les murs de sa prison, enflammés et rendus brûlants depuis l'extérieur, se mettent à bouger et à le cerner, le rapprochant de plus en plus du puits. Au moment où il va chuter par manque d'espace, les murs commencent à reculer et un bras le saisit, celui du général Lasalle dont l'armée vient de prendre Tolède.
12.75 In Stock
The pit and the pendulum/Le puits et le pendule: (Bilingual edition/Édition bilingue)

The pit and the pendulum/Le puits et le pendule: (Bilingual edition/Édition bilingue)

by Edgar Allan Poe
The pit and the pendulum/Le puits et le pendule: (Bilingual edition/Édition bilingue)

The pit and the pendulum/Le puits et le pendule: (Bilingual edition/Édition bilingue)

by Edgar Allan Poe

Paperback

$12.75 
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Overview

The story depicts the Spanish Inquisition. An unnamed narrator is brought to trial before sinister judges. Poe provides no explanation of why he is there or what he has been arrested for. Before him are seven tall white candles on a table, and, as they melt, his hopes of survival also diminish. He is condemned to death and finds himself in a pitch black compartment. At first the prisoner thinks that he is locked in a tomb, but then he discovers that he is in a cell. He decides to explore the cell by placing a hem from his robe against a wall so that he can count the paces around the room, but he faints before he can measure the whole perimeter. When he reawakens he discovers food and water nearby. He tries to measure the cell again, and finds that the perimeter measures one hundred steps. While crossing the room he slips on the hem of his robe and discovers that if he had not tripped, he would have walked into a deep pit in the center of the cell, with water at the bottom. After losing consciousness again the narrator discovers that the prison is slightly illuminated and that he is bound to a wooden board by ropes. He looks up to see a painted picture of Father Time on the ceiling. Hanging from the figure is a gigantic pendulum with a crescent razor measuring "one feet from horn to horn," and swinging slowly back and forth. The pendulum is inexorably sliding downwards and will eventually kill him. However, the condemned man is able to attract rats to his bonds with the meat left for him to eat and they start chewing through the ropes. As the pendulum reaches a point inches above his heart, the prisoner breaks free of the ropes and watches as the pendulum is drawn back to the ceiling. He then sees that the walls have become red-hot and have begun moving inwards, driving him into the center of the room and towards the brink of the pit. As he gazes into the pit, he decides that no fate could be worse than falling into it: "Neither could I forget what I had read of these pits -- that the sudden extinction of life formed no part of their most horrible plan." As the narrator moves back from the pit, he sees that the red-hot walls are leaving him with no foothold. As he begins to fall into the pit, he hears human voices, a loud trumpeting, and a huge boom as loud as "a thousand thunders." The walls rush back and an arm catches him. The French Army has taken Toledo and the Inquisition is in the hands of its enemies. Le narrateur est jugé coupable par l'Inquisition espagnole de Tolède d'un crime non divulgué et se retrouve enfermé dans une cellule plongée complètement dans l'obscurité. Il s'évanouit en essayant de délimiter la taille de la pièce en longeant ses murs. Quand il se réveille, il se rend compte, en manquant de tomber dedans, qu'un puits large et profond se trouve au milieu de la pièce. Il s'évanouit à nouveau et quand il reprend ses esprits, il est allongé sur le dos, ligoté, et ne peut bouger que la tête et, de façon limitée, le bras gauche. Il se rend compte qu'une grande lame très aiguisée en forme de pendule se balance au-dessus de lui et se rapproche lentement de sa poitrine. Il trouve un moyen d'échapper à son supplice en enduisant ses liens avec de la nourriture laissée à son intention, ce qui attire des rats qui rongent ses liens et le libèrent juste avant le moment fatidique. Mais les murs de sa prison, enflammés et rendus brûlants depuis l'extérieur, se mettent à bouger et à le cerner, le rapprochant de plus en plus du puits. Au moment où il va chuter par manque d'espace, les murs commencent à reculer et un bras le saisit, celui du général Lasalle dont l'armée vient de prendre Tolède.

Product Details

ISBN-13: 9781532814402
Publisher: CreateSpace Publishing
Publication date: 04/18/2016
Pages: 58
Product dimensions: 6.00(w) x 9.00(h) x 0.14(d)

About the Author

About The Author
Edgar Allan Poe (1809–1849) was orphaned at the age of three and adopted by a wealthy Virginia family with whom he had a troubled relationship. He excelled in his studies of language and literature at school, and self-published his first book, Tamerlane and Other Poems, in 1827. In 1830, Poe embarked on a career as a writer and began contributing reviews and essays to popular periodicals. He also wrote sketches and short fiction, and in 1833 published his only completed novel, The Narrative of Arthur Gordon Pym of Nantucket. Over the next five years he established himself as a master of the short story form through the publication of "The Fall of the House of Usher," "The Masque of the Red Death," "The Tell-Tale Heart," and other well–known works. In 1841, he wrote "The Murders in the Rue Morgue," generally considered the first modern detective story. The publication of The Raven and Other Poems in 1845 brought him additional fame as a poet.
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