The Oxford History of Classical Reception in English Literature: Volume 3 (1660-1790)
The Oxford History of Classical Reception (OHCREL), of which the present volume is the first to appear, is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have been responded to and refashioned by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the volumes.

OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context.

When completed, this 5-volume history will be one of the largest, and potentially most important projects, in the field of classical reception ever undertaken. This third volume covers the years 1660-1790.
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The Oxford History of Classical Reception in English Literature: Volume 3 (1660-1790)
The Oxford History of Classical Reception (OHCREL), of which the present volume is the first to appear, is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have been responded to and refashioned by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the volumes.

OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context.

When completed, this 5-volume history will be one of the largest, and potentially most important projects, in the field of classical reception ever undertaken. This third volume covers the years 1660-1790.
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The Oxford History of Classical Reception in English Literature: Volume 3 (1660-1790)

The Oxford History of Classical Reception in English Literature: Volume 3 (1660-1790)

The Oxford History of Classical Reception in English Literature: Volume 3 (1660-1790)

The Oxford History of Classical Reception in English Literature: Volume 3 (1660-1790)

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$370.00 
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Overview

The Oxford History of Classical Reception (OHCREL), of which the present volume is the first to appear, is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have been responded to and refashioned by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the volumes.

OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context.

When completed, this 5-volume history will be one of the largest, and potentially most important projects, in the field of classical reception ever undertaken. This third volume covers the years 1660-1790.

Product Details

ISBN-13: 9780199219810
Publisher: Oxford University Press
Publication date: 12/12/2012
Series: Oxford History of Classical Reception in English Literature
Pages: 750
Product dimensions: 6.40(w) x 9.30(h) x 1.80(d)

About the Author

David Hopkins is Emeritus Professor of English Literature and Senior Research Fellow at the University of Bristol. His teaching and research interests have largely been focused on English poetry and literary criticism of the late seventeenth and eighteenth centuries (especially Milton, Cowley, Dryden, Pope, and Johnson) and on English/Classical literary relations.

Charles Martindale is Emeritus Professor of Latin and Dean of Arts at the University of Bristol. His research interests are wide-ranging, with a particular commitment to cross-disciplinary research. He is interested in Latin poetry (particularly Catullus, Virgil, Horace, Ovid, Lucan) and its reception, especially in English literature.

Table of Contents

PrefaceList of Contributors1. Introduction, David Hopkins and Charles Martindale2. The Place of Classics in Education and Publishing, Penelope Wilson3. Milton s Classicism, Charles Martindale4. Dryden s Classicism, Tom Mason5. Latin Epic, Paul Davis6. Homer, David Hopkins7. Ovid, David Hopkins8. Satire and Epigram, Dan Hooley9. Horatianiasm, Robin Sowerby10. Georgic and Pastoral, Juan Christian Pellicer11. Burlesque and Mock Epic, Fred Parker12. Literary Criticism, Philip Smallwood13. Didactic and Scientific Poetry, Martin Priestman14. The epistolary Tradition, Bruce Redford15. The Classics and Eighteenth-Century Theatre, Malcolm Kelsall16. The Fabular Tradition, Jayne Lewis17. Women Writers and the Classics, Penelope Wilson18. Lyric and Elegy, David Fairer19. The Classics in the English Novel, Henry Power20. The Ancient Historians in England, Philip Hicks21. Discursive and Philosophical Prose, Adam Potkay22. Samuel Johnson's Classicism, Freya JohnstonBibliography, Victoria MoulIndex
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