Table of Contents
ntroduction - Sue-Ellen Case and Janelle Reinelt
MATERIALIST SEMIOTICS
Sexual Politics and Cultural Identity in The Masque of Blackness - Kim F. Hall
The Good Soldier Schwejk as Dialectical Theater - Sarah Bryant-Bertail
Revolution …History …Theater: The Politics of the Wooster Group's Second Trilogy - David Savran
Bernard Shaw and the Drama of Imperialism - J. Ellen Gainor
DECONSTRUCTION
Constructing Patroclus: The High and Low Discourses of Renaissance Sodomy - Gregory W. Bredbeck
The Politics of Metamora - Jeffrey D. Mason
The Eurocolonial Reception of Sanskrit Poetics - Sue-Ellen Case
REVEALLING SURVEILLANCE STRATEGIES
The Artificial Eye: Augustan Theater and the Empire of the Visible - Joseph Roach
The Playhouse and the Committee - Barry B. Witham
Spectacle as Government: Dickens and the Working-Class Audience - Janice Carlisle
CONSTRUCTING UTOPIA
Victorian Players and Sages - Nina Auerbach
Charlie Chaplin, Soviet Icon - Spencer Golub
Theorizing Utopia: Edward Bond's War Plays - Janelle Reinelt
THE ACADEMIC INSTITUTION AND THE PRODUCTION OF KNOWLEDGE
Introduction - Thomas Postlewait
Demographics and the Academy - Margaret B. Wilkerson
The Challenge to Professional Training and Development - Simon Williams
Integrating Instruction, Production, and Research - Jon Whitmore
Conferring Power in the Theater - Gay Gibson Cima
New Historicism and American Theater History: Toward an Interdisciplinary Paradigm for Scholarship - Bruce A. McConachie
The Theory of History - Marvin Carlson
Notes on Contributors