2020-06-30
A verse rendition of the 342-year-old quest fantasy’s first part.
Brasseur keeps the plot intact along with the Calvinist insistence on redemption through grace alone, not works, and cameos from pilgrim-eating giants Pagan and Pope. Except for New Testament quotations at each chapter’s head, however, he loses the original’s teeming, pace-killing Biblical references. Some of his other changes will strike readers as arbitrary: Erstwhile neighbors Obstinate and Pliable are “Sir Stubborn” and “Mr. Fickle,” and the Slough of Despond is, disappointingly, just a generic “marshland.” Still, he does somewhat modernize the original’s now-crabbed idiom: “Dad is being ridiculous; there’s nothing we should fear,” Christian’s children say. He sets most of Christian’s journey through the “narrow wicket-picket gate” in anapests, which creates a suitable sense of trotting along, but both meter and rhyme are inconsistent. In any case, this retelling doesn’t measure up in quality or feeling to Gary D. Schmidt’s magisterial John Bunyan’s Pilgrim’s Progress (1994), illustrated by Barry Moser. Longhi’s frequent full-page paintings likewise suffer in comparison, as her stiff, blocky figures never show other than theatrical emotions. Still, if Christian and most of the rest of the cast are White, Jesus sports an olive complexion, and Christian travels with brown-skinned companions Faithful (whose auto-da-fé is described but not depicted) and Hopeful.
Too many potholes for a steady Progress. (Verse fiction. 11-14)
