Publishers Weekly
12/04/2023
Psychotherapist and sketch comedy writer Howes (The Ladies) portrays sisterhood, family secrets, and mental illness in her intricate and vibrant debut. The novel takes place in late-18th-century Ipswich, England, where as young girls, Peggy and Molly Gainsborough are given free rein by their emotionally absent painter father and corralled by their society-conscious mother. Molly’s bouts of sleepwalking, blackouts, and memory loss have been increasing in frequency, despite Peggy’s attempts to help her sister in an era when mental illness was viewed as witchcraft and loved ones were shipped to asylums. Terrified of separation, Peggy shoulders the burden of her sister’s episodes alone, a responsibility that becomes even heavier when the girls are 12 and 13 and the family moves to Bath, where they must make a good impression so their father can bring in customers for portraits. The novel is rife with secrets—including a past the sisters’ mother refuses to speak about, forbidden lovers, and the mysterious interwoven story of an innkeeper’s daughter and her abusive father—but the Gainsboroughs persevere through illness and betrayal. Though a rushed ending feels out of sync with the carefully laid details of the sisters’ lives, Howes excels in her depiction of truth and rumors. Readers will want to linger in this singular world. Agent: Andrianna Yeatts, CAA. (Feb.)
From the Publisher
One of the BBC's Most Anticipated Books of 2024
“Emily Howes places the relationship of Peggy and Molly Gainsborough front and center. From the very beginning, it’s clear there’s something wrong with Molly.... Although one year younger, Peggy resolves to care for her sister by hiding her sporadic bouts of mental illness, terrified Molly will wind up in the ‘madhouse.’... Interspersed with Peggy’s account of her family is another narrative, set a generation earlier, that may explain the shameful mystery surrounding her mother’s background and perhaps even the root cause of Molly’s malady.”—New York Times (A Best Historical Fiction book of March 2023)
“As children, Peggy and Molly, daughters of English painter Thomas Gainsborough, are inseparable, cavorting through fields and spying on their father’s work. Although Peggy is the younger of the girls, she instinctively knows she must look after Molly, who is prone to spells of confusion. When the family moves to Bath to improve their station, the demands of polite society make it harder to conceal Molly’s condition. Meanwhile, each of the young women catches the eye of a man who, unbeknownst to them, courts them both, causing a rift that could destroy their bond. A dual storyline delves into their family’s history and involves fascinating speculation about the possible origins of Molly’s illness.”—Washington Post
“Howes delivers an immersive dive into the lives of Gainsborough’s daughters but also provides an intriguing backstory about his wife’s purported ancestry.... A thoughtful view of the real lives behind the pretty pictures.”—Kirkus, starred review
"It’s ambitious to draw fiction from such beloved and well-known portraits but Howes’s fictionalised Molly and Peggy don’t pale in comparison to their painted counterparts . . . beguiling and convincing . . . sensitively handled . . . Howes portrays Molly’s anguish – and her family’s terror – incredibly well . . . Howes writes so knowledgeably on everything from Georgian pigments to the tensions of sisterly love . . . the novel shines when it comes to the spooky duality of portraits, of sisterhood, of private and public faces . . . The Painter’s Daughters is convincing, engaging, transporting."—Guardian
“An enthralling drama of sisterly devotion and deception...this artistically inspired debut novel is faithful to the factual details of the Gainsborough sisters' lives while deploying seductive literary embellishments to fill in for the unknowable gaps in their family history.”—Shelf Awareness, starred review
“The narrative glue is the complicated relationship between Molly and Peggy, a bond dominated by the specter of mental illness and what its discovery could do to the family’s social standing and livelihood. Howes' debut is a work of absorbing biographical fiction exploring love, self-sacrifice, and codependency.” —Booklist
“[An] intricate and vibrant debut...Howes excels in her depiction of truth and rumors. Readers will want to linger in this singular world.” —Publishers Weekly
“Sibling bonds, arts and artifice, mental illness and marriage twine together in a story that was inspired by Gainsborough’s portrait of his daughters, Peggy and Molly. Plunged into Bath polite society, their closeness is thrown into confusion as Peggy falls in love and Molly’s illness threatens incarceration in an asylum.”—The Daily Mail
“A superb debut . . . a deft portrait of a family beset by madness, self-delusion and artistic temperament, a celebration of childhood innocence and a reminder of how fleeting it is . . . hugely impressive . . . a novel that heroically refuses to simplify anything . . . the pages fly by so readably that it’s only thinking about the book later – or reviewing it – that you realise quite how rich it is . . . We learn a lot of fascinating stuff about Gainsborough without feeling remotely lectured. Every place and time in which the novel touches down feels thoroughly imagined . . . beautifully effective . . . an explosively ironic twist . . . a wonderfully accomplished debut.”—Daily Telegraph
“Telling of hidden parentage, suffocating social mores and the humiliation of ‘madness’, The Painter’s Daughters is a densely packed, glittering novel, with as much detail and intrigue as one of Gainsborough’s own canvases.”—The Mail on Sunday
“The vibrant narrative leaves little to the imagination as Howes delves beneath the surface of Gainsborough’s portraits to discover stories and incidents that are infinitely less poised and lacking in restraint than their painted representations.” —Spectator
“A story of obsessive love, genius and mental illness.” –Country Life
“The Painter’s Daughters is beautifully written...I raced through it. Howes’s research is filtered through contemporary consciousness and deployed with skill. It’s a polished performance.”—HILARY MANTEL
“Beautifully written, moving and skillfully handled, The Painter’s Daughters is as exquisitely and tenderly rendered as a Gainsborough painting.”—TRACY CHEVALIER, author of Girl With a Pearl Earring
“A beautifully written, impressively researched novel about sisterly love, art and sacrifice, The Painter's Daughters is historical fiction at its finest. Both entertaining and enlightening, it swept me along in its galloping pace while teaching me about a world I never knew. Howes is a talent to be reckoned with. Wonderful.”—EMMA STONEX, author of The Lamplighters
"A thoughtful and thought-provoking debut novel that brings to life the daughters of painter Thomas Gainsborough. Emily Howes is a talented writer who vividly evokes Regency England but doesn’t shy away from exploring how its glittering society could constrain and threaten young women. An engaging and enjoyable mix of historical fact and beautifully-imagined fiction."—JOANNA QUINN, New York Times bestselling author of The Whalebone Theatre
"A marvellous novel, up there with some of my favourite works of historical fiction. Emily Howes’ evocation of the Gainsborough sisters’ relationship is truly remarkable and the novel is a sensory delight, full of evocative descriptions that bring the past to life. I loved it."—WHITNEY SCHARER, author of The Age of Light
"In the tradition of Maggie O’Farrell and Tracy Chevalier, Emily Howes brings us the story of Thomas Gainsborough’s two daughters, Molly and Margaret, whom she imagines were equal parts muse and millstone for the famed eighteenth-century portrait painter. Howes’ thorough research and exquisite prose brings both girls to life, but it is the author’s deep understanding of mental illness and how it affects families that sets the novel apart. Emily Howes is a true talent, and I did not want this book to end."—RACHEL BEANLAND, author of The House is on Fire and Florence Adler Swims Forever
“A feast for the senses and the joy of a story well told – a beautiful debut.” —JO BROWNING WROE, author of A Terrible Kindness
“I loved The Painter’s Daughters – a vivid, sad, beautiful novel about sisters.”—AMY KEY, author of Arrangements in Blue
“A brilliant novel . . . the writing is sublime. It is like being transported back in time. I didn’t want the story to end. If you enjoyed Maggie O’Farrell’s Hamnet, you’ll love this.”—KAREN ANGELICO, author of Everything We Are
"A mesmerising and at times quietly devastating tale of two sisters, art, shared suffering and love. With The Painter’s Daughters, Emily Howes has pulled off the finest of balancing acts, combining rich and evocative historical detail with a light and contemporary writerly touch." —CHLOE ASHBY, author of Second Self
“A deeply touching tale of two sisters that probes the difference between love and self-sacrifice. Fascinating.”—PRISCILLA MORRIS, author of Black Butterflies
“A moving exploration of the familial ties that bind us and the grief of a life half-lived . . . a wonderful debut that lingered with me.”—ELIZABETH MACNEAL, author of The Doll Factory
Hilary Mantel
The Painter’s Daughters is beautifully written...I raced through it. Howes’s research is filtered through contemporary consciousness and deployed with skill. It’s a polished performance.”—Hilary Mantel
“A feast for the senses and the joy of a story well told – a beautiful debut.” —JO BROWNING WROE, author of A Terrible Kindness
“I loved The Painter’s Daughters – a vivid, sad, beautiful novel about sisters.”—AMY KEY, author of Arrangements in Blue
“A brilliant novel . . . the writing is sublime. It is like being transported back in time. I didn’t want the story to end. If you enjoyed Maggie O’Farrell’s Hamnet, you’ll love this.”—KAREN ANGELICO, author of Everything We Are
APRIL 2024 - AudioFile
Emily Howes's debut novel examines the lives of Peg and Molly Gainsborough, daughters of the renowned portrait artist Thomas Gainsborough. Gemma Lawrence gives Peg a strong, determined voice as she recounts Peg's close, protective ties with her troubled older sister, Molly. Lawrence's subtle changes in emphasis and volume communicate Molly's distance and confusion. As Peg attempts to keep Molly safe, Lawrence conveys her moments of panic, her mother's frustration, and her father's insistence that everything is fine. Louise Brealey tells the story of Meg, Peg's grandmother, and of Margaret, Peg's mother, whose family history is shrouded in secrecy. Brealey speaks with an observer's detached distance, employing a steady, even delivery that slowly reveals Margaret's secret past and her aspirations for her daughters. N.E.M. © AudioFile 2024, Portland, Maine
Kirkus Reviews
★ 2023-12-16
The women in 18th-century British painter Thomas Gainsborough’s family are the subject of this portrait in words.
As promised by the title, Howes delivers an immersive dive into the lives of Gainsborough’s daughters but also provides an intriguing backstory about his wife’s purported ancestry. The Gainsborough girls—Molly the elder and Peggy a bit younger—enjoy a fairly feral and unrestrained early childhood in Suffolk, despite their mother’s attempts to rein them in. Molly shows signs of a troubling tendency toward spells of odd behavior and confusion, which continue, and worsen, after the family relocates to the more fashionable city of Bath, a move undertaken to expose the girls (who sometimes model for their father) to a more civilized way of life and advance Gainsborough’s career as a portrait artist. Terrified that she and Molly will be separated and that Molly’s condition will expose her to ridicule and, worse, institutionalization in a barbaric “Bedlam,” Peggy develops a system of coping mechanisms and evasive tactics in an attempt to keep them together. Running parallel to the girls’ story is the unfolding saga of the earlier life of Meg, a young Englishwoman from an impoverished background with a history of familial violence and loss. Meg’s secret relationship with the visiting Frederick of Hanover (then Prince of Wales) leads her to take bold steps to secure her future and that of their secretly conceived child. The struggle between genetics and secrecy is just one of the themes explored by Howes in this subtle exploration of love, duty, and resentment. The author’s note details her research into Gainsborough and his circle, illuminating which parts of the narrative are grounded in fact and which are imaginative embellishment.
A thoughtful view of the real lives behind the pretty pictures.
