The Paradox of Blackness in African American Vampire Fiction

by Jerry Rafiki Jenkins

Overview

One of the first books to examine representations of black vampires exclusively, The Paradox of Blackness in African American Vampire Fiction not only refutes the tacit assumption that there is a lack of quality African American vampire fiction worthy of study or reading but also proposes that the black vampires help to answer an important question: Is there more to being black than having a black body? As symbols of immortality, the black vampires in Jewelle Gomez's The Gilda Stories, Tananarive Due's My Soul to Keep, Brandon Massey's Dark Corner, Octavia Butler's Fledgling, and K. Murry Johnson's Image of Emeralds and Chocolate help to identify not only the notions of blackness that should be kept alive or resurrected in the African American community for the twenty-first century but also the notions of blackness that should die or remain dead.

Product Details

ISBN-13:	9780814255346
Publisher:	Ohio State University Press
Publication date:	07/18/2019
Series:	New Suns: Race, Gender, and Sexuality
Edition description:	1
Pages:	212
Product dimensions:	6.00(w) x 9.00(h) x 0.70(d)

About the Author

Jerry Rafiki Jenkins is Professor of English and Multicultural Studies at Palomar College.

Table of Contents

Acknowledgements iv
Introduction The Vampire’s Blackness 1
Chapter1       Blackness, Freedom, and the Staying-Alive Vampire in The Gilda Stories 29          
Chapter2       Anti-Zealot Atheism and the All-American Bourgeois Negro in My Soul to Keep
72
Chapter 3       African American Manhood and the Masculine Africa Narrative in Dark Corner
120
Chapter 4       The Journey from Human Blackness to Transhuman Blackness in Fledgling 153
Chapter 5       Black Church Corporatism and the Black Gay Vampire in Image of Emeralds and
Chocolate 192 
Conclusion     Post-Black, New Black, and the Immortality of Blackness 229  
 
Works Cited  236
Index              251
 

Editorial Reviews

"I found this book to be fascinating, provocative, and long overdue. Given the ubiquitous and long history of vampire myths and legends, the use of vampires as cultural metaphors in popular culture, and the popularity of African American horror novels, one is surprised that a study such as this has never been published. Perhaps we were just waiting for a scholar such as Jenkins to breathe new life into the undead." --Frances Gateward

From the Publisher