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| ISBN-13: | 9781480496576 |
|---|---|
| Publisher: | Open Road Media |
| Publication date: | 04/01/2014 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 238 |
| Sales rank: | 633,146 |
| File size: | 2 MB |
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Read an Excerpt
The Other End
By John Shirley
OPEN ROAD INTEGRATED MEDIA
Copyright © 2010 John ShirleyAll rights reserved.
ISBN: 978-1-4804-9657-6
CHAPTER 1
(From Avant Science Report, April 10, 2—)
... Radio astronomers writing in the online academic journal, Interferometry Studies, have announced the detection of an unusual "quasar-like" series of radio pulses from "multiple sources." Normally, quasar signals come from distant galaxies.
Hammond Terrence, Professor of Astronomy at the University of Calgary, and his colleague H. Mahwjee, Professor of Astrophysics, made the announcement.
"The radio signatures are more like those of pulsars than quasars in some ways, but the amount of energy involved is very much like that of a quasar," Terrence said in a brief statement. "The energy pulse also seems to be reaching us much faster than it should. We attribute this to some miscalculation in our readings. We are asking for confirmation from other astronomers, as well as alternate rate calculations. There are indications of charged particles traveling with the pulses, which are highly directional, apparently aimed at this solar system, hence we think it appropriate to turn significant astronomical resources toward some of the sources. The center of our galaxy, for example, is one of the stronger sources."
Asked by email what he meant by "aimed," Terrence said that he was sure the "aiming" was "only an appearance. But it is so striking an appearance I felt the term 'aiming' was appropriate."
Terrence refused to elaborate.
Another researcher at the University of Calgary, preferring anonymity, insisted that the sources, initially thought to be emanating entirely from the center of the galaxy, are in fact coming "from nearly every direction at once and much faster than any model could have predicted. It's all coming from thousands of sources in the universe, symmetrically separated. The impression is that the universe itself is sending the signal. We have to assume these readings are the result of some massive, incomprehensible breakdown of our equipment."
* * *
Look down, from high in the air, and see: a trailer park from above, like circuitry under a microscope. Pull back farther, about 28,000 miles farther out, to show the planet itself ...
Our world, Earth: with its thin coating of rock and dirt, unevenly coated with organisms, tracts of saltwater, all of it wrapped around a great ball of molten lava seething atop a nickel-iron core.
On the exterior skin of the ball, rock shoulders from the sea to form regions called "continents," coated with a biosphere. The biosphere includes colonies of anthropoidal organisms, said colonies linked by "freeways" and by atmospheric personnel-transfer devices, known as "aircraft" and by transmissions through the air, and through cables; the colony is locally termed a "city".
Focus again on the trailer park, one small angular detail on the brittle tapestry of the city.
Pull back into the fourth dimensional perspective, see the city over the course of time, shaping and collapsing, forms rising and falling under roiling condensations of atmospheric moisture; while beneath the city, tectonic plates shrug, begin to buckle ...
Pull back to the fifth dimension, encompass the first four—and here consciousness itself becomes visible: millions of flickering consciousnesses, reacting through spectra of colors. From some of them, the colors are harsh, and dark. These are the particular colors of suffering.
* * *
West Fresno, California.
"Hey Reynardo—how you doing?" Jim Swift asked, taking out the pack of chocolate Newports. He didn't smoke, but he knew the kid smoked flavored Newports so Swift was going to pretend he smoked today.
The teen looked up from sitting on the plastic fold-up steps under the door of the old Econoline, squinting against the late sun slashing between the rows of house trailers. He was mixed black, Asian, Latino; a spindly teenager, not especially dark but not Caucasian, head shaved and tattooed tag-style; wearing a polyester transjacket imprinted with Oakland Raiders watermarks, the jacket having lost its see-through from grubbiness; under it he wore a football jersey, number eight, big floppy green military pants, and Nike Dunkmasters. The sneakers looked too big for him. No chance to try them on when you're running from the store.
The boy shaded his eyes, which flicked immediately to the cigarettes. Swift had a teenager himself and he felt a little guilty playing this card, feeding Reynardo's habit, but what the hell, hooked is hooked and the kid could help him and maybe later he could help the kid some other way. "Hot as all fuck for early May, isn't it, Reynardo?"
"What you want?" Reynardo asked, looking sharply away from the cigarettes. He was careful not to seem friendly to Swift—who was a big middle-aged white guy, after all. Swift was sandy-haired, blue-eyed, expression almost invariably some version of sardonic—and he looked more like a bounty hunter sent by some Bail Bondsman than a reporter for The Sacramento Bee.
Swift had the pack of flavored cigarettes already open, just as if he'd been smoking. He tapped a cigarette up, lipped it out, struck it alight on the static-charge lighter on the side of the pack. He puffed to keep it going, not breathing in much, that would've made him cough. He let the chocolate-flavored smoke drift toward Reynardo without seeming to blow it at him. "Can I sit down, man? I've been tramping all over West Fresno, brewd, I needa sit."
"Sit, brewd, whatafuck I care," Reynardo said carelessly.
Swift sat on the steps beside the boy, making them creak. He was a big man, almost six-four, and bulky. He held the pack of flavored Newports out to the kid, while looking through the lines of doublewides toward the projects. Reynardo took the pack, expertly plucked a cigarette, stuck it alight, handed the pack back, all in less than two seconds—several motions gracefully combined, like the motions of an orchestra conductor's baton.
"What you looking for, all over West Frez?" Reynardo asked, watching the smoke swirl in the declining sunlight. "I heard you was on the avenue."
They knew each other a little, because Swift had done a piece about the West Fresno projects involving Reynardo's older sister, Terese—about a projects cop sexually harassing her—and he'd got the kid to trust him. For awhile.
"It's all about right here, what I heard," said Swift. He hooked a thumb toward the back of the trailer park. "Behind that chicken wire. Those trailers back there."
Reynardo's face hardened, as Swift expected. Talking about what might be in those trailers, even to a reporter anonymously, was too much like snitching. Twice in "West Frez" he'd seen graffiti reading. SNITCH—DIE YOUNG, MF.
"Them peeps is Cambodes that run that shit, they kill you soon's look at you," Reynardo said tonelessly. "Why you comin' at me with that boosht?"
"It's all good," Swift said, falling back on an outdated expression. "But I heard some children died in one of those trailers. That's pretty fucked up, don't you think, Rey?"
"I don't think nothing about anything, and you can offer a truckload of fucking cigarettes and another truckload of cash and you still get nothing."
"See you shoulda told me you wouldn't help me after I gave you all the cigarettes and money, not before, what kind of tactic is that?" Swift chided him, trying to get him to smile.
The kid glanced away to hide the smile, he shrugged.
They both knew he'd already told Swift what he wanted to know without seeming to. "Cambodes", in this context, was short-hand for Cambodian gang. The local Cambodes specialized in immigrant smuggling scams. They had something to protect back there ...
"I don't have a truckload but I got a Franklin," Swift said. He did have a hundred dollar bill in his wallet—he'd had it there for six months.
"Fuck off," Reynardo said, leaning back, blowing smoke at the sky.
Swift shook his head, said loudly, "Well if you don't wanta tell me, you don't wanta tell me."
He put the pack of cigarettes on the stairs—though it hadn't really been about cigarettes—punched the kid gently in his skinny shoulder, and got up, wandering off between the trailers just as if he wasn't sure where he was going.
Swift figured to circle around in the trailer park awhile, keeping his eyes open, and then cut back toward the fenced off section in the back. His cell phone chimed "Ode to Joy"—he kept thinking he was going to change the ringtone because it always sounded sarcastic—and he reached into his black leather blazer and found the phone, saw from the number it was Ed Galivant calling. Ed's whole trip was something Swift only rarely had time for. The guy wrote for The Fortean Times, and for online sites about the paranormal. Swift liked Ed Galivant but he didn't take the guy's "research" seriously.
He closed the phone, started to put it away, but it gave out another bleep, as if reproaching him for not answering. He grunted and looked, read a text message from Galivant.
Jim, para phenom in our back yard, call me, too big for FT. ED G.
Swift shrugged, tucked away the phone. He let his mind wander as he wandered physically through the trailer park, and his thoughts inevitably turned at this late afternoon hour to beer, preferably dark beer, the culprit, along with sweet and sour pork, in the substantial gut he was beginning to show.
Next thing to crop up in his mind was always his daughter, Erin. The girl's name had been chosen by her mother, when Linda was going through her "goddess worshipping" period, before the born-again thing. He wondered what Linda was saying about him to Erin this week. Every week there was a new slander. He hadn't found out yet if she'd let him see his daughter this weekend.
Theoretically, visitation was court scheduled, but there were always excuses: Erin has to go to a school field trip early tomorrow; Erin hasn't been feeling well, I need to make sure she gets to bed on time; Erin has to focus on homework for a test and I'm helping her study, Jim, don't you understand that?
I understand that a teenage girl needs her father, he thought.
He needed a couple of beers, thinking about Linda. An Anchor Steam draft would hit the spot. Even a Michelob or a Red Stripe.
He circled around another Econoline doublewide, nodding to a fat white lady in curlers and flowered housedress. She looked at him blearily as she snatched sail-sized underwear from the line. He passed another trailer chattering out the sounds of a daytime talk show—then he angled back, cutting across someone's little patch of lawn grass. They'd yell at him if they saw him, though the lawn was barely a lawn, hardly big enough for a dog to poop in.
Swift turned into the gravel road between the rows of mobile homes. A freeway rumbled and hissed and groaned nearby, beyond a scruffy field. Two small white boys in an empty trailer, taking turns with a pellet gun, were taking potshots at a raggedy yellow cat. The cat gave them the slip, ducking under a white Econoline, and the boys watched Swift pace by. He half expected a pellet in the back of the head—not lethal, but painful.
They elected not to shoot him. People sometimes mistook him for a plainclothes cop.
But the sun was cooking the back of his neck, making him sweat, as he got to the end of the road where the trailers stood behind the chicken wire. They were set a couple of empty lots away from the others. Another fifty steps and he stopped in the shade of a magnolia tree near the chicken wire fence. Magnolia trees were from the Deep South, weren't they? But then people transplanted everything into California, on purpose or not. And some smuggled in illegal immigrants, near starved by the time they arrived, people packed in the holds of freighters almost the way slaves had once been brought in wooden vessels sailing from Africa. Only now, instead of taking them to a public slave auction, they shoved them into the backs of covered pickups, and took them to places like Fresno ...
Were they in there? The six medium-large trailers on the other side of the fence were shuttered, silent, inscrutable. The fence gate was padlocked. He saw no trashcans outside, no sign of occupancy. The caretaker of the trailer park had insisted that these trailers were empty; that they were being stored here by someone planning to sell them.
But Swift could almost feel the people inside the trailers.
The nearest of the trailers was about fifty feet away from him, beyond the fence. He watched for a while, saw no one patrolling the area; caught no movement at the papered-over windows. He listened close, and thought he heard a noise from the trailer. Hard to tell, since they were nearer the freeway here and the groaning of semi-trucks obscured most anything else here.
Was that a baby crying?
If there was anyone in those trailers, they were thoroughly locked in. Maybe chained down. They were waiting to be moved somewhere. The men would be put to work, without pay, at one thing—the women at another.
What next? He hadn't planned to take any serious risks. He just wanted to get some sense that the rumors were right, the Cambodes were smuggling immigrants in, lying to them about what they'd find in America. Once they got here, they forced them into indentured servitude, into slaves—into corpses, sometimes. Rumors said one or two died every week, because of "you know—conditions." If he could confirm the rumor with enough proof to get Beckwith at Sacramento PD on it, the detective would call his contact at Homeland Security or the FBI, and they'd raid the thing. In return, Beckwith would tip him on the raid and he'd be right there with an exclusive story.
But getting enough to bring Beckwith in wasn't so easy. He could hear it now. So you heard a rumor and saw some trailers? And?
He needed something more. Maybe a couple of photos. Anyway it could take the cops time to move on it. Meanwhile, maybe someone else dies in there. He needed to make a move ...
He looked around, couldn't see anyone watching him, and started along the edge of the fence, as if he were walking past the trailers to the field—though there was nothing back there except trash littered weeds. Beyond the field of weeds was a concrete-block wall hiding the freeway.
Going to get my ass shot, he thought. And not with pellets.
The chicken wire fence was topped by a sloppily strung double length of antipersonnel wire. But a determined person could get over it.
Swift spotted an old, half-soaked piece of tan carpet someone homeless had used as a mattress in the vacant lot. He waded into the knee-high grass, grabbed the edge of the carpet, and dragged it over to the back fence. He tried not to think about lice and the pee smell from the carpet as he slung it onto the top of the fence, wooly side down. He clambered up the chicken wire, feeling it start to tear under his weight, pulled himself onto the reeking carpet, cursing under his breath. "Come on you fat fuck, get your big ass over ..." He finally got a leg over the carpet, drew the other up, feeling muscles scream in his back—thinking: so big deal, later you'll take aspirin.
He was poised on the top of the fence, legs drooping inside its perimeter, wondering how much noise the fence would make if it collapsed—it felt like it might—unsure how to drop, afraid he'd break an ankle. Momentarily afraid to move ...
Something glinted nearby. A sunshine-yellow glimmer rippled the air. It shifted hue, becoming sunset-violet. Then yellow again.
Oh shit, he thought. I'm having a stroke. They can start with seeing lights and halos.
Still clinging to the top of the buckling fence, Swift looked around for the source of the light. He was trying to verify that it wasn't just in his head. There—in the yard close to the trailer: two big, vertical, luminous cones sang to one another with soft humming sounds; one pointed down, the other up, so they met at their points. Each translucent, glowing cone was big as a six-foot Christmas tree, but somehow infinitely extensive, too. They extended away from their intersecting points, into sky and Earth, to fade into some unbounded realm of space—it was impossible to tell how big the cones were. They were as symmetrically opposed as the halves of an hourglass. Slowly rotating in opposite directions, the cones were floating in the air near the corner of the nearest trailer. Something seemed to pulse, to emanate with a purple-violet light, from the place where conical point met point ...
Startled by this luminous apparition Swift lost his hold, and dropped onto the ground inside the chicken wire, landing heavily on his feet.
(Continues...)
Excerpted from The Other End by John Shirley. Copyright © 2010 John Shirley. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
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