The Oxford Handbook of Music Making and Leisure

by Roger Mantie (Editor), Gareth Dylan Smith (Editor)

Overview

Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present myriad ways for reconsidering and refocusing attention back on the rich, exciting, and emotionally charged ways in which people of all ages make time for making music. The contexts discussed are broadly Western, including an eclectic variety of voices from scholars across fields and disciplines, framing complex and multifaceted phenomena that may be helpfully, enlighteningly, and perhaps provocatively framed as music making and leisure. This volume may be viewed as an attempt to reclaim music making and leisure as a serious concern for, amongst others, policy makers, scholars, and educators who perhaps risk eliding some or even most of the ways in which music - a vital part of human existence - is integrated into the everyday lives of people. As such, this handbook looks beyond the obvious, asking readers to consider anew, "What might we see when we think of music making as leisure?"

Product Details

ISBN-13:	9780190244729
Publisher:	Oxford University Press
Publication date:	12/01/2016
Series:	Oxford Handbooks
Sold by:	Barnes & Noble
Format:	eBook
Pages:	544
File size:	3 MB

About the Author

Roger Mantie (PhD, University of Toronoto; MM, Brandon University) is Associate Professor at Arizona State University. His teaching and scholarship are informed by his fourteen years as a school music educator. His work emphasizes connections between schooling and society, with a focus on lifelong engagement in and with music and the arts. A widely published author, he is coeditor of The Oxford Handbook of Technology and Music Education (2017). Gareth Dylan Smith is an independent scholar based in London. He is at the forefront of research in popular music education, serving as editor for the Journal of Popular Music Education and The Routledge Research Companion to Popular Music Education (2016), with numerous journal articles and book chapters published in the field. Gareth is a drummer and a longtime musical collaborator with other rockers, punks, theater musicians, and songwriters, playing on various recordings and performing in bars, clubs, festivals and theaters. His next commercial musical release will be a concept album entitled Tinker Tailor Soldier Rock. Following his cultural-psychological study of drum-kit players I Drum, Therefore I Am: Being and Becoming a Drummer (2013), his current research includes a phenomenological study of embodiment in drum-kit performance. His life in music, leisure, and academia is comically chronicled at drdrumsblog.com.

Table of Contents

Contents EDITORS' INTRODUCTION 1. Roger Mantie and Gareth Dylan Smith Grasping the Jellyfish of Music Making and Leisure SECTION I 2. Marie McCarthy Creating a Framework for Music Making and Leisure: Max Kaplan Leads the Way 3. Susan Hallam, Andrea Creech, and Maria Varvarigou Well-Being And Music Leisure Activities Through The Lifespan: A Psychological Perspective 4. Abigail D'Amore and Gareth Dylan Smith Aspiring to Music Making as Leisure through the Musical Futures Classroom 5. Adam Patrick Bell D.I.Y. Recreational Recording as Music Making 6. Joseph Pate and Brian Kumm Contemplating Compilations: An Invitation to . . . 7. David Lines "While My Guitar Gently Weeps": Music Education and Guitar as Leisure 8. Kevin Rathunde and Russell Isabella Playing Music and Identity Development in Middle Adulthood: A Theoretical and Autoethnographic Account 9. Gareth Dylan Smith (Un)popular Music Making and Eudaimonism SECTION II 10. Stephanie Pitts "The Violin in the Attic": Investigating the Long-Term Value of Lapsed Musical Participation 11. Sidsel Karlsen Leisure-time Music Activities from the Perspective of Musical Agency: The Breaking Down of a Dichotomy 12. Jennie Henley The Musical Lives of Self-confessed Non-musicians 13. Zack Moir Popular Music Making and Young People: Leisure, Education and Industry 14. Andy Krikun "Perilous Blessing of Leisure": Music and Leisure in the United States, 1890-1945 15. Valerie L. Vaccaro A Consumer Behavior-Influenced Multi-Disciplinary Transcendent Model of Motivation for Music Making 16. Karl Spracklen Developing a Cultural Theory of Music Making and Leisure: Baudrillard, the simulacra and music consumption 17. Gabby Riches Feeling Part of the Scene: Affective Experiences of Music Making Practices and Performances within Leeds' Extreme Metal Scene 18. Serena Weren, Olga Kornienko, Gary W. Hill, and Claire Yee Motivational and Social Network Dynamics of Ensemble Music Making: A Longitudinal Investigation of a Collegiate Marching Band SECTION III 19. Robert A. Stebbins Leisure Music Production: Its Spaces and Places 20. Hermione Ruck Keene and Lucy Green Amateur and Professional Music-Making at Dartington International Summer School 21. Ronnie Richards "What's Your Name, Where Are You From and What Have You Had?" Utopian memories of Leeds' Acid House culture in Two Acts 22. Joseph Pignato Red Light Jams: A Place Outside of All Others 23. Brett Lashua The Beat of a Different Drummer: Music Making as Leisure Research 24. Jenna Ward and Allan Watson "FX, Drugs and Rock 'n' Roll": Engineering the Emotional Space of the Recording Studio 25. Christopher Cayari Music Making on YouTube 26. Alberto Trobia and Fabio M. Lo Verde Italian Amateur Pop-Rock Musicians on Facebook: Mixed Methods and New Findings in Music Making Research SECTION IV 27. Karen Fox Entering Into An Indigenous Cypher: Indigenous Music-Dance Making Sings to Western Leisure 28. Jared O'Leary and Evan Tobias Sonic Participatory Cultures within, through, and around Video Games 29. Thomas Malone "Singer's Music": Considering Sacred Harp Singing as Musical Leisure and Lived Harmony 30. Shara Rambarran "DJ Hit That Button": Amateur Laptop Musicians in Contemporary Music and Society 31. Gillian Howell, Lee Higgins, and Brydie-Leigh Bartleet Community Music Practice: Intervention Through Facilitation 32. Roger Mantie Leisure Grooves: An Open Letter to Charles Keil Index

Editorial Reviews

"The Oxford Handbook of Music Making and Leisure contributes to interdisciplinary, global conversations about music making as an intrinsic part of human existence. Throughout the chapters, one is reminded of the nuances and complexity of leisure and the variegated roles and meanings that music plays within it. The frame of 'music making and leisure' presents and permits possibilities, provocation, and other potentialities, both explicit and implied. The book may inspire readers to think differently and to encourage the same in others and perhaps help to effect positive change in the world." — SirReadaLot

"Highly recommended. Lower- and upper-division undergraduates; professionals; general readers."—CHOICE

From the Publisher