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Overview
On the annual graveyard-working day in Clarksville, Texas, families come from all over East Texas to pay respects to their loved ones. The Ordways are one such clan, and in this eloquent and original novel, our narrator recounts the story of how he and his kin arrived in this magical land where the South meets the West.
The tale begins with his great-grandfather, Thomas Ordway, who lost his sight at the Battle of Shiloh and vowed to quit Tennessee forever. He crossed the Red River into Texas and stopped on the edge of the featureless prairie, a landscape too mystifying even for a sightless man. Years later, the narrator’s grandfather, Sam Ordway, was forced to leave the forest behind when his three-year-old son, Ned, was kidnapped by a neighbor. Sam scoured the vast state of Texas in search of Ned but never found the boy. The mystery of what happened to him and what his long-hoped-for return might mean to the Ordways brings William Humphrey’s brilliant second novel to its rich and satisfying conclusion.
A masterful blend of comedy, tragedy, and history, The Ordways is great American fiction in the tradition of William Faulkner and Mark Twain.
This ebook features an illustrated biography of William Humphrey including rare photos form the author’s estate.
Product Details
| ISBN-13: | 9781504006279 |
|---|---|
| Publisher: | Open Road Media |
| Publication date: | 02/17/2015 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 364 |
| Sales rank: | 604,560 |
| File size: | 2 MB |
About the Author
A longtime professor of English and writing at Bard College and other schools, Humphrey was the recipient of awards from the American Academy of Arts and Letters and the Texas Institute of Arts and Letters.
William Humphrey (1924–1997) was born in Clarksville, Texas. Neither of his parents went to school beyond the fifth grade, and during the height of the Great Depression his father hunted in the snake-infested swamplands of the Sulphur River to help feed the family. Humphrey left Clarksville at age thirteen and did not return for thirty-two years. By then he was the internationally acclaimed author of two extraordinary novels set in his hometown: Home from the Hill, a National Book Award finalist that became an MGM film starring Robert Mitchum, and its follow-up, The Ordways, which the New York Times called “exhilaratingly successful.” Eleven highly praised works of fiction and nonfiction followed, including Farther Off from Heaven, a memoir about Humphrey’s East Texas boyhood and his father’s tragic death in an automobile accident; The Spawning Run and My Moby Dick, two delightful accounts of the joys and travails of fly fishing; and No Resting Place, a novel about the forced removal of the Cherokee nation along the Trail of Tears.
A longtime professor of English and writing at Bard College and other schools, Humphrey was the recipient of awards from the American Academy of Arts and Letters and the Texas Institute of Arts and Letters.
Read an Excerpt
The Ordways
A Novel
By William Humphrey
OPEN ROAD INTEGRATED MEDIA
Copyright © 1992 William HumphreyAll rights reserved.
ISBN: 978-1-5040-0627-9
CHAPTER 1
PART ONE
In a Country Churchyard
Clarksville is in Texas—but only barely. Take a map and place the index finger of your right hand on Clarksville, your middle finger will rest in Oklahoma, your ring finger in Arkansas, and your little finger in Louisiana. It lies fifteen miles south of the Red River, on the road from the ferry which transported the first colonists to Texas. Standing on the edge of the black-land prairie, it was the first clearing they came to out of the canebrakes and the towering pines which choke the broad river bottom. Southerners, those first settlers were, and in the towns of northeast Texas, such as Clarksville, the South draws up to a stop. Mountain men, woodsmen, swampers, hill farmers, they came out into the light, stood blinking at the flat and featureless immensity spread before them, where there were no logs to build cabins or churches, no rails for fences, none of the game whose ways they knew, and cowered back into the familiar shade of the forest, from there to farm the margins of the prairie like a timid bather testing the water with his toe. The Texas of cattle herds and cowboys, of flat little sun-swept towns with low sheet-iron buildings strung out along a single main street, the Texas of the West, lies farther on, in time as well as space. The shady streets of Clarksville radiate from a spacious square, from the plaza in the center of which, bedded in wild roses, rises a tall marble shaft surmounted by a Confederate foot soldier carrying a bedroll on his back and a canteen at his side, resting his musket, and shading his eyes to gaze over the rooftops towards the southwest, in which direction the view is almost limitless.
The first colonists, and some later immigrants like my own great-grandfather, who drew back appalled from those vast and lonely prairies, went no farther, but settled in the town and in the farm hamlets which cling like children to its skirts. They felled timber and planted cotton and some brought in slaves while others did their own picking, and before long they were calling their town the long-staple-cotton capital of the world. Two blocks north of the public square they laid out another, and raised, of imported yellow stone, a courthouse eight stories high which to travelers on the oceanic prairie looked like a lighthouse, in the plan of a Greek cross topped by a tower with a tapered spire carrying on each of its four sides a great white clock face that could be read for miles, this in turn capped by a belfry from which on the quarter hour the bells rolled out over the town like a peal of thunder. After that there was no disputing that Clarksville would be the seat of Red River County. West of the courthouse they built a large jail and north of it a cotton compress and storage shed and a railway depot and a sawmill to finish the logs brought out unendingly from the river bottom.
Thirty years ago, when I was a boy there, Clarksville was already an old, old town. In fact, thirty years ago, before the discovery of oil nearby, Clarksville was an older town than it is today. Shoals of autos thronging the streets now fill with bleat and roar the square where then the rumble of ironbound wheels on bois d'arc paving bricks was heard and the snapping and crackling of a wagon bed carried like rifle shots around the four sides. Seated along the tailgate of the wagon with their legs dangling, the country children, stolid, neuter creatures all with the same homemade Buster Brown haircut, bobbed up and down like corks riding the waves. Now high in octane, the air then was spiced with the tang of fresh-cut pine, and in ginning season, when cotton lint lay in drifts against the curbs like snow, with the appetizing aroma of fresh-pressed cottonseed meal. On Saturday mornings the farmers hunkered in groups on the corners of the square, whittling. Asked to carve something other than shavings from his billet of wood, one of them would have looked at you as if you had asked him to bake you a cake. At noon, when they folded away their knives and stood up and brushed off their laps, it looked as if a sheep had been sheared on the spot, the shavings as curly and fine as wool. Market Square—where one went with one's mother to buy fresh vegetables from out of the farmers' wagons, and where it was a common sight, if there were many younguns in a family, and there always were, to see a pallet spread on the ground in the shade of the wagon bed and a row of them, crawling with flies, napping there—is a parking lot now. It occupied the large empty area in front of the county jail, and when business was slack the farmers would often hear the mournful wail of a French harp (harmonica, that is) from high up in the hard-faced old jailhouse. The bars were spaced too closely for any heads to be thrust out, but late in the day when the sun sank low in the west and sent a raking light into the dark interiors of the cells, then the farmers could see the prisoners' faces, striped with shadows. Conversations were often carried on between those behind the bars and those beside the wagons, and not infrequently the visit, though loud, had a familial intimacy. The rooftops are trellised with TV aerials now, and from studios in Dallas come the revival meetings and the medicine shows which thirty years ago were staged on the courthouse lawn on Saturday afternoons.
Then too an old custom, an annual rite, was still observed. The less well-todo of Clarksville—which included the Ordways—were at most one generation removed from the farm, and all had country kin; and once a year, in late October, after crops had been gathered and after the first frosts had brought hog-killing time with presents from the farm of fresh pork sausage and sorghum syrup, after the west winds sweeping in off the prairie filled with the rustle of dry cornstalks and the rattle of empty cotton bolls had stripped the trees and dumped a blizzard of yellow leaves upon the streets before blowing themselves out, there came a Saturday when we got up early, and finding the weather clear and still, put on old clothes, packed a lunch basket, and drove out of town to our ancestral homes for graveyard working day. In our case it was to Mabry, where among the cedars and the now bare-branched elms beside the small white clapboard church my father's people all lay buried.
For some, those from whose family circle an accustomed face was missing, in whose burial plot was a raw dirt mound on which as yet no grass had grown, no weeds to be plucked, but instead a browned and weathered wreath of flowers with weathered, faded ribbons to be removed and taken down back of the graveyard and thrown upon that common heap of dried bouquets and wire skeletons with colorless shreds of matter left clinging to them, for such as those, I say, graveyard working day was a time of sorrow and lamentation. On meeting they fell sobbing and wailing into one another's arms. For most, however, graveyard working day, though tinged with melancholy, was not so mournful an occasion as the name might suggest. The greater number found themselves reunited without recent loss. Old friends met, and though their conversations were weighted with sighs, though their eyes grew misty as they recounted the year's toll among their common acquaintance, though they said they too must soon follow after and doubted that they would meet again until they met in heaven, they were glad to be there and pleased to see one another. Younger grave-tenders were not noticeably oppressed by the thought that others would someday do the same office for them. Many a mating in the community, later solemnized in the church, had had its beginning as boy and girl pulled weeds side by side on graveyard working day, and among the grove of trees behind the schoolhouse was one tall beech in the bark of which, high above my head, was carved a pair of hearts joined by an arrow and monogrammed with my father's initials and those of my mother's maiden name.
We children were licensed to run and play as usual (though actually it was more fun to help with the work, where little pitchers with big ears might overhear, from the lips of relatives or from visitors to the family burial plot, the most intriguing anecdotes and reminiscences of their ancestors), were encouraged to, in fact, without restraint; as I remember it, even that dire warning not to step on any graves arose from our own superstitiousness rather than from any parental admonishment. One knew which families were in mourning, and play was steered away from them. As much piety was expended upon our right to enjoy our animal spirits, indeed our powerlessness to resist them, as upon the dead. "They don't know any better," was the statement frequently heard. "They'll learn soon enough. Let them be happy while they can."
For our family, at the time I am writing about, graveyard working day was a time of quiet rejoicing. My father was one of ten children, not counting two half-sisters and one half-brother, all then still living. Year after year (minus always that one half-brother, who was "out west" and unable ever to get home for this or any other of our family reunions) they had all met there with none missing from their ranks. It was thirty-five years since any Ordway had died, and that last was one whose death, even had it been more recent, we were not expected to mourn, not one of "us"—by which I mean my father's side of the family. This was my grandfather's first wife, Agatha, the mother of my Aunts Winifred and Beatrice and of that dim, distant half-uncle of mine whose name was Edward and who would be a man of thirty-five (born the day his mother died) but who for some reason was always referred to (the rare occasions that he was mentioned) by the double diminutive Little Ned. But he had been gone a long time, so long he was all but forgotten—intentionally, I seemed to sense, and already I had learned that I was not to question too closely into the circumstances of his leaving home nor the reasons for his prolonged absence. In any case, he was not missed, nor did Agatha Ordway cast any shadow upon our day—not even, I am sorry to say, upon my grandfather's day. Poor soul, she appeared to have been taken at her word, which, engraved upon her tombstone, was: "Weep not for me, but be content." Aunt Winnie and Aunt Bea could hardly be expected to remember their mother; they were only children when she died. As for my grandfather, well, he could hardly be expected to grieve for his first wife after all those years; still it used to embarrass me to hear him, in saying grace over our dinner spread on the ground just a few feet from where poor Agatha Ordway lay buried, thank God for having spared him all those whom he held dear, and rejoining him with them all once again.
As though the prairieland had been a pool into which the town was dropped, Clarksville was ringed with low wavy hills, flattening, growing fainter as they spread away. Mabry, ten miles due west, sat on the outermost ripple; beyond stretched Blossom Prairie, endless, treeless, smooth as water. The settlement consisted of just four buildings: the store and the house of its owner squatting along the narrow dusty road, and behind them, thrown down like a pair of dice upon the faded green baize of their yard, the one-room schoolhouse (in which my grandmother, years ago, before she married my grandfather, had once taught for a time) and the church. Lacking a bell, they shared between them a large iron-rod triangle suspended between two wooden trestles, of the kind sometimes to be seen outside farmhouse kitchen doors by which the men are summoned from the field for dinner. The length of rod for beating the triangle was kept inside the schoolhouse, the temptation to bang out a triplet or two being more than passing boys could be expected to resist. Tempo quickening as schoolmarm or preacher got into the swing of it, like a locomotive accelerating from a dead stop, its ringing tricornered clang grew hexagonal and finally circular, rolling westward unobstructed into infinity, and long after the beating had ceased the triangle went on vibrantly humming to itself. The church, simple as a child's drawing, the architectural semblance of the elemental creed it housed, needed only a span of oxen yoked on in front to pass for one of those prairie schooners which had brought its builders to the spot, and, lent a footloose and somewhat reckless air by its poverty, appeared to be sniffing the wind blowing in its face from off the wide open land stretching before it, and thinking of trying its luck farther on. Inside, the walls were as bare as outside. A rusty potbellied stove sat on a tattered zinc mat in the center of the room; supported by wires dropped from the ceiling, the rusty, flaking stovepipe ran overhead and out the flue at the rear. The benches were each the handiwork of a different member of the original congregation, in a variety of woods and workmanship, heights and depths, uniform in one thing only, the perpendicularity of their backs. The altar was a kitchen table, the altar cloth a yellowed lace doily. On it always stood, one inside the other, the two wooden collection plates lined with faded and moth-eaten purple felt into which one dropped one's penny, then passed it on down the row, where at one end my grandfather and at the other Mr. Bartholomew, the elders, stood waiting with abstracted mien to receive it. On the back wall behind the rickety low pulpit hung a notice board with replaceable letters whereon, beneath the chapter and verse of the day's sermon text, was published the attendance and the always miserably small collection which had been taken up on the preceding Sunday, or rather the last Sunday on which services had been held, for, being so poor, Mabry was obliged to share its preacher in rotation with two other settlements—a forced economy which did not much sadden me when later on I went to spend the summer with my grandparents on the farm. A small parlor organ completed the furnishings. It required pumping by hand, a job which, performed by some strapping farm lad, made the little building rock like a churn. The congregation's aim was not to sing with the organ but above it, and I can still see my grandfather, his chest expanded, neck stretched forward, and his elbows out at his sides as he held his hymnbook, like a rooster about to flap its wings and crow, waiting to come in on the beat with "When the roll is called up yonder." When one got done singing he stood with his eyes fixed straight ahead, waiting for the others each to finish, then all sat down together.
Mabry people all had small farms, large families. To get a start in life many of their children had had to leave home. Many had left the land altogether. Not all had been drawn into Clarksville; with the coming of the automobile some had gone as far away as the distant cities, Paris, Sherman, even Dallas and Fort Worth. On graveyard working day they all came home. To see the country folks reunited then with their grandchildren from the towns was to see evolution in action. They might have belonged to different epochs, different strains, the farmers with flaming cheeks and red ears and leathery brown necks, work-swollen hands, slitted eyes from squinting at the sun, with wrinkles at the corners so deep they seemed to have been drawn on in warpaint; the women bent like the rare prairie trees beneath the prevailing wind, gnarled, sinewy, dry, with pale, wind-cracked, chapped and peeling lips, more than one of them with that lichenlike splotching of the skin which denotes Texas sun cancer, and which may end by eating away the septum of the nose right up to the very bone. From long seething in caustic homemade lye soap, and from a lifetime of scrubbing the overalls of a family of working men against a washboard, their hands looked as if they had been cooked, and when they extended them in one of their shy, faint handshakes, they felt feverish to the touch. They spoke a different language, too. Slow-talking, unused to having to shout to make themselves heard, speaking little in any case, they spent their hoarded and antiquated words as my grandfather in town in the stores counted out his old-fashioned Indian-head pennies and his nickels and dimes from deep in his long stocking-shaped purse and stacked them in neat deliberate stacks on the counter. Alongside their grandchildren they presented a picture of wild flowers, more like weeds than flowers, stubborn, tenacious, tough, and a domesticated seedling of the same species, shade-grown and delicate.
(Continues...)
Excerpted from The Ordways by William Humphrey. Copyright © 1992 William Humphrey. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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